- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
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Betting complex 2000 : Yuen Long maxi centre /Li, Tsz-ho, Howard, January 1996 (has links)
Thesis (M. Arch.)--University of Hong Kong, 1996. / Includes special report study entitled: Design considerations of multi-function space. Includes bibliographical references.
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Betting complex 2000 Yuen Long maxi centre /Li, Tsz-ho, Howard, January 1996 (has links)
Thesis (M.Arch.)--University of Hong Kong, 1996. / Includes special report study entitled : Design considerations of multi-function space. Includes bibliographical references. Also available in print.
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Die Rennwette im heutigen Strafrecht /Heldt, Reinhold. January 1928 (has links)
Thesis (doctoral)--Universität Kiel.
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Who killed the bookies? : tracking totalisators and bookmakers across legal and illegal gambling markets : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Anthropology in the University of Canterbury /Graham, R. A. January 2007 (has links)
Thesis (M.A.)--University of Canterbury, 2007. / Typescript (photocopy). Includes bibliographical references (p. 137-147). Also available via the World Wide Web.
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Betting complex 2000: Yuen Long maxicentreLi, Tsz-ho, Howard, 李子豪 January 1996 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
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World of DesireCrippa, Benedetta January 2017 (has links)
This project report offers an in-depth, detailed account of my creative process and work during my two-year Master in visual communication at Konstfack, Stockholm. My degree project is a celebration of plurality and visual democracy. Starting with identifying different norms pervading the graphic design discipline in the Western world today, both in terms of aesthetic values and systems of thinking, I have worked to propose and visualize alternative possible futures. Drawing has been my main carrier through an intense journey of un-learning and re-learning resulting in an artist’s book in unique copy. With this book, I want to problematize the dominant discourses around objectivity as a utopian ideal with a suppressive agenda, while visualizing a world I can recognize myself in. I have used decoration as a method, emotion and femininity as explorative standpoints, giving space to the metaphorical, the ambiguous and the spiritual to challenge current visual norms. This book emerges as an affirmation of my own quest for visual belonging as a graphic designer and a woman; a testimony of the practice of drawing as actualized power.
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