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21	Himmlers Klostersturm der Angriff auf katholische Einrichtungen im Zweiten Weltkrieg und die Wiedergutmachung nach 1945 / Mertens, Annette. January 2006 (has links) Thesis (doctoral) - Universität, Leipzig, 2005. / Includes bibliographical references (p. 414-458) and index.
22	Deconstructing and restoring photography as an embodiment of memory Naude, Irene 11 1900 (has links) This dissertation considers whether photography as a language translates a transient moment into an embodied image. This is considered to be a mimesis of the moment as an aid for memory. By following a dialectic approach I posit a thesis based on the common sense perception of photography which states that photography is an artefactual mimesis aiding memory. After reflecting on Plato’s concept of writing as a pharmakon and Jacques Derrida’s deconstruction theory I establish an antithesis which proclaims that a photograph aids memory but also leads to the illusion of remembering past experiences. The synthesis is then presented which resolves the opposing ideas. This component argues that a photograph is a mimetic device that aids memory by presenting embodied fragmented reflections of time which can be used to create new meanings and memories. The dissertation concludes with a discussion that supports and integrates this argument with visual research. / Art History, Visual Arts and Musicology / M.A. (Visual Arts) Bodilyness Correspondence Deconstruction Embodied consciousness Post-structuralism Remedy Translation Pharmakon Mimesis Artefact Aufhebung Difference Hegel Language Memory Plato Photography Poison Punctum Structuralism 770 Photography, Artistic Photography -- Philosophy Visual perception
23	Deconstructing and restoring photography as an embodiment of memory Naude, Irene 11 1900 (has links) This dissertation considers whether photography as a language translates a transient moment into an embodied image. This is considered to be a mimesis of the moment as an aid for memory. By following a dialectic approach I posit a thesis based on the common sense perception of photography which states that photography is an artefactual mimesis aiding memory. After reflecting on Plato’s concept of writing as a pharmakon and Jacques Derrida’s deconstruction theory I establish an antithesis which proclaims that a photograph aids memory but also leads to the illusion of remembering past experiences. The synthesis is then presented which resolves the opposing ideas. This component argues that a photograph is a mimetic device that aids memory by presenting embodied fragmented reflections of time which can be used to create new meanings and memories. The dissertation concludes with a discussion that supports and integrates this argument with visual research. / Art History, Visual Arts and Musicology / M.A. (Visual Arts) Bodilyness Correspondence Deconstruction Embodied consciousness Post-structuralism Remedy Translation Pharmakon Mimesis Artefact Aufhebung Difference Hegel Language Memory Plato Photography Poison Punctum Structuralism 770 Photography, Artistic Photography -- Philosophy Visual perception

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