Esta pesquisa, que é também uma ode em suas múltiplas expressões, se ergue no rastro dos afetos, do caos e do lirismo desmedido encontrados nos discursos poéticos de Caio Fernando Abreu e Renato Russo (o primeiro nos domínios da ficção literária e o segundo nos da canção de rock); constrói-se, também, com vistas às inquietações atravessadas pela busca do lugar da poesia no cenário da prosa e da letra de música, aqui recortadas, atendo-se ao modo como essas vozes se mantêm ressonantes e esteticamente significativas no contexto atual. Na procura por legitimar o protagonismo de Eros e seus pares dentro do universo contemporâneo e impetuoso de um mundo híbrido e desconexo, a ordo amoris, como linguagem coletiva e universal na erótica social, foi um modo de operacionalizar as questões centrais e organizar esses inventários (forjados a partir das metáforas do livro de contos Inventário do ir-remediável e do disco As quatro estações), transferindo, refletindo e redesenhando os espaços de criação, recepção e estética em literatura, que nessa dissertação borra fronteiras. A cultura de afetos, a filosofia existencialista e as contribuições sobre sujeito, coletividade, erotismo e subjetividade(s) reinventam e sustentam os debates que se edificam em espaços plurais de atuação, no desenho cartográfico que se vai formando a partir da poética de Caio e Renato e seus discursos à flor da pele. As quatro estações potencializam e iluminam os passos das divindades míticas e dos sujeitos líricos que se cruzam nessa pesquisa, são as vias férteis que acenam para a presentificação do agora, quando há trocas necessárias de papéis em que o eu se dissolve e se derrama no outro, na busca por essa alma coletiva da humanidade (quase) perdida e da celebração. São, principalmente, os pressupostos teóricos de Michel Maffesoli (2014a) e Giorgio Agamben (2013) que fundamentam e iluminam esse barco solto na correnteza. / This study arises in the trail of the affections, chaos and excessive lyricism found in the poetic discourses of Caio Fernando Abreu e Renato Russo (the first in the fields of literary fiction and the second in the fields of rock songs), and is also an ode in its multiple expressions; it is also constructed with a view to the concerns that are crossed by the search for the place of poetry in the scenario of prose and the music lyrics, brought here paying attention to the way these voices remain resonant and aesthetically significant in the current context. In order to legitimize the protagonism of Eros and his peers within the contemporary and impetuous universe of a hybrid and disconnected world, the ordo amoris, as collective and universal language in social erotica, was a way to operationalize the central issues and organize these inventories (made up from the metaphors of the short story book Inventário do ir-remediável [Inventory of the Irremediable] and the album As quatro estações [The Four Seasons]), transferring, reflecting and redesigning the spaces of creation, reception and aesthetics in literature, which in this dissertation blurs borders. The culture of affections, the existentialist philosophy and the contributions on subject, collectivity, eroticism and subjectivity (ies) reinvent and sustain the debates that are built in plural spaces of action, in the cartographic drawing that is formed from the poetics of Caio and Renato and their impassioned discourses. The four seasons potentiate and enlighten the steps of the mythical divinities and the lyrical subjects crossing each other in this study, they are the fertile paths that beckon to the presentification of the now, when there are necessary exchanges of roles in which the self dissolves and flows itself in the other, in the search for this collective soul of the (almost) lost humanity and the celebration. These are mainly the theoretical assumptions of Michel Maffesoli (2014a) and Giorgio Agamben (2013), which ground and illuminate this boat adrift on the tide.

Esta pesquisa, que é também uma ode em suas múltiplas expressões, se ergue no rastro dos afetos, do caos e do lirismo desmedido encontrados nos discursos poéticos de Caio Fernando Abreu e Renato Russo (o primeiro nos domínios da ficção literária e o segundo nos da canção de rock); constrói-se, também, com vistas às inquietações atravessadas pela busca do lugar da poesia no cenário da prosa e da letra de música, aqui recortadas, atendo-se ao modo como essas vozes se mantêm ressonantes e esteticamente significativas no contexto atual. Na procura por legitimar o protagonismo de Eros e seus pares dentro do universo contemporâneo e impetuoso de um mundo híbrido e desconexo, a ordo amoris, como linguagem coletiva e universal na erótica social, foi um modo de operacionalizar as questões centrais e organizar esses inventários (forjados a partir das metáforas do livro de contos Inventário do ir-remediável e do disco As quatro estações), transferindo, refletindo e redesenhando os espaços de criação, recepção e estética em literatura, que nessa dissertação borra fronteiras. A cultura de afetos, a filosofia existencialista e as contribuições sobre sujeito, coletividade, erotismo e subjetividade(s) reinventam e sustentam os debates que se edificam em espaços plurais de atuação, no desenho cartográfico que se vai formando a partir da poética de Caio e Renato e seus discursos à flor da pele. As quatro estações potencializam e iluminam os passos das divindades míticas e dos sujeitos líricos que se cruzam nessa pesquisa, são as vias férteis que acenam para a presentificação do agora, quando há trocas necessárias de papéis em que o eu se dissolve e se derrama no outro, na busca por essa alma coletiva da humanidade (quase) perdida e da celebração. São, principalmente, os pressupostos teóricos de Michel Maffesoli (2014a) e Giorgio Agamben (2013) que fundamentam e iluminam esse barco solto na correnteza. / This study arises in the trail of the affections, chaos and excessive lyricism found in the poetic discourses of Caio Fernando Abreu e Renato Russo (the first in the fields of literary fiction and the second in the fields of rock songs), and is also an ode in its multiple expressions; it is also constructed with a view to the concerns that are crossed by the search for the place of poetry in the scenario of prose and the music lyrics, brought here paying attention to the way these voices remain resonant and aesthetically significant in the current context. In order to legitimize the protagonism of Eros and his peers within the contemporary and impetuous universe of a hybrid and disconnected world, the ordo amoris, as collective and universal language in social erotica, was a way to operationalize the central issues and organize these inventories (made up from the metaphors of the short story book Inventário do ir-remediável [Inventory of the Irremediable] and the album As quatro estações [The Four Seasons]), transferring, reflecting and redesigning the spaces of creation, reception and aesthetics in literature, which in this dissertation blurs borders. The culture of affections, the existentialist philosophy and the contributions on subject, collectivity, eroticism and subjectivity (ies) reinvent and sustain the debates that are built in plural spaces of action, in the cartographic drawing that is formed from the poetics of Caio and Renato and their impassioned discourses. The four seasons potentiate and enlighten the steps of the mythical divinities and the lyrical subjects crossing each other in this study, they are the fertile paths that beckon to the presentification of the now, when there are necessary exchanges of roles in which the self dissolves and flows itself in the other, in the search for this collective soul of the (almost) lost humanity and the celebration. These are mainly the theoretical assumptions of Michel Maffesoli (2014a) and Giorgio Agamben (2013), which ground and illuminate this boat adrift on the tide.

Orientador: Isabella Tardin Cardoso / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-19T11:37:47Z (GMT). No. of bitstreams: 1 Orosco_GabrielaStrafacci_M.pdf: 1499304 bytes, checksum: 8dcba777729471fd896b80f8ef7a63bc (MD5) Previous issue date: 2011 / Resumo: O interesse deste estudo é observar a presença da deusa romana Vênus, cujo principal atributo é o amor, em obras do poeta romano Públio Ovídio Nasão (43 a. C - 17 / 18 d. C.), mais especificamente nos poemas Os Remédios do amor (Remedia Amoris) e em passagens selecionadas das Metamorfoses (Metamorphoseon Libri). Ao cotejar esses excertos, verifica-se que a deusa, seja metonimicamente (por exemplo, como sinônimo do substantivo "amor"), seja como personagem de aventuras e desventuras amorosas, abrange muito da poesia ovidiana e configura-se de diversas maneiras: no poema didático Remedia Amoris, por exemplo, Vênus é relacionada, com frequência, a narrativas de infelicidade amorosa. Nessa obra, o eu poético, propondo a cura do amor, cita a deusa como referência a histórias amorosas malfadadas. Observar a participação da deusa do amor em Metamorfoses, em que ela não é apenas referida como metonímia de seu atributo, como também é personagem de narrativas míticas, permite perceber com mais clareza em que medida os respectivos episódios mitológicos são mencionados ou aludidos também em Os Remédios do amor. Os excertos de Metamorfoses respectivos aos mitos referidos em Remedia compõem o corpus traduzido, a saber, Met. IV 169-189, X 298-739 e XIV 441-608 (bem como a comparação com sua menção em Remedia Amoris) é ponto de partida para uma análise da figura de Vênus. O estudo visa, ainda, contribuir modestamente para a discussão sobre a concepção do sentimento amoroso em Ovídio, em particular a ideia de amor como doença / Abstract: This study has as a central interest observing the presence of the Roman goddess Venus, whose main attribute is love, in Publius Ovidius Naso?s work (43 B. C - 17 / 18 A. D.), more specifically in the poems Remedia Amoris (Remedies for Love) and in selected passages of Metamorphoseon Libri (Metamorphoses). Throught the comparison among the latin passages pertaincing to both ovidian works, it is noticed that the goddess presence - either metonymically (for instance, as a synonymous for the noun "love") or as a character of amorous adventures or misadventures - comprises much of the ovidian poetry. In the didactic poem Remedia Amoris, for example, Venus is frequently related to unhappy love narratives. In Remedia the lyric self, purposing the cure for love, mentions the goddess as a reference to unlucky love stories. Observing in the Metamorphoses how the goddess of love participates as a mythical character, helps to perceive the allusion to mythological episodes that also takes part in Remedia Amoris. The respective excerpts of Metamorphoses (namely Met. IV 169-189, X 298-739 e XIV 441-608) that are mentioned in Remedia Amoris compose the corpus of our study. The translation of the selected passages of Metamorphoses, as well as a comparison with their mention in Remedia amoris, is the starting point for the analysis. The study aims also to modestly contribute for the reflection on the conception of the love feeling constituted in Ovid, mainly the idea of love as a disease / Mestrado / Linguistica / Mestre em Linguística

Det är förmodligen många som föreställer sig att religiöst motiverad etik är någonting statiskt och orörligt. Så är det kanske särskilt med katolsk etik. De flesta föreställer sig att katolsk etik formas ovanifrån, av påven och biskopskollegiet och att kyrkans medlemmar sedan måste rätta sig efter detta utan tillstymmelse till inflytande. Är det så? I denna uppsats undersöks relationen mellan de religiösa idealen och de pastorala problemen i syfte att se hur teori och praxis samverkar i formerandet av den katolska etiken. Den teoretiska utgångspunkten för arbetet är de fyra modeller för hur teori och praxis påverkar varandra som Niclas Lindström lyfter fram. Det material som undersöks är den katolska kyrkans nyligen utgivna post-synodala exhortation Amoris Laetitia, som översatt till svenska kan kallas ”Kärlekens glädje”. Genom att undersöka vilka ideal, problem och åtgärder som nämns i exhortationen och genom att jämföra undersökningen med tidigare forskning om doktrinär utveckling inom den katolska kyrkan mynnar arbetet ut i en slutsats: Katolsk etik utvecklas och förtydligas långsamt genom att biskoparna fastställer läror utifrån teologiska ideal, i frågor som de vanliga medlemmarna sätter på agendan utifrån pastorala problem. Slutligen presenteras förslag på hur lärare i religionskunskap kan använda sig av uppsatsen i sitt arbete på ett sätt som uppfyller Skolverkets mål. / There are probably many people who imagine that religiously motivated ethics are static and immobile. That is probably an especially common thought when Catholic ethics are mentioned. Most people imagine that Catholic ethics is formed from above, by the Pope and the college of bishops, and that Church members have to comply with it without a shred of influence. Is this true? This paper (in swedish) examines the relationship between religious motivated ideals and pastoral problems, aiming to find out how theory and practice interact in the formation of Catholic ethics. The theoretical starting point for this paper is four models presented by Niclas Lindström that describe four ways that theory and practice interact. The material being investigated is the Catholic Church's recent post-synodal exhortation Amoris Laetitia, in english "The joy of love". By examining the ideals, problems and proposed actions mentioned in the exhortation, and by comparing the study to previous research regarding doctrinal development within the Catholic Church, a conclusion is made: Catholic ethics is developed and clarified slowly. The bishops are finalizing teachings based on theological ideals, in matters that their members have put on the agenda based on their pastoral problems. Finally, suggestions are presented regarding how school teachers that teach religious studies can make use of the paper in his or her work, in a way that meets the Swedish National Agency goals.

La familia, es el núcleo de la sociedad, donde los cónyuges se encuentran en armonía par formar adecuadamente a los hijos; pero en la actualidad se observa la aparición de concepciones erróneas de la familia y formas de vida que no se enfocan en un amor conyugal sino en la búsqueda de momentos hedonistas. La presente investigación tiene como objetivo principal: Elaborar un programa formativo siguiendo los lineamientos de la Exhortación Apostólica Amoris Laetitia para fortalecer el amor conyugal en padres de familia de la I.E. Juan XXIII. La investigación es de tipo cuantitativa, de nivel descriptivo y estuvo conformada por una muestra de 76 padres de familia, a quienes se les aplicó el instrumento denominado “Encuesta sobre el amor conyugal” en la cual se consideraron 25 ítems orientados a medir 6 dimensiones: Sacrificio, respeto, comunicación, atención, espiritualidad, tolerancia en situaciones conflictivas. El instrumento utilizado fue validado y contextualizado a la muestra de estudio. Luego de analizar los resultados, se obtuvo que el 3.95% de los participantes se encuentran en un nivel muy malo, el 7.89% en un nivel malo, el 40.79% son indiferentes y el 47.37% en un nivel bueno. Es por ello que, ante las problemáticas encontradas, se planteó un programa formativo dirigido a fortalecer el amor conyugal, siguiendo los lineamientos de Amoris Laetitia y el cual consiste en 10 sesiones de aprendizaje. / The family is the nucleus of society, where spouses are in harmony to properly educate their children; But currently it is observed that people are assuming erroneous conceptions of the meaning of family since they no longer focus on conjugal love but, on the contrary, only on the search for hedonistic moments. The main objective of this research is: To develop a training program following the guidelines of the Apostolic Exhortation Amoris Laetitia to strengthen conjugal love in parents of the I.E. John XXIII. The research is quantitative, descriptive level and was made up of a sample of 76 parents, to whom the instrument called “Survey on conjugal love” was applied, of which 25 items were considered aimed at measuring 6 dimensions: Sacrifice, respect, communication, attention, spirituality, tolerance in conflictive situations. The instrument used was validated and contextualized to the study sample. After analyzing the results, it was found that 3.95% of the participants are at a very bad level, 7.89% at a bad level, 40.79% are indifferent and 47.37% at a good level. That is why, given the problems encountered, a training program was proposed aimed at strengthening conjugal love, following the guidelines of Amoris Laetitia and which consists of 10 learning sessions.

The thesis deals with the problematics of a family in relation to the Amoris laetitia document with regard to social work. The thesis reflects transformation of a family recorded by empirical sciences, as well as transformation of the concept of a family from a Christian perspective. It monitors pathological phenomena associated with the environment of a family and offers possible solutions to individual sociopathological phenomena from a social worker's position inspired by the Amoris laetitia document. Finally, the thesis presents incentives that this document provides for social work.

As I hope to show, a philosophical study of love is highly relevant today, since the sciences have not adequately answered the perennial question: What is love?; Since the time of Socrates, the idea of love and the conception of the human heart have been devalued by thinkers who, by definition, are known as "lovers of wisdom." Considered pejoratively as "the passions," the subject of emotion was deemed inferior to thought centered upon the human faculty of reason. Many studies in the sciences, from biology to psychology, claim to have pointed us to the source of the human experience of love--but do they help us to understand love properly? In order to provide a full consideration of love in my philosophical research, I will focus my analysis on love under the philosophical lens of phenomenology. Known as the study of firsthand human experience, phenomenology became the influential school of thought for many German philosophers in the early twentieth century. My research will closely examine the writings of Max Scheler, Dietrich von Hildebrand, and Jean-Luc Marion within the context of this tradition. Moving from a justification of love in philosophy to the topic of self-love, I hope to define effectively what it means to love another. I shall also attempt to disambiguate the common assumptions regarding the nature of love. Is there a fundamental difference between the phenomenon of "falling in love" and of love itself? I question whether love, in its essence, is defined by the element of choice--of a willful emotional giving of oneself to another--and whether it can be distinguished from a passive feeling and an active loving will. I aim to bring the human affective sphere into the full light of philosophical inquiry, considering whether love is a moral act of the will that involves a total participation of the self--in mind, body, and spirit. Love is arguably the most powerful of the human emotions, one that elevates the human sphere of emotions and the ethical existence beyond simple desire.

The diploma thesis on the basis of ethical theories sv. Augustinus, M. Scheler, V. E. Frankl and R. Spaemann examines the concept of ordo amoris as theoretical basis of ethics in social work. It deals with the historical development of the concept, its changes and influence on social work in term of three fundamental aspects of social work: a person suffering, relationship to this man and life situations change. It examines the usefulness and value of ethical concept ordo amoris and love as the principle in the relation framework of the aid process.