This thesis explores the role of youth workers who utilize the arts in Soacha, Colombia. Through a historical and anthropological lens the findings reveal the objectives of the workers and the impact the work has as an intervention with the children. Through the case study of nine youth workers and two administrators of the local NGO, La Fundación Proyecto de Vida, I show how a comprehensive approach strengthens youth's social and personal capacities. This Colombian model of intervention includes workshops that cover areas such as music, visual arts, movement, physical health, and the environment. In addition to the workshops the organization provides psychological resources through family counseling, art and psychodynamic therapy, along with onsite cafeteria service. Ultimately I illustrate how this comprehensive, arts-based approach to support the youth can break the cycle of violence that is otherwise perpetuated by the lack of governmental social programs.

Adolescent literacy learning centered in processes of imagination is marginalized and neglected within the saturated climate of standardized assessment. This arts-based qualitative study uncovers imagination as an active presence central to making meaning in a middle school language arts class involved in a writing experience inspired by the history of jazz. Learning filtered through the creative processes of writing reveals imagination as an interiorized action in adolescent literacy development. I ground this research in sociocultural perspectives of literacy (Vygotsky, 1978, 1986) engaged in aesthetic paradigms of learning. From this perspective, I investigate how middle school student writers participating in individual and collaborative activities internalize the experience to create new understandings of the world in which they live. Through the lens of theory, I explore the imagination as a higher psychological and cultural function involved in the mediated development of language. This study describes the powerful ways in which students craft writing and concurrently develop strong, critical and creative thinking capacities. I discard false perspectives that assume the inefficacy of learning in expressive modes and endorse pedagogies that place imagination at the center of processes of literacy teaching and learning.

Visual arts-based tasks have been used and continue to be used by educators to help support the learning needs of many students. Research findings pertaining to visual arts-based education have concluded that visual arts-based tasks can help to improve students’ social communication skills, support their learning in academic subject areas, and increase their learning engagement. In recognition of the potential benefits of integrating the arts into the curriculum, the Learning Through the Arts (LTTA) program provides students with opportunities to engage in arts-based activities. In 2003, the results of a national longitudinal study on the LTTA program revealed a strong relationship between students’ involvement in the arts and their learning and engagement. The investigators recommended that further research in this area was required; through my research, I sought to contribute to this area of study. It is within the setting of a visual arts-based LTTA program that this study was conducted. Data were collected to construct two multiple-perspective case studies—each involving a Grade 7 student with learning disabilities. Each multiple-perspective case study involved the student’s mother, classroom teacher, and LTTA artist-educator in order to explore the following research question: In what way did visual arts-based tasks incite the student’s learning attitude, engagement level, and feelings of academic self-efficacy within the subject area(s) being explored? Overall, the findings suggested that visual arts-based tasks incited positively each student’s learning attitude, engagement level, and feelings of academic self-efficacy within the respective subject area that the students identified as being one of their least favourite. Most notably, their engagement in the visual arts-based tasks activated each student’s meaningful processing skills and fostered their emotional engagement in the task and their learning. Limitations of this study and future research directions were considered. / Thesis (Master, Education) -- Queen's University, 2013-10-22 18:15:56.859

Working with an organization outside the public school system that was creating schoolyard gardens, I began to think about culture and cultivation inside and outside of schooling practices. The liveliness of the schoolyard gardens presented possibilities for enlivening educational discourses. With two participants I planted a container box schoolyard garden outside Lamoureux Hall, which houses the Faculty of Education. Utilizing aspects of place-based pedagogy, ecoliteracy, ecopedagogy and a metissage of a/r/tography, eco-art and writing as a method of inquiry, we tended the garden and dwelled upon ideas of nature, culture, and their intersection in a particular place. Our garden experiences left cyber footprints in virtual space as blog spots on a thesis blog site. The garden and the inquiry it generated outside,is brought back inside the education building as a Master's thesis. The garden grew in different and unpredictable ways due to intense construction on site, entwining the planter boxes with unseen variables.

This study addresses the topic of class consciousness and the radical educator. Using the theory of revolutionary critical pedagogy and Marxist humanism I examine the impact of formative experience and class consciousness on my own radical praxis across three continents. The methodology of auto/biography is used to interrogate my own life history. I excavate my own formative experience in Scotland, Canada and my radical praxis as a human rights educator in Ghana West Africa. The study is particularly interested in the possibility of a radical educator transgressing across race, whiteness and gender while working in Ghana, West Africa. Chapter One begins by discussing the theory of revolutionary critical pedagogy, Marxist humanism and theories of the self. Chapter Two assesses the methodology of auto/biography,research methods and an introduction to formative experience. Chapter Three, Four and Five contain excavation sites from Scotland, Canada and Ghana with accompanying analysis. Chapter Six concludes with a summary of research findings.

This study addresses the topic of class consciousness and the radical educator. Using the theory of revolutionary critical pedagogy and Marxist humanism I examine the impact of formative experience and class consciousness on my own radical praxis across three continents. The methodology of auto/biography is used to interrogate my own life history. I excavate my own formative experience in Scotland, Canada and my radical praxis as a human rights educator in Ghana West Africa. The study is particularly interested in the possibility of a radical educator transgressing across race, whiteness and gender while working in Ghana, West Africa. Chapter One begins by discussing the theory of revolutionary critical pedagogy, Marxist humanism and theories of the self. Chapter Two assesses the methodology of auto/biography,research methods and an introduction to formative experience. Chapter Three, Four and Five contain excavation sites from Scotland, Canada and Ghana with accompanying analysis. Chapter Six concludes with a summary of research findings.

Working with an organization outside the public school system that was creating schoolyard gardens, I began to think about culture and cultivation inside and outside of schooling practices. The liveliness of the schoolyard gardens presented possibilities for enlivening educational discourses. With two participants I planted a container box schoolyard garden outside Lamoureux Hall, which houses the Faculty of Education. Utilizing aspects of place-based pedagogy, ecoliteracy, ecopedagogy and a metissage of a/r/tography, eco-art and writing as a method of inquiry, we tended the garden and dwelled upon ideas of nature, culture, and their intersection in a particular place. Our garden experiences left cyber footprints in virtual space as blog spots on a thesis blog site. The garden and the inquiry it generated outside,is brought back inside the education building as a Master's thesis. The garden grew in different and unpredictable ways due to intense construction on site, entwining the planter boxes with unseen variables.

Working with an organization outside the public school system that was creating schoolyard gardens, I began to think about culture and cultivation inside and outside of schooling practices. The liveliness of the schoolyard gardens presented possibilities for enlivening educational discourses. With two participants I planted a container box schoolyard garden outside Lamoureux Hall, which houses the Faculty of Education. Utilizing aspects of place-based pedagogy, ecoliteracy, ecopedagogy and a metissage of a/r/tography, eco-art and writing as a method of inquiry, we tended the garden and dwelled upon ideas of nature, culture, and their intersection in a particular place. Our garden experiences left cyber footprints in virtual space as blog spots on a thesis blog site. The garden and the inquiry it generated outside,is brought back inside the education building as a Master's thesis. The garden grew in different and unpredictable ways due to intense construction on site, entwining the planter boxes with unseen variables.

Working with an organization outside the public school system that was creating schoolyard gardens, I began to think about culture and cultivation inside and outside of schooling practices. The liveliness of the schoolyard gardens presented possibilities for enlivening educational discourses. With two participants I planted a container box schoolyard garden outside Lamoureux Hall, which houses the Faculty of Education. Utilizing aspects of place-based pedagogy, ecoliteracy, ecopedagogy and a metissage of a/r/tography, eco-art and writing as a method of inquiry, we tended the garden and dwelled upon ideas of nature, culture, and their intersection in a particular place. Our garden experiences left cyber footprints in virtual space as blog spots on a thesis blog site. The garden and the inquiry it generated outside,is brought back inside the education building as a Master's thesis. The garden grew in different and unpredictable ways due to intense construction on site, entwining the planter boxes with unseen variables.