No description available.

Zugl.: München, Univ., Diss., 2003

Thesis (MA (Hons) Visual Arts) -- University of Western Sydney, Nepean, 1998. / "Submitted in part fulfillment for the degree of M(Hons) in Visual Arts, University of Western Sydney, Nepean" Bibliography : p. 40-42.

Thesis--University of Michigan. / Vol. 2 contains the author's transcriptions into modern notation of the lute works of Alberto da Ripa. Includes bibliographical references (v. 1, leaves 205-212). Also issued in print.

Thesis (Ph. D.)--Florida State University, 2004. / Advisor: Dr. Delia Poey, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed Oct. 2004). Includes bibliographical references.

No description available.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Sociologia, 2008. / Submitted by Danyelle Mayara Silva (danielemaiara@gmail.com) on 2009-09-10T12:37:46Z No. of bitstreams: 1 2008_LaylaDanielePereiraCarvalho.pdf: 2227363 bytes, checksum: 9916d61b0dd31d51a6ab32d2b430e284 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2009-12-12T13:23:40Z (GMT) No. of bitstreams: 1 2008_LaylaDanielePereiraCarvalho.pdf: 2227363 bytes, checksum: 9916d61b0dd31d51a6ab32d2b430e284 (MD5) / Made available in DSpace on 2009-12-12T13:23:40Z (GMT). No. of bitstreams: 1 2008_LaylaDanielePereiraCarvalho.pdf: 2227363 bytes, checksum: 9916d61b0dd31d51a6ab32d2b430e284 (MD5) Previous issue date: 2008-07 / As relações raciais constituem categoria essencial para a construção da idéia de brasilidade. Desde as primeiras discussões sobre o assunto, ainda no século XIX, os intelectuais brasileiros, informados pelas teorias racialistas européias, procuraram conciliar a construção da idéia de nação com a imensa massa de negros escravos e indígenas. Por todo o século XX esta categoria pautou os trabalhos produzidos pelas ciências sociais e durante os primeiros anos do século XXI tem ocupado importante espaço nas discussões realizadas sobre a identidade da população brasileira. Neste trabalho tomamos dois momentos distintos do debate sobre as relações raciais no Brasil: primeiro, a leitura de Gilberto Freyre, produzida nos anos 1930, que enfatiza a mestiçagem como característica particular da sociedade formada pela colonização portuguesa, miscigenação que condiciona o equilíbrio de antagonismos entre os vários pólos das relações sociais estabelecidas na sociedade patriarcal brasileira: senhor e escravo, branco e negro, homem e mulher, casa-grande e senzala, sobrado e mucambo. Depois, no final dos anos 1940, tomamos a leitura de Guerreiro Ramos e a sua abordagem do negro a partir da militância desse sociólogo no Teatro Experimental do Negro (TEN). O posicionamento de Ramos passa por uma leitura das relações raciais a partir da democracia racial e se dirige para a afirmação da negritude, por meio do niger sum, como forma de liberação da população negra da patologia social do branco brasileiro – a tentativa de negação da formação majoritariamente negra da população brasileira. As teorias defendidas por esses autores estão presentes no atual debate sobre as relações raciais em que, mais uma vez, discutem-se as formas de inclusão dos grupos não-brancos na sociedade brasileira enquanto, de um lado, busca-se reafirmar o caráter miscigenado e cordial da população brasileira e, de outro, nega-se essa cordialidade e apontam-se os limites da miscigenação brasileira no que se refere à igualdade de direitos. __________________________________________________________________________________________ ABSTRACT / The Racial relations are essential category to the construction of the idea of Brazilian national identity. Since the first debates on the subject, in the 19th century, Brazilian intellectuals, informed by the European racialist theories, tried to reconcile the nation construction with the huge mass of black slaves and Indians. All over the 20th century this approach has guided the works produced by social sciences in Brazil. During the first years of 21th century it has occupied an important place on the debates about national identity. In this work we took two different moments of the debate about racial relations in Brazil: first, Gilberto Freyre’s view, produced in the 1930’s, that emphasizes the miscegenation as a particular feature of the society formed by the Portuguese colonization, this miscegenation is determined by the balance of antagonisms between the various poles of the social relations established in the Brazilian patriarchal society: master and slave, white and black, man and woman, “casa-grande e senzala”, “sobrado e mucambo”. Then, in the late 1940’s, taking Guerreiro Ramos’ view and his approach about the black man beginning from the militancy of this sociologist in the “Teatro Experimental do Negro” (TEN). This militancy has a phase of regarding of racial relations using racial democracy and goes toward the negritude affirmation, through niger sum, as a way of black population getting free from Brazilian white man social pathology, the refuse of a population mainly formed by black people. The theories defended by those two authors are being used in the present debate about racial relations in which, once more, are discussed ways of inclusion of non-white groups in Brazilian society while, by one view, they point up the Brazilian mix-raced and cordial character and, by the other one, this cordiality is denied and the limits of miscegenation in reference to equality of rights are shown.

This work approaches the theme of the double in Dead of Night, as well as the double finds its resonance in other areas, such as literature. The study seeks to verify and identify how the theme of the double appears in the film. Besides the analysis of the film, will be addressed trajectory the director Alberto Cavalcanti, who started his career in French cinema, extending across England and Brazil. The film is the period in which the director worked in England and it was produced in 1945. The work begins with a brief history of the life of Alberto Cavalcanti and his career in the cinema. Then we did a search on the topic double, emphasizing three major authors: Clement Rosset, Otto Rank and Nicole Bravo. The analysis is based on an overview of the film followed by the analysis of five episodes that compose: The Hearse Driver, The Christmas Party, The Haunted Mirror, The Golfing Story and The Ventriloquist's Dummy. The conclusion points to possible readings of this film, that these possibilities are related to the double. / Submitted by Jovina Laurentino Raimundo (jovina.raimundo@unisul.br) on 2017-10-23T16:58:40Z No. of bitstreams: 1 107697_Walterson.pdf: 1137232 bytes, checksum: 3f0b21a30de98c271b9d5001e01dba9f (MD5) / Approved for entry into archive by Fabiane dos Santos (fabiane.santos3@unisul.br) on 2017-10-23T16:59:01Z (GMT) No. of bitstreams: 1 107697_Walterson.pdf: 1137232 bytes, checksum: 3f0b21a30de98c271b9d5001e01dba9f (MD5) / Made available in DSpace on 2017-10-23T16:59:01Z (GMT). No. of bitstreams: 1 107697_Walterson.pdf: 1137232 bytes, checksum: 3f0b21a30de98c271b9d5001e01dba9f (MD5) Previous issue date: 2013-07-09 / Essa dissertação aborda o tema do duplo em Dead of Night, bem como o duplo encontra as suas ressonâncias em outras áreas, como em literatura. O estudo procura verificar e identificar de que forma o tema do duplo aparece no filme. Além da análise do filme, será abordada a trajetória do diretor Alberto Cavalcanti, que iniciou a sua carreira no cinema francês, estendendo pela Inglaterra e Brasil. O filme se encontra no período em que o diretor trabalhava na Inglaterra e foi produzido em 1945. O trabalho se inicia com um breve histórico sobre a vida de Alberto Cavalcanti e sua trajetória no cinema. Em seguida, fizemos uma pesquisa sobre o tema duplo, enfatizando três grandes autores: Clement Rosset, Otto Rank e Nicole Bravo. A análise parte de um apanhado geral sobre o filme seguido pela análise dos cinco episódios que o compõem: The Hearse Driver, The Christmas Party, The Haunted Mirror, The Golfing Story e The Ventriloquist?s Dummy. A conclusão aponta para possíveis leituras deste filme, possibilidades estas que estão atreladas ao duplo.

Thesis is solved in two freely interconnected parts. The main part is formed by set of paintings on the theme Psycho. In additional text I deal with portrait painting of three significant European painters of the 20th century. Part of text is self - reflection, in which I interpret my conception of portrait painting.

The diploma thesis "The Hybrid Regime and the Democracy in Peru - the Regime of Alberto Fujimori." will be focused on the regime of Alberto Fujimori in Peru in the scope of theories of hybrid regimes, a theory of "neopopulism" and a theory of "autogolpe". The theoretical frame of the thesis is based on theories of hybrid regimes by Larry Diamond and Guillermo O'Donnell, further on a theory of "neopopulism" by Kurt Weyland and a theoretical analysis of the "autogolpe" by Maxwell A. Cameron. The thesis will be focused on the fact whether the examined regime corresponds to one type of hybrid regimes based on criteria of the theoretical framework and whether it is the case of "neopopulism". As factors that could affect the form of Fujimori's regime there will be analysed campaigns of guerrilla groups Shining Path and MRTA and the solution of the economic crisis. The aim of the diploma thesis is the analysis of Fujimori's government, thus the finding, whether it is possible to mark the regime as hybrid and which type specifically. The thesis will use the method of comparative analysis for comparison purposes to compare countries where was or may be realized "autogolpe". Then there will be used a case study to describe the events that preceded the election of president Fujimori and then the description...