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The "Option for the Poor" and the Scottish Episcopal ChurchWhiteman, Robert D. January 2010 (has links)
This thesis looks at Blessed are the Poor?, a document presented to the General Synod of the Scottish Episcopal Church that sought to outline Liberation Theology to the Church. In response to this the Synod voted £1,000,000 of its resources to be used specifically in projects in the poorest parts of Scotland. The thesis outlines those projects and the way in which they sought to embody the "Option for the Poor". The thesis closes by looking at whether Blessed are the Poor? faithfully represented Liberation Theology and the "Option"; whether the projects represented that theology and concluding that they did not, recognises that it is the nature of both the "Option" and the institutional Church that such a task could never be achieved. In order to understand the pastoral project this thesis outlines the historical development of Liberation Theology after the Second Vatican Council and in Latin America with particular emphasis on the "Option for the Poor". This thesis proceeds to look at the development of an "Option for the Poor" in the work of Gustavo Gutiérrez, the leading Liberation Theologian. The critiques of that work from the Vatican, Pablo Richard and Hugo Assmann are then considered. Gutiérrez’s works are used to develop a theological matrix that identifies the essential elements of the “Option for the Poor”. Having considered the notion of the "Option for the Poor" the thesis proceeds to look at how the "Option" was taken forward in the Churches in Britain before focussing on the specific response of the Scottish Episcopal Church. The matrix is used as a tool to assess whether the various parts of the response truly reflected the “Option for the Poor”.
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Die Welt im Wandel: Brauchen wir eine neue Sprache und neue Begriffe? : 13. Juni 2021Assmann, Aleida 24 May 2022 (has links)
In der Modernisierungstheorie hatte das Wort ‚Bruch‘ einen positiven Klang, weil ‚Bruch‘
automatisch mit Innovation und Wandel einherging. Seit die Menschheit jedoch mit
einem
Wandel konfrontiert ist, den sie zwar induziert aber so nicht beabsichtigt hat,
können
Begriffe wie dieser nicht mehr so unbefangen benutzt werden.
Es bedarf – so
Aleida Assmann – einer neuen Sprache und neuer Begriffe, um die Aufmerksamkeit
umzulenken auf neue Perspektiven, Werte und Handlungsfelder.
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Básnické prostory (v) paměti (u vybraných českých básníků druhé poloviny 20. století). / Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century)Flanderka, Jakub January 2017 (has links)
Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) Abstract The dissertation Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) offers interpretations of six Czech poetic works of the second half of the 20th century, with focus on the perspective of cultural memory. Chosen poetic works represent synecdoches of poetic description of (general) historical events and experience that are connected with the time during the World War II (the Nazi regime) and with communist regime after 1948 and to some extent are connected with spatial dimension - be it poetic reflection of space which is modelled on a phenomenon from real, "topical" world, be it (completely) imaginary description of space. Methodology of this dissertation is based on the concept of cultural memory by Aleida Assmann, particularly as presented in her book Cultural Memory and Western Civilization. Functions, Media, Archives. Individual chapters of the dissertation deal with interpretations of following poetic works: "Návrat" by Vladimír Holan is a poetic story that develops the topos of coming back - coming back home, to a space that the lyrical narrator enters after twenty years in order to look for his mother's grave in local graveyard; he fails. A verse book Dům Strach by Jan...
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ArchivHeide, Johanna 11 August 2020 (has links)
Archiv bezeichnet eine Einrichtung, in der Schriftstücke, Dokumente, Akten und andere Zeugnisse gesammelt, geordnet, bewahrt und restauriert werden. Archive erfüllen als Verwaltungs- und Erinnerungsorte eine Vielzahl von Funktionen und sind eng mit institutioneller Macht verschränkt. Kulturwissenschaftliche Analysen zeigen, dass analoge und digitale Archive bestimmten Akteur*innen mehr Raum und Sichtbarkeit gewähren als anderen. Dabei strukturieren soziale Kategorien wie gender, race und class den Zugang zum und den Eingang ins Archiv. Eine intersektionale Heterogenisierung des Archivs wird in Teilen der Wissenschaft sowie von privaten Initiativen deshalb angestrebt, löst aber auch Kritik aus.
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