This study examined the relationship between supervisee attachment orientation, rapport of the supervision working alliance over time, the change of supervisee attachment orientation, and the perceived impact of supervision on the lives of the supervisees. Participants were 117 master?s level counseling student at the entry (34), practicum (45), and internship (38) levels, counseling clients with supervision. This study used the Relationship Questionnaire and the Rapport score from the Supervision Working Alliance Inventory. Data was collected via e-mail at the beginning, middle, and end of the semester. Data was examined using Two-Way Factorial ANOVAs, Bowker Tests, and Chi-Square Tests. There were statistically significant changes in attachment orientation over time, and a statistically significant relationship between working alliance rapport scores and supervisee attachment. A change in attachment from preoccupied and fearful toward secure and dismissing orientations occurred. These findings may indicate the importance of considering attachment in the supervision relationship.

Orientadora: Profa. Dra. Patrícia Teixeira Leite Asano / Dissertação (mestrado) - Universidade Federal do ABC. Programa de Pós-Graduação em Energia, 2017. / A partir do início da década de 1920 começou a entrar em operação a audaciosa iniciativa denominada "Projeto Serra" que, em síntese, consistia em bombear parte do volume de água dos rios Tietê e Pinheiros para o reservatório Billings construído com a finalidade de armazenar água para ser aduzida por 720 metros de queda até ser turbinada na Usina Hidroelétrica Henry Borden. Essa configuração proporciona a essa usina uma excepcional produtibilidade, fato que na prática representa produzir mais eletricidade turbinando menor volume de água se comparada a outras usinas no Brasil. As estruturas do Projeto Serra continuam em operação e integram o que atualmente é denominado Complexo Henry Borden, entretanto, devido aos índices de poluição nas águas dos rios Tietê e Pinheiros o bombeamento para produção de eletricidade está proibido desde 1989 e com isso os consumidores brasileiros de eletricidade não podem dispor continuamente da plena capacidade e produtibilidade da Usina Henry Borden. Considerando o grande e múltiplo potencial do Complexo, esse trabalho de pesquisa explorou, a partir da metodologia do Planejamento Integrado de Recursos, a utilização das idiossincrasias regulatórias vigentes no Setor Elétrico para sugerir um plano de ação conjunto entre diversos agentes, visando ao tratamento das águas dos rios que integram o Complexo com a finalidade de redução dos índices de poluição visando à autorização de bombeamento das águas para geração de eletricidade, para que dessa forma, a sociedade brasileira e moradores da região metropolitana de São Paulo possam usufruir da plena disponibilidade dos diversos usos do Complexo Henry Borden. / From the beginning of the 1920s, the bold initiative called "Serra Project" began, which, in synthesis, consisted of pumping part of the volume of water from the Tietê and Pinheiros rivers to the Billings reservoir built for the purpose of storing water to be adduced by 720 meters of fall until being turbine in Hydroelectric Plant Henry Borden. This configuration gives this plant an exceptional productivity, a fact that in practice represents the production of more electricity by turbinating less water compared to other plants in Brazil. The structures of the Serra Project continue to operate and integrate what is now known as the Henry Borden Complex. However, due to the pollution indexes in the Tietê and Pinheiros rivers, pumping for electricity production has been prohibited since 1989 and with this the Brazilian consumers of Electricity cannot continuously dispose of the full capacity and productivity of the Henry Borden Mill. Considering the large and multiple potential of the Complex, this research project explored, from the methodology of Integrated Resource Planning, the use of the regulatory idiosyncrasies in force in the Electric Sector to suggest a joint action plan among several agents, aiming at the treatment of the waters of the Which integrate the Complex with the purpose of reducing the pollution indexes in order to permit the pumping of water for electricity generation, so that Brazilian society and residents of the metropolitan region of São Paulo can enjoy the full availability of the various uses of the Complex Henry Borden.

Orientador: Ricardo de Souza Moretti / Dissertação (mestrado) - Universidade Federal do ABC. Programa de Pós-graduação em Energia.

Dissertação (mestrado) - Universidade Federal do ABC. Programa de Pós-Graduação em Energia

Thesis (Ph. D.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains xvii, 275 p.: ill. Includes abstract and vita. Advisor: W.I. Ausich, Dept. of Geological Sciences. Includes bibliographical references (p. 186-208).

Professional archaeologists firmly control the prehistory of British Columbia (more commonly referred to today as "pre-contact" history). This has been the case since Dr. Charles E. Borden, a German professor at the University of British Columbia, professionalized the archaeological discipline between 1945 and 1960. The purpose of this paper is to critically examine and explain the process by which this monopolization occurred, and to suggest the massive ramifications that have followed. Relevant approaches to the history of archaeology are reviewed, and a "contextual" strategy is adopted as the best way to unravel, but preserve, the richness of the local history of archaeology in B.C. A mixture of narrative and analytical style is employed in explaining the rise Borden and professional archaeology in the 1950s. It is argued that Borden produced knowledge by drawing on an existing network of North American archaeology to create, and substantiate, his authoritative position. In the context of archaeological site destruction, during the 1950s, Borden was able to pull unrelated members of the B.C. populous to his cause, including provincial officials, through the passing of the "Archaeological and Historic Sites Protection Act," in 1960. Amateur archaeologists and Aboriginal people lacked the means to amass the powerful alliances that Borden did, and therefore amateurs and Natives were unable to offer a persuasive alternative to Borden's authority. It is concluded that because of the professional encapsulation of B.C. archaeology, we, as non-specialists, have to put our faith in archaeologists, and assume that the knowledge they produce is truthful and valid It is suggested that professional archaeologists have joined other human scientists in a rapidly spiralling scientification of humanity. This is significant because specialists inform the State about who we are as citizens, and impose identities on us which partly dicate how the State regulates our access to resources. The example of Natives in B.C., who have recently appropriated professional archaeology to their own cause of settling land-claim disputes, is offered to show how alienated components of our identities can be returned to us through political action.

The Great War narrative has been the subject of wide scholarship but there have been no studies that have specifically focused on understanding the ethical and aesthetic struggles of the artist in war, the artist’s dilemma. The generation that experienced the Great War included many giants of twentieth-century intellectual, cultural, and political life, many of whom wrote personal narratives of their experiences. These narratives have contributed to shaping familial stories and the meta-narratives of nation states for generations—sometimes limiting a fuller understanding of the war. Through this thesis I aim to open the field of narrative investigation into a wider inquiry through applying what Brian Lande identifies as the ‘sensual and moral conversion’ of the soldier in war, to the artistic actor in the theatre of war. The proposition is to identify and read beyond generic conventions, then to observe the process, the tasks, and the moral, psychosocial, and aesthetic dilemmas of the artist in the theatre of war. To do this, the work focuses on three robust texts of the Great War: Robert Graves’s Good-bye to All That (1929), Mary Borden’s The Forbidden Zone (1929), and David Jones’s In Parenthesis (1937). The project explores not only the nuance of creative witness, self-witness, and testimony, but proposes a fuller empathic engagement with the narrative within the social contract of war writing. After developing a model of the formal conventions which structure the genre of war writing, and building on the work of Max Saunders, Henri LeFebvre, and others, I have carried out close readings of the three authors’ Great War narratives and related works. With an interdisciplinary approach that encompasses literary, artistic, historical, ethical, and sociological studies, and with extensive archival research, I propose to introduce another perspective on reading between the lines of Great War narratives. This perspective encompasses the ethical and aesthetic dilemmas that faced the artists of the war generation as they acted and reacted to war, a generation that shaped the intellectual, political, scientific, and artistic life of the twentieth century, and the lives of generations to follow.

Professional archaeologists firmly control the prehistory of British Columbia (more commonly referred to today as "pre-contact" history). This has been the case since Dr. Charles E. Borden, a German professor at the University of British Columbia, professionalized the archaeological discipline between 1945 and 1960. The purpose of this paper is to critically examine and explain the process by which this monopolization occurred, and to suggest the massive ramifications that have followed. Relevant approaches to the history of archaeology are reviewed, and a "contextual" strategy is adopted as the best way to unravel, but preserve, the richness of the local history of archaeology in B.C. A mixture of narrative and analytical style is employed in explaining the rise Borden and professional archaeology in the 1950s. It is argued that Borden produced knowledge by drawing on an existing network of North American archaeology to create, and substantiate, his authoritative position. In the context of archaeological site destruction, during the 1950s, Borden was able to pull unrelated members of the B.C. populous to his cause, including provincial officials, through the passing of the "Archaeological and Historic Sites Protection Act," in 1960. Amateur archaeologists and Aboriginal people lacked the means to amass the powerful alliances that Borden did, and therefore amateurs and Natives were unable to offer a persuasive alternative to Borden's authority. It is concluded that because of the professional encapsulation of B.C. archaeology, we, as non-specialists, have to put our faith in archaeologists, and assume that the knowledge they produce is truthful and valid It is suggested that professional archaeologists have joined other human scientists in a rapidly spiralling scientification of humanity. This is significant because specialists inform the State about who we are as citizens, and impose identities on us which partly dicate how the State regulates our access to resources. The example of Natives in B.C., who have recently appropriated professional archaeology to their own cause of settling land-claim disputes, is offered to show how alienated components of our identities can be returned to us through political action. / Arts, Faculty of / History, Department of / Graduate

Dans l’optique de réhabiliter les eaux souterraines d’un site contaminé par des hydrocarbures incluant le benzène, le toluène et le xylène (BTX), une méthode efficace qui est souvent utilisée afin de stimuler la biodégradation des BTX est l’injection de persulfate de sodium (Na2S2O8). Cette oxydation chimique in situ (ISCO) permet d’éliminer l’essentiel de la masse contaminée, par réaction avec le persulfate (S2O8 2-). Le reste de la masse est ensuite éliminée par augmentation de la biorestauration (EBR), puisque le BTX restant réagit avec le sulfate produit de la réaction d’oxydation chimique. Cette méthode de traitement séquentiel a notamment été utilisée lors d’un essai-terrain à Borden, en Ontario, dans le cadre d’un projet RDC-CRSNG entre 2010-2015. Sur le terrain, la méthode de suivi habituelle de l’efficacité d’une technique de réhabilitation est la mesure des concentrations. Toutefois, la diminution des concentrations peut être attribuée à plusieurs effets tels que la complexité d’une zone source (phase libre), l’écoulement transitoire de l’eau souterraine, les hétérogénéités du milieu poreux ainsi que la dispersion hydrodynamique. La séparation des processus responsables de la diminution de masse n’est pas facile à évaluer sur le terrain. Pour analyser les changements de zones oxydo-réductrices, l’analyse isotopique δ13C et δ2H – méthode précise pour situer les réactions – peut être utilisée. Afin de mieux comprendre le comportement des signatures sous conditions variables, et d’identifier les limitations de l’approche, la méthodologie doit être testée en conditions de contrôle. À Borden, ce fractionnement isotopique n’avait pas encore été simulé. Les simulations numériques à l’aide du modèle BIONAPL/3D sont réalisées afin de reproduire l’essai-terrain de Borden, l’objectif étant de mieux comprendre le cheminement de dégradation des hydrocarbures en eau souterraine. Les compositions isotopiques permettent de conclure quant aux différents processus responsables de la dégradation des BTX. Toutefois, ces compositions ne permettent pas de quantifier la masse dégradée. / An emerging strategy for the remediation of contaminated sites is the integration of different treatment technologies. One example of a synergistic sequential treatment system is to use persulfate, a strong chemical oxidant (ChemOx), to target the bulk of the contaminant mass in the high concentration zones and then allow the produced sulfate to enhance biodegradation of the remaining mass. The design and subsequent performance of this combined remedy depends on the development of an enhanced bio-remediation (EBR) zone from the initial ChemOx zone. To provide insight into the development of these two dynamic mass removal zones, the isotopic fractionation signatures of representative petroleum hydrocarbons were simulated using the BIONAPL/3D model, which includes groundwater flow and multi–component reactive transport. This model was used to simulate a pilot-scale experiment conducted at the Canadian Forces Base Borden where persulfate was injected into a controlled-release plume of dissolved BTX components (benzene, toluene and xylene). Isotopic signatures of δ13C and δ2H were used to identify redox reactions, and to provide insight into hydrocarbon degradation pathways including aerobic biodegradation, chemical oxidation by persulfate, and anaerobic biodegradation by microbial sulfate reduction. Isotopic fractionation of C and H was included by associating the fractionation factors with the maximum substrate utilization rates. Simulated isotopic signatures agree reasonably well with the observed isotope ratios, showing increasing shifts of δ13C and δ2H over time in the remaining dissolved BTX. Spatially distinct redox zones, which are also affected by advection and dispersion, were identifiable from the simulated isotope ratios. The simulation results show that mass loss was dominated by chemical oxidation followed by sulfate EBR. The modelling tool and approach will be useful for application at other sites to support the design of persulfate/EBR sequential treatment systems, and to investigate the role of engineering controls on system behavior.

Die vorliegende Dissertation deduziert eine bisher unbeachtete ‚alternate‘ Praxis modernen Schreibens aus der Analyse dreier experimenteller Stadtromane, die weder bei zeitgenössischen Kommentatoren, noch im bisherigen Forschungsdiskurs zum 'amerikanischen Modernismus' Beachtung gefunden hat. Diese Praxis wird exemplarisch in Waldo Franks City Block (1922), Nathan Aschs The Office (1925) und Mary Bordens Flamingo or the American Tower (1927) herausgearbeitet. Die Arbeit argumentiert, dass diese diachrone Missachtung/Nichtbeachtung darin begründet liegt, dass die Romane von ihren AutorInnen unabhängig voneinander, doch nahezu zeitgleich als Prosatexte konzipiert wurden, die eine Gegenläufigkeit zu dem normativen Akzelerationsdiskurs erkennen lassen, welcher sich in verschiedensten Domänen amerikanischen Lebens und Handelns während der ersten Beschleunigungswelle (ca. 1880-1929) herausgebildet hatte. In diesen Romanen finden sich einzigartige, doch vergleichbare stilistische Mechanismen sowie thematische/ideologische Ausrichtungen, die eine generative Agenda (‚generative agenda‘) erkennen lassen: ‚Schnelle‘ textuelle Stile werden appropriiert und/oder mit ‚langsamen‘ Stilen kombiniert (‚aesthetic of in-betweenness‘), um Lesern für die negativen Folgen von Beschleunigung zu sensibilisieren; das Phänomen an sich wird in nuancierter, handlungsorientierter Form neu verhandelt und mögliche Bewältigungsstrategien entwickelt; stilistische, formale und inhaltliche Mechanismen werden angewendet, um eine entsprechende Aktivierung des Lesers herbeizuführen.