Orientador: Daniel de Carvalho Moreira / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo / Made available in DSpace on 2018-08-27T02:01:06Z (GMT). No. of bitstreams: 1 Rocha_AnaPaulaSilva_M.pdf: 56121937 bytes, checksum: 29584f23d324ae13a5a267ea82b9ab23 (MD5) Previous issue date: 2015 / Resumo: Este trabalho investiga o impacto das Tecnologias da Informação e Comunicação (TIC) na Arquitetura em si, e nos seus diálogos com outras áreas de conhecimento. A questão básica que orienta esta dissertação é a análise de como as transformações tecnológicas e a transdisciplinaridade afetam as mudanças de paradigma na disciplina arquitetônica. Trata-se de um estudo de caso que procura identificar quais são as transformações impostas pela inserção dos meios digitais no cotidiano humano, suas implicações no pensamento, gênese e produção arquitetônica contemporânea e, finalmente, estudar projetos que abordem essas reflexões. O principal objetivo da pesquisa é investigar como a concepção de projetos arquitetônicos pode ser ampliada para que corresponda à complexidade intrínseca aos novos modos de ser e estar inerentes à sociedade pós-industrial do século XXI. Dentro desse contexto, numa atmosfera em que os suportes digitais estão, cada vez mais, vinculados à existência humana, procura-se entender as inter-relações entre concreto e virtual na configuração de uma nova espacialidade. Apresenta-se então uma reflexão a partir de alguns projetos contemporâneos selecionados ¿ protótipos e experimentos que retomam questões advindas do universo conceitual da virtualidade ¿ cujo desenho e/ou conceito são indissociáveis de ambientes virtuais, sendo esses projetos pensados como espacialidades materializáveis ou não. Como método de análise os projetos selecionados serão estudados a partir de seis critérios: programa, sítio de implantação, conceito e partido, resposta formal, interação com o ambiente externo e interação com o usuário. A intenção é analisar como as possibilidades espaciais dos ambientes virtuais e concretos vêm nutrindo-se mutuamente e as formas de diálogo entre imaterialidade e materialidade / Abstract: This work investigates the impact of the Information and Communication Technologies (ICT) in Architecture itself as well as in its dialogues with others areas of knowledge. The basic question which orients this dissertation is the analysis of how the technological transformations and the transdisciplinarity have affected the paradigm changes in the architectural discipline. This is a case study that seeks to identify which are the transformations imposed by the insertion of digital means in human beings¿ daily lives, also its implications in contemporary architectural thought, genesis and production. Finally, it intends to study projects that address such reflections. The research¿s main goal is to investigate how the conception of architectural projects may be amplified in order to correspond to the intrinsic complexity of the new modes of being that are inherent to the post-industrial society of the 21st century. In this context ¿ in an atmosphere in which more and more the digital supports are linked to the human existence ¿ the intention is to understand the interrelationships between concrete and virtual in the configuration of a new spatiality. Thus, the work presents a reflection that stems from a few selected contemporary projects ¿ prototypes and experiments which retrieve questions that derive from the conceptual universe of virtuality ¿ whose drawing and/or concept are inseparable from virtual environments, considering these projects as spatialities which are possible or not to materialize. As a methodology of analysis, the selected projects will be studied according to six criteria: program, implementation site, architectural concept, formal response, interaction with the external environment and interaction with the user. The intention is analyzing how the spatial possibilities of the virtual and concrete environments have been mutually feeding each other, also studying the forms of dialogue between immateriality and materiality / Mestrado / Arquitetura, Tecnologia e Cidade / Mestra em Arquitetura, Tecnologia e Cidade

For ten thousand years people have used earthen building material in their homes and in just the last hundred years advanced society has gradually turned away from it due to the development of modern technology. Earth is currently of little use as a building material, but it is gradually increasing with the importance of sustainability. Earth has its place in contemporary modern architecture and this is what this work tries to point out. The research is based on the assumption that each building material gravitates with its properties, composition and also the knowledge of the builder to create a certain space. Different building materials define different spaces, different construction uses and different details. This research defined the network of knowledge with the central themes of the essence of earthen architecture by the method of grounded theory and subsequently applied the theory in the design of a model case. The proposed small structure represents an ideal rendering of the space from a single material on the basis of acquired and known information about this material. It has massive earthen walls, which man created himself and it provides him the shelter. The shelter rises smoothly from the ground, its main source, it has soft round features, which were created by the touch of human hands, and when it expires, it naturally merges with the ground again.

[pt] Nesta pesquisa, investigo as relações entre aquilo que convencionalmente tratam por instituição da crítica e produções artísticas e arquitetônicas, ensaiando uma possível alternativa ao discurso crítico hegemônico – pautado na racionalidade, impessoalidade e binariedade do pensamento moderno, ocidental e colonial. Ensaio algo que gira em torno da noção de crítica performativa, uma contra-operação crítica, que se opõe à ideia de crítica por sentença. Neste espaço de experimentação, guiado pelo pensamento desconstrutivista e o que propõe a teoria queer radical, lanço operações de escrita que buscam desestabilizar, fraturar e, no limite, dissolver a lógica da fronteira, da separabilidade e do binarismo. Uma série de axiomas do campo de Arquitetura e Urbanismo torna-se, portanto, alvo dessa pesquisa: pensar fazer, crítica produção, teoria prática, conceito partido, figuração abstração, urbano rural, desenho canteiro, dentro fora, público privado, essência aparência, ética estética… Pergunto: o que pode nascer da relação promíscua entre a crítica de arte e de arquitetura e as produções destes campos quando a linha fronteiriça perde seus contornos? / [en] In this research, I investigate the relations between what is conventionally referred to as critical institution and artistic and architectural productions, rehearsing a possible alternative to the hegemonic critical discourse – rooted in the rationality, impersonality and binary of modern, western and colonial thought. I propose something that revolves around the notion of performative criticism, a critical counter-operation, which opposes the idea of criticism by judgment. In this space of experimentation, guided by deconstructivist thinking and radical queer theory proposes, I launch writing operations that seek to destabilize, fracture and dissolve the logic of borders, separability and binarism. A series of axioms from the field of Architecture and Urbanism therefore become the target of this research: thinking doing, criticism production, theory practice, urban rural, public private, etc. I ask: what can emerge from the promiscuous relation between art and architecture criticism and the productions of these fields when the borderline loses its contours?

Panorama da produção de Rodrigo Brotero Lefèvre de 1960 a 1984 como arquiteto e professor universitário dentro do quadro político-cultural do Brasil à época. Aponta o imbricamento entre teoria e prática que lhe é característica, por meio de uma consciência do planejamento que transpassa escritos e obras. Recupera questões perenes de seu trabalho profissional como assalariado e autônomo: coletividade, técnica, nacional e futuro. Aborda os vínculos de sua produção com a corrente paulista da arquitetura moderna no âmbito da ideologia e da linguagem, a partir de uma crítica radical filiada à corrente interpretativa de intelectuais brasileiros marxistas, nos termos da dualidade entre arcaico e moderno. Destaca finalmente o comprometimento de suas idéias com usuários e produtores da arquitetura, na busca de uma síntese entre utopia e realidade. / This dissertation aims at giving a panorama of Rodrigo Brotero Lefèvre´s production from 1960 to 1984 both as an architect and a university lecturer, considering the political and cultural scenario in Brazil over that period. It shows the interweaving of theory and practice typical of this author, through a concern about and control of planning, which pervades his writings and works. It also raises the discussion of perennial issues related to his professional work as a wage earner and a self-employed man: collectivity, technique, national issues and the future. It focuses on the connection of his production with the modern architecture stream in the state of São Paulo as regards ideology and language, based upon a radical criticism associated with the interpretative tendency developed by brazilian marxist intellectuals, in the sense of the duality between archaism and modernity. It eventually stresses the commitment of his ideas to architecture users and producers, seeking a synthesis of utopia and reality.

This dissertation investigates department stores as complex spatial and cultural buildings, in which values and ideas are expressed, negotiated, and produced. Situated in a cultural context commonly referred to as a society of consumption, where identity and social structures are worked out through consumption rather than production, the query turns to a specific act of consumption: that of shopping. More precisely, it investigates the role of space and spatial distribution in shopping. How space is distributed, arranged, or ordered allows for different possibilities in constructing categories from which the shoppers are to make a selection, and for how these categories can be related to one another, which informs the shoppers what belongs together, what is to be held apart, what is important, what is private, what is public, and what is of higher or lower status. It further supports, prevents, and promotes different routes and choices, giving different patterns of presence, publicity, privacy, purpose, etc. that not only affects the atmosphere of the spaces, but makes suggestions of what is found in them. These questions are investigated through a series of conceptual laboratories, each addressing the problem from different standpoints and focusing on different parts of the question: from how categories are constructed and given character, to how they form systems of values, how shoppers are trained in aesthetics of fashion, how relative degrees of presences are made use of, and how they appear influenced by spatial distribution. In this, the work shifts between qualitative and quantitative methods, each completing and evolving the other. It shows that to a remarkable degree, much of the emergent values and ideas can be understood through the filter of spatial configurations, and especially when treated as two systems: one of exposure and one of availability. As similar operations also affect patterns of movement and being, which enables them to also be related to publicity, privacy, and other social characters, the department stores can be understood as not only commercial spaces but as sites of negotiation of public culture. As such, both the analytic model and the more specific findings have important implications for architectural theory in general. / QC 20100803

Esta pesquisa procura investigar o processo de projeto na arquitetura e como o mesmo passou a ser influenciado nas últimas décadas pelas ferramentas digitais que surgiram desde então. Busca estabelecer uma visão sobre o projeto arquitetônico questionando a existência de um novo paradigma. Para isso analisa a produção acadêmica brasileira dos últimos anos que exploraram ou desenvolveram teorias sobre a utilização de ferramentas digitais afim de estabelecer um ponto de partida. Através da bibliografia expõem uma visão e uma defesa de uma forma de projetar e de como as ferramentas digitais podem auxiliar este processo sem criar deturpações de uso. Por fim o texto contrapõem duas arquiteturas: a arquitetura silenciosa - sóbria - que busca adequar-se à cidade e tão bem aguenta o passar do tempo e a arquitetura digitalista, focada no "inusitado", que está muito mais voltada à possibilidade de exploração midiática da edificação e que tantos problemas traz aos usuários e à sociedade. / This research investigates the design process in architecture and how it came to be influenced in the past few years by digital tools which emerged since then. It seeks to establish a vision about the architecture design methods by questioning the existence of a new paradigm. Thereunto it analyzes the Brazilian academic production of the past few years which explored or developed theories about the use of digital tools in order to establish a starting point. Through literature, it exposes a vision and a defense of a way of designing and how digital tools can assist this process without creating distortions of its use. Finally, the text contrasts two types of architecture: the silent, sober architecture, which seeks to adapt to the city and as well support the passage of time and changes of its uses, and the "digitalist" architecture, focused on the "unusual", which turns to the possibility of the media exploitation of the building and the many problems it brings to users and society.

Univerzita Karlova v Praze Filozofická fakulta Ústav pro dějiny umění Obecná teorie a dějiny umění a kultury - Dějiny výtvarného umění Daniela Štěrbová České vlivy v Bavorsku Pole za polem - cesta z jihu do Čech a zpět (Příspěvek k poznání výuky architektury v barokní době na příkladu tzv. Dientzenhoferovského skicáře) Böhmen in Bayern Joch für Joch - der Weg vom Süden nach Böhmen und zurück (Forschungsbeitrag zur Architekturlehre in der Barockzeit anhand des sog. Dientzenhofer-Skizzenbuches) Abstrakt vedoucí práce: Ing. Petr Macek, PhD. 2015 Abstrakt Der vorliegende Text befasst sich mit einer Plangruppe aus dem sog. Dientzenhofer- Skizzenbuch und ihrer didaktischen Funktion im Rahmen der barocken Architekturlehre. Anhand von halbierten Kirchengrundrissen wurden architektonische Prinzipien und Themen geübt, deren Variieren darauf abzielte, verschiedene raumgliedernde Motive auszuprägen. Dies stellte ein praktisches Pendant zur herkömmlichen Traktat-Literatur dar. Schlüsselwörte Dientzenhofer-Skizzenbuch, Architekturlehre, Architekturtheorie, Didaktik, Barock, Raumgliederung, Wandpfeilerraum Abstrakt Následující příspěvek se zabývá vybranou skupinou plánů z tzv. Dientzenhoferovského skicáře a její didaktickou funkcí v rámci výuky architektury v barokní době. Pomocí půlených půdorysů kostelních staveb byly...

Esta pesquisa procura investigar o processo de projeto na arquitetura e como o mesmo passou a ser influenciado nas últimas décadas pelas ferramentas digitais que surgiram desde então. Busca estabelecer uma visão sobre o projeto arquitetônico questionando a existência de um novo paradigma. Para isso analisa a produção acadêmica brasileira dos últimos anos que exploraram ou desenvolveram teorias sobre a utilização de ferramentas digitais afim de estabelecer um ponto de partida. Através da bibliografia expõem uma visão e uma defesa de uma forma de projetar e de como as ferramentas digitais podem auxiliar este processo sem criar deturpações de uso. Por fim o texto contrapõem duas arquiteturas: a arquitetura silenciosa - sóbria - que busca adequar-se à cidade e tão bem aguenta o passar do tempo e a arquitetura digitalista, focada no "inusitado", que está muito mais voltada à possibilidade de exploração midiática da edificação e que tantos problemas traz aos usuários e à sociedade. / This research investigates the design process in architecture and how it came to be influenced in the past few years by digital tools which emerged since then. It seeks to establish a vision about the architecture design methods by questioning the existence of a new paradigm. Thereunto it analyzes the Brazilian academic production of the past few years which explored or developed theories about the use of digital tools in order to establish a starting point. Through literature, it exposes a vision and a defense of a way of designing and how digital tools can assist this process without creating distortions of its use. Finally, the text contrasts two types of architecture: the silent, sober architecture, which seeks to adapt to the city and as well support the passage of time and changes of its uses, and the "digitalist" architecture, focused on the "unusual", which turns to the possibility of the media exploitation of the building and the many problems it brings to users and society.

Esta pesquisa procura investigar o processo de projeto na arquitetura e como o mesmo passou a ser influenciado nas últimas décadas pelas ferramentas digitais que surgiram desde então. Busca estabelecer uma visão sobre o projeto arquitetônico questionando a existência de um novo paradigma. Para isso analisa a produção acadêmica brasileira dos últimos anos que exploraram ou desenvolveram teorias sobre a utilização de ferramentas digitais afim de estabelecer um ponto de partida. Através da bibliografia expõem uma visão e uma defesa de uma forma de projetar e de como as ferramentas digitais podem auxiliar este processo sem criar deturpações de uso. Por fim o texto contrapõem duas arquiteturas: a arquitetura silenciosa - sóbria - que busca adequar-se à cidade e tão bem aguenta o passar do tempo e a arquitetura digitalista, focada no "inusitado", que está muito mais voltada à possibilidade de exploração midiática da edificação e que tantos problemas traz aos usuários e à sociedade. / This research investigates the design process in architecture and how it came to be influenced in the past few years by digital tools which emerged since then. It seeks to establish a vision about the architecture design methods by questioning the existence of a new paradigm. Thereunto it analyzes the Brazilian academic production of the past few years which explored or developed theories about the use of digital tools in order to establish a starting point. Through literature, it exposes a vision and a defense of a way of designing and how digital tools can assist this process without creating distortions of its use. Finally, the text contrasts two types of architecture: the silent, sober architecture, which seeks to adapt to the city and as well support the passage of time and changes of its uses, and the "digitalist" architecture, focused on the "unusual", which turns to the possibility of the media exploitation of the building and the many problems it brings to users and society.

Panorama da produção de Rodrigo Brotero Lefèvre de 1960 a 1984 como arquiteto e professor universitário dentro do quadro político-cultural do Brasil à época. Aponta o imbricamento entre teoria e prática que lhe é característica, por meio de uma consciência do planejamento que transpassa escritos e obras. Recupera questões perenes de seu trabalho profissional como assalariado e autônomo: coletividade, técnica, nacional e futuro. Aborda os vínculos de sua produção com a corrente paulista da arquitetura moderna no âmbito da ideologia e da linguagem, a partir de uma crítica radical filiada à corrente interpretativa de intelectuais brasileiros marxistas, nos termos da dualidade entre arcaico e moderno. Destaca finalmente o comprometimento de suas idéias com usuários e produtores da arquitetura, na busca de uma síntese entre utopia e realidade. / This dissertation aims at giving a panorama of Rodrigo Brotero Lefèvre´s production from 1960 to 1984 both as an architect and a university lecturer, considering the political and cultural scenario in Brazil over that period. It shows the interweaving of theory and practice typical of this author, through a concern about and control of planning, which pervades his writings and works. It also raises the discussion of perennial issues related to his professional work as a wage earner and a self-employed man: collectivity, technique, national issues and the future. It focuses on the connection of his production with the modern architecture stream in the state of São Paulo as regards ideology and language, based upon a radical criticism associated with the interpretative tendency developed by brazilian marxist intellectuals, in the sense of the duality between archaism and modernity. It eventually stresses the commitment of his ideas to architecture users and producers, seeking a synthesis of utopia and reality.