Indiana University-Purdue University Indianapolis (IUPUI) / In the United States extreme heat events have grown in size and stature over the past 20 years. Urban Heat Islands exacerbate these extreme heat events leaving a sizable portion of people at risk for heat related fatalities. The evidence of this is seen in the Chicago heat wave of 1995 which killed 500 people over the course of a week and the European heat wave of 2003 which killed 7,000 people in the course of a month. The main guiding questions then become how government and the media can most effectively warn people about the occurrence of extreme heat events? Should extreme heat warnings be issued by T.V., newspaper or by radio? Even if warnings are issued will the population at large still change their behavior? Another possible question is whether people most vulnerable to extreme heat will change their behavior? A survey in 2010 by NASA will be the main basis for this analysis. This survey set out to see how well people in Phoenix, Philadelphia, and Dayton responded to extreme heat alerts by changing their behavior.

This thesis compares selected beings of Baltic folklore within a nearer Balto-Slavic areal after analysing them. It defines the term "chthonic" in accord with the current traditions and supplements it with additional traits, which it verifies afterwards. Using these traits the thesis consequently determines the chthonic properties of the beings. The comparations begin with velnias/velns, a being with assumed chthonic character, which is confirmed. The core of the thesis is dedicated to aivataras, whose mythopersonyma and appearance are examined first, followed by its functionality i.e. the plots it figures in. According to the plots aitvaras and its Baltic variants are compared with East- and West Slavic beings with focus at the plots of Czech demonologic fables. This establishes aitvaras and its equivalents posses strong serpentine traits and a relation to the revered spirits of dead ancestors. The results of this comparison are compared to previous research and some differing conclusions are presented, among them a proposal of a possible etymology of the mythopersonymum "aitvaras". No significant difference on the functional level has been discovered between the terms "aitvaras" and "kaukas". The last chapter concerns itself with the being called "laumė" and to her similar female deities and...

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I described recreational use in mountain sheep (Ovis canadensis mexicana) habitat in the Pusch Ridge Wilderness (PRW), Tucson, Arizona. I also examined human attitudes held by PRW recreationists and homeowners within 1 mile (1.6 km) of PRW boundary towards several mountain sheep management options. I used geographic information system modeling and social science survey methodology. Recreational use along two trails that traverse mountain sheep habitat was frequent (66 individuals/day use Pima Canyon trail, 26 individuals/day use Romero Canyon trail) and primarily limited to the lower 3 miles (4.8 km) of the trails. Compliance with existing dog leash regulations is low (41.8% on Pima Canyon trail, 62.8% on Romero Canyon trail). Recreationists and homeowners within 1 mile (1.6 km) of PRW support the elimination of dogs within PRW and support planned burns of PRW to improve mountain sheep habitat. Recreationists and homeowners also support closing all or parts of PRW to protect the long term viability (>100 years) of the sheep population. Homeowners within 1 mile (1.6 km) of PRW primarily enjoy passive recreational use of PRW (i.e, viewing the wilderness).

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The body exists in space and time. It moves through cultural spaces and temporal rhythms. In the combination of instantiated actions and environmental conditions a context is created, this through embodiment. In this thesis I will attempt to link definitions of embodiment with the process of creating and performing new sound theatre works that involve live interaction with media technology. I will also examine terms such as inscription or incorporation and their application to processes of learning and memory within a particular context of inter-disciplinary skills. Finally, in the light of this genre, I will approach the problematic of analytical procedures that change the very parameters of embodied knowledge. The term sound theatre could be defined as a shift of play between music, image and text, incorporating elements such as gesture, choreography, audio and visual technology into a compositional dialogue. However this approach demands a re-examination of the spatial and temporal aspects involved in such inter-activity and their consequent relation to the performer. Taking the starting-point of sound and movement within the body of the performer, my research involves investigations into medial extensions of embodiment that have developed through a discourse with machines. This project takes an essentially practical basis for its research in the form of collaborations with musicians and practitioners of media technology towards a creative product. The result is a series of written compositions, each of which examines a different aspect of sound theatre. The valuable exchange that takes place during such a situation of experimentation becomes equally as important as the final product, providing much of the material framework for issues such as terminology and analytical procedures that concern my investigation.

Tragédie humaine et crime que l'on préfère croire d'un autre temps, l'esclavage n'a jamais été aussi prospère que depuis la proclamation officielle de son abolition. Dès lors, son éradication se heurte à un manque flagrant de juridictionnalisation et à l'absence de mise en oeuvre de politiques publiques concrètes. Dans le même temps, l'intervention vigoureuse des forces de l'ordre est entravée, ce qui permet aux trafiquants de jouir d'une relative impunité. De prime abord, il peut paraître simple de définir ce qu'est l'esclavage tant la notion semble entendue et le sujet d'actualité. Mais au-delà de cette image d'Epinal véhiculée par la traite transatlantique négrière, l'esclavage perdure et ses avatars modernes se superposent à ses formes anciennes. La nature transnationale de ce crime, l'anonymat de ces auteurs facilité par l'évolution des technologies et la difficulté d'en identifier ses victimes amènent à se demander si la sphère internationale n'est finalement pas la plus à même de lutter contre les pratiques esclavagistes. De plus, faire respecter l'interdiction des pratiques esclavagistes passe aujourd'hui par une approche multidisciplinaire du phénomène qui doit être réalisée à l'échelle internationale de manière à saisir pleinement l'envergure de ce qu'est réellement l'esclavage, mais implique toutefois une coopération des Etats. En effet, bien plus qu'une simple problématique juridique, fut-elle d'envergure internationale, la lutte contre l'esclavage contemporain implique également une prise de conscience de la sphère politique et un engagement de la société civile sans lesquelles aucunes mesures ne pourraient être efficacement appliquées. / Human tragedy and crime that we prefer to think of another time, slavery has never been so prosperous since the official announcement of its abolition. Therefore, its eradication is facing a serious lack of jurisdictionalisation and a lack of enforcement of specific public policies. At the same time, the vigorous intervention of the authorities is obstructed that which allow a relative impunity to the traffickers.Prima facie it may seem easy to define slavery as the concept seems to heard and the current topic. But beyond this idyllic picture conveyed by the transatlantic slave trade, slavery persists and its modern avatars overlap with its ancient forms. The transnational nature of this crime, the anonymity of the authors facilitated by technological developments and the difficulty of identifying his victims, lead us to wonder if the international sphere is not actually the best able to fight against slavery. Furthermore, enforcing the prohibition of slavery going on today by a multidisciplinary approach to the phenomenon which must be done internationally in order to fully grasp the scale of what slavery really is, but involves, however, cooperation of States. Indeed more than a simple legal question, even with an international scope, the fight against contemporary slavery also involves an awareness of the political sphere and a commitment of the civil society without which no measures could be effectively applied.

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The purpose of the study is to examine how pedagogues practice their authority over children in conflict situations at preschools. How are children treated based solely on them being children? And how do preschool teachers validate children’s experiences of conflicts? To get answers I proceeded by using a qualitative data collection method and a hermeneutical analysis. I collected the material for the study by observing and interviewing pedagogues to both get an idea of ​​how they act in practice and how they reason about conflict situations in the preschool. The essay is based on a childhood sociological theoretical perspective that recognizes the importance of social and cultural context. The study’s results show that pedagogues practice their authority over children in conflict situations, but that it is done in different ways. How they practice authority, treat and validate children’s experiences depend on the pedagogues’ child perspective. Even though all the pedagogues in the study want what’s best for the children, the various conflict situations have completely different outcomes, since the pedagogues interpret children and their actions in very different ways, resulting in different responses and attitudes towards the children. The consequences of these different ways to respond need to be questioned and reflected upon. It’s time that the way pedagogues practice their authority and the way they see children is brought up for discussions within the world of preschool education.

This study suggests that tragedy sees human action as synonymous with language and that it uses a method similar to that of a hermeneutic phenomenology to portray man as experiencing spirituality in a confrontation with expression. This confrontation takes the form of a pattern that leads to a revelation that all human action springs from the spirit. Word as action is thus placed into a spiritual context, containing in itself the key to the divine significance of the human experience. As a cultural manifestation, this pattern exists not only in literary tragedy, but also in the Hebrew Scriptures as narratives and poetry. This study examines this tragic pattern in Genesis, the Book of Job, Oedipus, and King Lear.