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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 21 to 30 of 47 (0.11 seconds)Spelling suggestions: "subject:"albei""
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"Now his time really seems to have come" ideas about Mahler's music in late imperial and first republic Vienna /Kinnett, Forest Randolph. January 2009 (has links)
System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 158-170).
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Lulu and the Undoing of Men: Unveiling Patriarchal Conventions Imposed and Overturned in Alban Berg's OperaRich, Morgan Marie 10 November 2008 (has links)
No description available.
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The relationship between the drama and the form in the sonata-allegro movement of LuluStein, Donald A. 01 January 1973 (has links) (PDF)
Lulu, the second opera by Alban Berg, is not a unique creation, It is a synthesis of several theories of composition and a number of traditional compositional practices found in the history of Western music.
This paper will attempt to trace the relationship between the drama Lulu and Verg’s musical interpretation of the drama in the selection of the opera designated as the sonata-allegro movement (in Act I, Sc. ii and iii).
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Gezähmte Lulu : Alban Bergs Wedekind-Vertonung im Spannungsfeld von literarischer Ambition, Opernkonvention und "absoluter Musik /Knaus, Kordula, January 1900 (has links)
Dissertation--Graz--Karl-Franzens-Universität, 2003. / Bibliogr. p. 245-255. Thèse soutenue sous le titre : "Die andere Lulu. Alban Berg Oper nach Frank Wedekinds Dramen Erdgeist und Die Büchse der Pandora"
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Schoenberg's theories on the evolution of music applied to three works by Alban BergTannenbaum, Peter M. S. January 1986 (has links)
No description available.
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Dialectical opposition in fin-de-siècle music : a model of balance applied to melodic motives, harmonic context, and their interaction /Wadsworth, Benjamin K., January 2008 (has links)
Thesis (Ph. D)--University of Rochester, 2008. / Includes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7669
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Ochs, Donna Anna und Max im Wirtshausgarten. Zum dramatischen Kontext der ’Zitate’ in Bergs «Wozzeck» (ll, 4)Konrad, Ulrich 08 January 2020 (has links)
No description available.
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Die Faktur des Fatums. Der Prolog in Alban Bergs Oper «Lulu»Winkler, Iris 08 January 2020 (has links)
No description available.
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Alban Berg in den zwanziger JahrenStephan, Rudolf 09 January 2020 (has links)
No description available.
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„Nirgends wurde mein Wozzeck besser verstanden als in Leningrad.“: Die Leningrader Premiere von Alban Bergs Oper im Jahr 1927Barsova, Inna 29 August 2017 (has links)
Hauptsächlich beschäftigte Wozzeck verständlicherweise die Kritiker in den 1920er Jahren: Boris Asaf’ev, der mit seinen Rezensionen das russische Publikum auf die neue Oper vorbereitete, sowie Ûlian Vajnkop, Abram Gozenpud, Sergej Mokulskij und post factum Sergej Levik.2 Doch können wir uns daraus kaum eine Vorstellung davon machen, was für eine Stimmung bei den Vorbereitunge
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