The relation between architecture and cinema has begun with the first steps of the technology of moving images at the beginning of the 20th century and it has continued progressively until now by importing various intellectual, representational, and practical devices from each other in order to reconfigure their own systems of knowledge. In this investigation, the fundamental elements of architectural design and principles of their organization are used in the field of cinema as a methodological tool to analyze the compositional features of narrative, mise-en scene and editing/montage. First of all, the end products of both domains are conceived as a form of composition, and in this respect, the compatibility of their design dynamics is examined. Secondly, the fundamental design elements and principles of both architecture and cinema are defined. Finally, in order to redefine the design process of a film and to reveal the existence of fundamental principles of architectural design in the process of filmmaking, a comprehensive and comparative analysis is made between the two fields.

published_or_final_version / abstract / Architecture / Doctoral / Doctor of Philosophy

published_or_final_version / abstract / Architecture / Master / Master of Science in Interdisciplinary Design and Management

Typescript (photocopy). / Digitized by Kansas State University Libraries

This document is submitted in partial fulfilment for the degree: Master of Architecture [Professional] at the University of the Witwatersrand, Johannesburg, South Africa, in the year 2013. / In the Centre for Animal Assisted Therapy, animals act as a therapeutic intervention to improve the well-being of therapy patients. The main medical success of this mode of therapy lies within the tactile experience of touch. This thesis is about discovering an architecture that acts as a platform for interaction between humans and domesticated animals. The human-animal relationship and the architectural spaces it would require to enhance the gathering, are investigated. It explores an architectural language that is inclusive, involved and focused on a worthy spatial perception based on enhanced tactile experiences.

M.Arch (Prof) / The ideology of hospitality, symbolic of travel in a world filled with experiences is sought by us all. The notion of exploration as a result of our curiosity is deeply embedded in our makeup. A profound understanding of the world is one of our greatest endeavours as it is routed in the conception of cognitive thought. We are wired to settle in the most habitable parts of the planet and even then we feel the urge for discovery, we do this in the form of travel. From my own encounters as a young boy, nothing expresses this narrative better than the exhilaration and excitement I felt then I arrived in a new city. My experiences by their very nature were formulated from a multitude of sensory indulgences which were unfamiliar but most intriguing. Drawing comparison came naturally as the mind’s way of evaluating the surroundings and juxtaposing them with those of my home. This analogy was the core principle to interpreting foreign spaces and devising conclusive outlooks. During the time that one absorbs any foreign way of life, the hotel takes care of the traveler's basic needs and contributes significantly to the overall experience, lending to the enjoyment and relaxation of travel both of which are key components. The city itself encapsulates the principals of hospitality as it fundamentally offers the traveler, visitor and the local inhabitant, sustenance, safety, and shelter, essentials that are expected and in place from our early social development. These elements are the most basic necessities to sustain survival and are readily available in any city. In the past, cities were fortified against aggressors by defensive walls which enclosed the city and which apart from their utilitarian function, symbolized the status and sovereignty of the citizens and the grandeur of the city. The entrance to the city was through a befitting imposing gate which demarcated the place of arrival and entry and added to the city's standing. With the progression of time and the advent of rail travel, the city's railway station defined a place of arrival and was often among the grandest structures, designed to impress and declaring lavish opulence and wealth. This thesis investigates the possibilities of creating a place of arrival in Johannesburg both symbolically and factually. Our metropolis, known as the provincial capital of the Gauteng Province, has, due to its rapid expansion in its relatively short life, no recognizable place of arrival. The introduction of the Gautrain Station in the immediate vicinity of Park Station presented an opportunity to link the station to a hotel and creating a pedestrian throughway from the station that passes through the hotel and into the city. The passage way traverses an impressive square with features designed to create an ennobling introduction to the city. The design realizes all the criteria of arrival into the city. It combines the railway station which is the mode of travel, the squares form the introduction to the city, the symbolic entrance is the opening through the hotel building, the hotel structure acts as the city wall and the hotel is the traveler's destination offering all the comforts and sustenance. All this serves to create the right ambiance to encourage tourists to remain in the city rather than proceed elsewhere in the area. Johannesburg is unique and is irreplaceable, it has suffered abandonment and neglect but was once much loved and cherished, it is part of our identity, ours to regain and treasure and deserves a noteworthy place of arrival.

No abstract

O setor da construção civil é o maior e o que mais consome recursos em qualquer economia, considerando todas as suas fases, desde a fabricação de materiais até a ocupação e demolição. No Brasil, os edifícios são responsáveis por cerca de 50% do consumo de eletricidade e por 21% do consumo de água. Na cidade de São Paulo, a maior do país, o mercado imobiliário residencial é o principal mercado da construção e, por consequência, responsável por impactos socioambientais compatíveis. Desde 2007, ferramentas de certificação Green Building (internacionais e nacionais) ganharam força no mercado brasileiro, com destaque para os empreendimentos comerciais e de serviços. A partir de 2010, foram criados sistemas de avaliação voltados exclusivamente ao setor residencial, que ainda pouco explora o conceito de sustentabilidade nos projetos e canteiros de obra. Com base em um estudo detalhado do mercado da construção civil e das ferramentas de avaliação e normas técnicas brasileiras, foi possível definir 29 requisitos de sustentabilidade para a concepção e o desenvolvimento de projetos residenciais multifamiliares na cidade de São Paulo. Os requisitos (qualitativos) se desdobram em critérios (quantitativos) e devem servir de ferramenta para incorporadores e projetistas (com ênfase no arquiteto), durante a concepção e o desenvolvimento do projeto, incluindo a escolha do terreno e a especificação de materiais e sistemas. Abrangendo temas importantes como conectividade urbana, áreas verdes, uso racional de água, eficiência energética, materiais de menor impacto ambiental, gestão de resíduos, conforto ambiental e acessibilidade, os requisitos e critérios, uma vez adotados em projetos, resultarão em melhor desempenho econômico, ambiental e social do edifício ao longo de toda a sua vida útil, reduzindo as emissões de CO2, os custos operacionais e a exploração de recursos naturais, além de melhorar a qualidade de vida dos usuários. Entretanto, esta deve ser entendida como uma abordagem inicial, visto que ainda há muito a se pensar quando o assunto é sustentabilidade na habitação e a participação de todas as partes interessadas nesse processo de mudança (governo, incorporadores, construtores, projetistas, fabricantes de materiais e equipamentos, pesquisadores, consultores e consumidores) é de fundamental importância. / The civil construction sector is the biggest resources consumer in any economy, considering all phases, from the material fabrication to the occupation and demolition. In Brazil, buildings are responsible for 50% of electricity consumption and 21% of water consumption. In São Paulo city, the largest in the country, the residential property market is the main construction market and, therefore, responsible for compatible social-environmental impacts. Since 2007, Green Building certifications (international and national) became relevant in Brazilian market with highlights for commercial and service enterprises. In 2010, some evaluation systems were created exclusively for the residential sector, which is still less explored in terms of sustainability during design phase and construction sites. Based on detailed study of the civil construction market, evaluation tools and Brazilian technical Standards, it was possible to define 29 sustainability requirements for the conception and development of multifamily residential projects in São Paulo city. The requirements (qualitative) were translated into criteria (quantitative) and shall be used as a tool for developers and designers (with emphasis on the architect) during the conception and project development, including site selection and material and systems specifications. Covering very important issues such as urban connectivity, green areas, water efficiency, energy efficiency, materials with less environmental impact, waste management, environmental comfort and accessibility, the requirements and criteria, once applied in projects, will result in a better economic, environmental and social performance of the buildings throughout its lifetime, decreasing the carbon dioxide (CO2) emissions, operational cost and natural resource exploration and also improving the user´s life quality. However, this should be understood as an initial approach, since there it still plenty to be thought when it comes to sustainability in dwellings and the participation of all stakeholders in this process of change (government, developers, builders, designers, materials and equipment manufacturers, researchers, consultant and consumers) is extremely important.

Thesis. 1976. M.ArchAS--Massachusetts Institute of Technology. Dept. of Architecture. / Microfiche copy available in Archives and Rotch. / Bibliography: leaves 94-97. / M.ArchAS

Thesis. 1978. Ph.D.--Massachusetts Institute of Technology. Dept. of Urban Studies and Planning. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. / Includes bibliographical references. / Ph.D.