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Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Este trabalho é um estudo da circulação de livros e práticas de leitura entre anarquistas atuantes na cidade de São Paulo na década de 1930. Foi analisada a formação e o desenvolvimento do acervo da biblioteca do Centro de Cultura Social (CCS). Organizado por anarquistas em 1933 e fechado em 1937 com o Golpe do Estado Novo, encerrando sua primeira fase. Sua biblioteca, neste período foi constituída por livros, jornais e documentos de militantes anarco-sindicalistas e tinha como função servir de subsídio para as atividades deste centro de cultura, como leituras comentadas, palestras, cursos e atividades teatrais. Além desta fonte de pesquisa foram usados também resenhas e anúncios de venda de livros publicados nos jornais A Lanterna e A Plebe, entre 1933 e 1935 e documentos do DEOPS/SP, tais como autos de busca e apreensão de bibliotecas particulares de anarquistas e relatórios de investigação que tratavam de circulação de livros e jornais libertários. As pesquisas sobre história dos livros e práticas de leitura de Robert Darnton foram usadas como referencial teórico. Entre os autores dos livros da antiga biblioteca do Centro de Cultura Social e das bibliotecas particulares apreendidas chamam a atenção clássicos do anarquismo como Malatesta, Proudhon, Kropotkin, Elisée Reclus, mas também autores como Marx e Trotsky. Quanto aos gêneros literários foram encontrados ensaios, crônicas, romances e poesias. No que se refere à circulação dos livros verificou-se que eram vendidos em algumas livrarias na cidade de São Paulo, através dos jornais libertários e pelos próprios militantes. Entre os anarquistas eram frequentes tanto as práticas de leituras comentadas em espaços como centros de cultura e bibliotecas populares quanto às leituras individuais de obras adquiridas através de compra e guardadas em pequenos acervos particulares / This work is a study of the circulation of books and reading practices among anarchists active in the city of São Paulo in the 1930s. We analyzed the formation and development collection of the Centro de Cultura Social (CCS) Library. This center was organized by anarchists in the year 1933 and closed in 1937 on the occasion of the Estado Novo, ending its first phase. His library in that period consisted of books, newspapers, anarcho-syndicalist militant documents and had the duty to serve as input to the center of culture activities, as commented readings, lectures, courses and theatrical activities. In addition to this source of research we also used reviews and adverts of selling published books in the newspaper A Lanterna and A Plebe, between 1933 and 1935 and DEOPS / SP documents, such as notices of search and seizure of anarchists private libraries and research reports about books circulation and newspapers libertarians. Were used as a theoretical research of Robert Darnton on the history of books and reading practices. About the authors of the books of both libraries, the old library of the Centro de Cultura Social and the private libraries seized, draw attention classic authors of anarchism as Malatesta, Proudhon, Kropotkin, Reclus Elisée, but also others like Marx and Trotsky. In the Literary genres we found essays, stories, novels and poetry. Regarding to the circulation of books, was found that some were sold in bookstores in the city of São Paulo, through newspapers libertarians and by the militants. Among the anarchists were frequent as commented reading practices on spaces like centers of culture and public libraries as the readings of individual works acquired through purchase and stored in small private collections

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Este trabalho é um estudo da circulação de livros e práticas de leitura entre anarquistas atuantes na cidade de São Paulo na década de 1930. Foi analisada a formação e o desenvolvimento do acervo da biblioteca do Centro de Cultura Social (CCS). Organizado por anarquistas em 1933 e fechado em 1937 com o Golpe do Estado Novo, encerrando sua primeira fase. Sua biblioteca, neste período foi constituída por livros, jornais e documentos de militantes anarco-sindicalistas e tinha como função servir de subsídio para as atividades deste centro de cultura, como leituras comentadas, palestras, cursos e atividades teatrais. Além desta fonte de pesquisa foram usados também resenhas e anúncios de venda de livros publicados nos jornais A Lanterna e A Plebe, entre 1933 e 1935 e documentos do DEOPS/SP, tais como autos de busca e apreensão de bibliotecas particulares de anarquistas e relatórios de investigação que tratavam de circulação de livros e jornais libertários. As pesquisas sobre história dos livros e práticas de leitura de Robert Darnton foram usadas como referencial teórico. Entre os autores dos livros da antiga biblioteca do Centro de Cultura Social e das bibliotecas particulares apreendidas chamam a atenção clássicos do anarquismo como Malatesta, Proudhon, Kropotkin, Elisée Reclus, mas também autores como Marx e Trotsky. Quanto aos gêneros literários foram encontrados ensaios, crônicas, romances e poesias. No que se refere à circulação dos livros verificou-se que eram vendidos em algumas livrarias na cidade de São Paulo, através dos jornais libertários e pelos próprios militantes. Entre os anarquistas eram frequentes tanto as práticas de leituras comentadas em espaços como centros de cultura e bibliotecas populares quanto às leituras individuais de obras adquiridas através de compra e guardadas em pequenos acervos particulares / This work is a study of the circulation of books and reading practices among anarchists active in the city of São Paulo in the 1930s. We analyzed the formation and development collection of the Centro de Cultura Social (CCS) Library. This center was organized by anarchists in the year 1933 and closed in 1937 on the occasion of the Estado Novo, ending its first phase. His library in that period consisted of books, newspapers, anarcho-syndicalist militant documents and had the duty to serve as input to the center of culture activities, as commented readings, lectures, courses and theatrical activities. In addition to this source of research we also used reviews and adverts of selling published books in the newspaper A Lanterna and A Plebe, between 1933 and 1935 and DEOPS / SP documents, such as notices of search and seizure of anarchists private libraries and research reports about books circulation and newspapers libertarians. Were used as a theoretical research of Robert Darnton on the history of books and reading practices. About the authors of the books of both libraries, the old library of the Centro de Cultura Social and the private libraries seized, draw attention classic authors of anarchism as Malatesta, Proudhon, Kropotkin, Reclus Elisée, but also others like Marx and Trotsky. In the Literary genres we found essays, stories, novels and poetry. Regarding to the circulation of books, was found that some were sold in bookstores in the city of São Paulo, through newspapers libertarians and by the militants. Among the anarchists were frequent as commented reading practices on spaces like centers of culture and public libraries as the readings of individual works acquired through purchase and stored in small private collections

Nesta pesquisa foram estudadas as improvisações musicais livres de uma perspectiva anarquista, i.e., interessada em anarquizar as múltiplas relações a elas associadas. Discute-se isto tendo em vista questões influenciadas metodologicamente por Michel Foucault. Uma delas diz respeito a maneira pela qual se dão as performances, para a qual importa tratar das relações do improvisador consigo mesmo, com os demais performers e de como ambas incidem no fluxo (o desdobramento temporal da performance). Nesta questão se lida sobretudo com as pesquisas de Manuel Falleiros e Rogério Costa. Outra questão concerne ao lugar (o espaço físico, geograficamente \"localizável\") em que tais práticas são realizadas, indicando também a importância das relações que circundam as performances. Para esta são trazidas considerações de Costa, Chefa Alonso e David Bell, bem como a noção de heterotopia, cunhada por Foucault e associada aos anarquismos por Edson Passetti; e ainda, minhas considerações relacionadas ao período em que assisti aos ensaios da Orquestra Errante (OE) - grupo de improvisação livre da USP, coordenado pelo orientador desta pesquisa. Uma última questão concerne à dissolução dos improvisadores, tendo em vista, por questão de recorte, sobretudo suas relações consigo mesmo (em sentidos múltiplos). Para esta, refere-se também a OE e faz-se uso do filósofo Max Stirner. Importa ainda ao trabalho opor as invenções, com seus percursos e transitoriedades, à criação, aspirante à perfeição e ao acabado. / In this research was studied the free musical improvisations from an anarchist perspective, i.e., interested in anarchize the multiple relations associated to it. This is discussed by looking to questions methodologically influenced by Michel Foucault. One of them concerns to the way in which the performances are given, for which it is important the relations of the improviser with himself, with the other performers e how them both converge in the flow (the temporary unfolding of the performance). In this question it is dealt mostly with the researches of Manuel Falleiros and Rogério Costa. Other question concerns to the place (the physical space, geographically \"localizable\") in which those practices are realized, also evidencing the importance of the relations that go around the performances. For this are brought considerations from Costa, Chefa Alonso and David Bell, as well as the notion of heterotopia, coined by Foucault and associated to the anarchisms by Edson Passetti; and also my considerations related to the period in which I watched the rehearsals of Orquestra Errante (OE) - free improvisation group from USP, coordinated by the advisor of the present research. One last question concerns to the dissolution of the improviser by looking, for a clipping reason, mostly to its relations with himself (in multiple senses). For this, it is referred also to OE and it is made an use of the philosopher Max Stirner. It is also important to this work to oppose the inventions, with its courses and transitority, to the creation, that aspires to perfection and the finished.

Nesta pesquisa foram estudadas as improvisações musicais livres de uma perspectiva anarquista, i.e., interessada em anarquizar as múltiplas relações a elas associadas. Discute-se isto tendo em vista questões influenciadas metodologicamente por Michel Foucault. Uma delas diz respeito a maneira pela qual se dão as performances, para a qual importa tratar das relações do improvisador consigo mesmo, com os demais performers e de como ambas incidem no fluxo (o desdobramento temporal da performance). Nesta questão se lida sobretudo com as pesquisas de Manuel Falleiros e Rogério Costa. Outra questão concerne ao lugar (o espaço físico, geograficamente \"localizável\") em que tais práticas são realizadas, indicando também a importância das relações que circundam as performances. Para esta são trazidas considerações de Costa, Chefa Alonso e David Bell, bem como a noção de heterotopia, cunhada por Foucault e associada aos anarquismos por Edson Passetti; e ainda, minhas considerações relacionadas ao período em que assisti aos ensaios da Orquestra Errante (OE) - grupo de improvisação livre da USP, coordenado pelo orientador desta pesquisa. Uma última questão concerne à dissolução dos improvisadores, tendo em vista, por questão de recorte, sobretudo suas relações consigo mesmo (em sentidos múltiplos). Para esta, refere-se também a OE e faz-se uso do filósofo Max Stirner. Importa ainda ao trabalho opor as invenções, com seus percursos e transitoriedades, à criação, aspirante à perfeição e ao acabado. / In this research was studied the free musical improvisations from an anarchist perspective, i.e., interested in anarchize the multiple relations associated to it. This is discussed by looking to questions methodologically influenced by Michel Foucault. One of them concerns to the way in which the performances are given, for which it is important the relations of the improviser with himself, with the other performers e how them both converge in the flow (the temporary unfolding of the performance). In this question it is dealt mostly with the researches of Manuel Falleiros and Rogério Costa. Other question concerns to the place (the physical space, geographically \"localizable\") in which those practices are realized, also evidencing the importance of the relations that go around the performances. For this are brought considerations from Costa, Chefa Alonso and David Bell, as well as the notion of heterotopia, coined by Foucault and associated to the anarchisms by Edson Passetti; and also my considerations related to the period in which I watched the rehearsals of Orquestra Errante (OE) - free improvisation group from USP, coordinated by the advisor of the present research. One last question concerns to the dissolution of the improviser by looking, for a clipping reason, mostly to its relations with himself (in multiple senses). For this, it is referred also to OE and it is made an use of the philosopher Max Stirner. It is also important to this work to oppose the inventions, with its courses and transitority, to the creation, that aspires to perfection and the finished.

This thesis is inspired by the historical principles of RG Collingwood, an historiographer whose precepts are recurrently cited herein. It is the life and times style biography of Francesco Giovanni Fantin, born San Vito de Leguzzano in the Schio district of the Province of Vicenza in the Veneto region of Italy 20 January 1901, died Loveday Internment Camp Compound 14A, South Australia 16 November 1942. SA police at the time found that Fantin was assassinated by fascist conspirators who contrived to intimidate witnesses and interfere with material evidence, (findings here confirmed) frustrating the laying of a charge of murder and leading in March 1943 to the sentencing of Giovanni Casotti to two years hard labour for manslaughter in the Supreme Court of South Australia. (Casotti was subsequently deported.) This thesis begins with the reconstruction of Fantin’s origins in one of the rural crucibles of Italian capitalism and industrialism. The presence of anarchist traditions in the Province and in Fantin’s immediate circle in the late nineteenth and early twentieth centuries is documented. The history of the Great War, the Red Biennium and the Rise of Fascism in the Schio district is then reconstructed in connection with Fantin’s formative years, with particular reference to the role of the textile strike of 1921 as the precursor to the political and mass emigration from the district to Australia of which Fantin was a humble protagonist. Fantin’s years as an antifascist activist in exile in Australia are then rehearsed as an essential prerequisite for understanding why he was selected for assassination. The thesis closes with a detailed reconstruction of how his death was encompassed and its political implications managed by Dr HV Evatt. An Iconographic Appendix and Bibliography follow. / http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1331596 / Thesis (Ph.D.) -- University of Adelaide, School of Economics, 2008

Šiame darbe keltas tikslas remiantis Urugvajaus lietuvių spauda, kitais šaltiniais bei moksline literatūra atskleisti kairiųjų judėjimų Urugvajaus lietuvių bendruomenėje veiklą XX amžiaus 4 – ajame dešimtmetyje. Darbe išnagrinėtos socialistinio, komunistinio ir anarchistinio judėjimų Urugvajaus lietuvių bendruomenėje susiformavimas, įkurtos organizacijos, jų veikla, skleistos idėjos bei santykis su kitomis bendruomenės organizacijomis. Lietuvių socialistiniam judėjimui pradžią davė nedidelė aktyvistų grupelė, užmezgusi glaudžius ryšius su Urugvajaus socialistų partija, bei įkūrusi jos padalinį - Lietuvių skyrių. Socialistų veiklos centru buvo „Naujoji banga“, kur glaudžiai dirbta kartu su Urugvajaus lietuvių kultūros klubu. Socialistų organizacijas lydėję skylimai lėmė jų įtakos lietuvių bendruomenei silpnėjimą ir „Naujosios bangos“ žlugimą. Galiausiai socialistai susivienija su tautinių bei katalikiškų pažiūrų organizacijomis. Urugvajaus komunistinis judėjimas įsisteigė kaip Argentinoje veikusio judėjimo atšaka. Nuo 1935 metų komunistų aktyvistai telkėsi apie „Darbo“ laikraštį ir Urugvajaus lietuvių darbininkų sąjungą. Jie aktyviai agitavo už darbininkų teises, taip pat propagavo jungimąsi į profesines sąjungas, kooperatyvus, savišalpos draugijas. Komunistams pavyko išplėtoti plačią kultūrinę bei meninę veiklą. Skirtingai nei socialistai, jie ketvirtajame dešimtmetyje išvengė skilimų savo gretose, bei nuosekliai plėtė savo veiklą. Augant komunistų įtakai, šie bandė suvienyti... [toliau žr. visą tekstą] / The goal of this research was to analyze Leftist movements among Lithuanian Diaspora in Uruguay in the 30‘s of XX century. Research was based mainly on Lithuanian newspapers in Uruguay, as well as on scientific literature and other sources. After investigation on socialist, communist and anarchist movements, their ideas, their relations to other ideological groups was completed the following conclusions were made. Small group of Lithuanian exiles established the Lithuanian section within Socialist Party of Uruguay. Lithuanian section together with Culture Club of Lithuanians in Uruguay published a newspaper “Naujoji banga” which became the center of socialist thought among local Lithuanian Diaspora. But because of divisions among socialist movements they lost their influence on Lithuanian community and in 1940 “Naujoji banga” was closed. In late 30’s socialist movement started to decline, lost its significance and merged with national and catholic movements. Lithuanian communist movement in Uruguay started as a branch of Argentine communist movement. Since 1935 communists gathered around newspaper “Darbas” and Workers Union of Lithuanians in Uruguay. Communists actively campaigned for workers rights, advocated labor unions and cooperatives. Communists succeeded in establishing wide cultural and artistic activity. Unlike the socialists, they avoided division among their ranks and consistently expanded their movement. As their influence on Lithuanian community reached highest... [to full text]