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Abstract Vi upplever det intressant att hantverksbryggerier inte tydligt förmedlar sina tankar bakom produkten. Kan det bero på att de inte reflekterar över hur eller till vad produkten ska konsumeras? Funderingen ligger till grund för uppsatsens syfte som är att försöka utröna hur ägare och bryggare vid olika hantverksbryggerier tänker kring sina produkter, vad de har för utgångpunkt och i vilket sammanhang de tänker att produkterna ska konsumeras. För att ta reda på hur bryggarna tänker och reflekterar kring sina produkter har fyra semistrukturerade intervjuer utförts på fyra olika hantverksbryggerier. Genom en tematisk analys har resultatet sammanställts, där teman som belyser bryggarnas tankar lyfts ut. Resultatet visar att det finns liknande tendenser i hur de olika hantverksbryggerierna tänker om sina produkter. Men att den största skillnaden finns i hur de tänker kring sammanhanget produkten ska konsumeras.

This interior design practicum investigates how narratives linked to the St-Boniface Fire Hall No.1, located in Winnipeg, can inform its adaptive reuse. Its oral history gathered in part through interviewing past users is spacialized into a physical realm. Narratives are translated into design elements by utilizing the creative process and analytical framework of the concept of mise en scène. Stories are analyzed and given structure through narratology as a theoretical approach. Post-Museum theory joined the concept of mise en scène by encouraging the visitors to become part of a living museum through sharing stories, thus becoming performers themselves. By utilizing narratives as a foundation, the interior weaves the existing heritage structure with new design interventions, therefore preserving the unique character of the building and incorporating its neighboring francophone community. The resulting design solution manifests itself as a mixed typology including a brewpub, an artist in residence studio and, a living museum.

This interior design practicum investigates how narratives linked to the St-Boniface Fire Hall No.1, located in Winnipeg, can inform its adaptive reuse. Its oral history gathered in part through interviewing past users is spacialized into a physical realm. Narratives are translated into design elements by utilizing the creative process and analytical framework of the concept of mise en scène. Stories are analyzed and given structure through narratology as a theoretical approach. Post-Museum theory joined the concept of mise en scène by encouraging the visitors to become part of a living museum through sharing stories, thus becoming performers themselves. By utilizing narratives as a foundation, the interior weaves the existing heritage structure with new design interventions, therefore preserving the unique character of the building and incorporating its neighboring francophone community. The resulting design solution manifests itself as a mixed typology including a brewpub, an artist in residence studio and, a living museum.