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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 121 to 130 of 145 (0.062 seconds)Spelling suggestions: "subject:"brick""
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Ambient musik : En undersökning om spatial musik som klingande arkitektur / Ambient Music : Investigating spatial music as sounding architectureMilveden, Jens January 2022 (has links)
”Ambient Music”, established and described by its ”creator” Brian Eno, has become a term with a wide range of uses - as generative music, in sound- and audiovisual art installation, a mediated ”sound” of a genre through albums and artists to plug in to during your daily walk - as well as any imaginable association with the term connected to public, spatial or virtual ambience. Through the liner notes of the genres original albums (Ambient 1: Music For Airports of 1978, and to some extent Discreet Music of 1975) it is clear though that the original idea is more related to listening to your own spatial awareness as a form of music rather than a following of certain sounds and conventions that the term has been associated with. At the time as a sonic alternative to conventional background music of public spaces. The author suggests that these ideas never would have surfaced if it wasn’t for the earlier ideas of Erik Satie and John Cage, whose sonic frameworks and instructions beyond the traditional music sheet were vital for Eno to create generative canvases of sounding art for the spaces. The paper then focuses on consolidating the term ”Ambient Music” with its frameworks in art and function by deconstructing it between spatial, architectonic usage and as a mediated genre of a ”sound”, via virtual generative music - and back again, via its original description of enhancing environments ”acoustic and atmospheric idiosyncracies”. With Eno’s original thesis in mind the paper continues to explore where ”Ambient Music” (through arguably its sub-genre, ”Spatial Music”) is today, as well as looking at the potential futures for the genres’ artistic functions as an established and accepted sonic element of physical architecture and public spaces. This exemplified by building a bridge between ”Ambient Music” and the modern ”non-ambient” sonic scenographer, ”Spatial Music”-artist Mareike Dobewall, for further discussions on sound art as sounding architecture - a potential future for the Ambient label.
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Perspective vol. 22 no. 6 (Dec 1988)Pitt, Clifford C., Veenkamp, Carol-Ann, Frederick, G. Marcille, Van Ginkel, Aileen, VanderVennen, Robert E. 31 December 1988 (has links)
No description available.
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| 123 |
Perspective vol. 22 no. 4 (Aug 1988)Veenkamp, Carol-Ann, Williams, Stuart, Pitt, Clifford C., Ansell, Nicholas John, Van Arragon, Leo 31 August 1988 (has links)
No description available.
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| 124 |
Perspective vol. 22 no. 3 (Jun 1988)Pitt, Clifford C., Veenkamp, Carol-Ann, Kits, Harry J. 30 June 1988 (has links)
No description available.
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| 125 |
Perspective vol. 22 no. 2 (Apr 1988)Pitt, Clifford C., Clemenger, Bruce J., Mayer, John R.A. 30 April 1988 (has links)
No description available.
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| 126 |
A Systematic Review of Intervention Efforts to Reduce Indoor TanningTurrisi, Rob, Hillhouse, Joel J., Mallett, Kimberly, Stapleton, Jerod L., Robinson, June K. 01 January 2012 (has links)
This chapter reviews the literature examining interventions to reduce indoor tanning (IT). The first objective was to highlight programs that show promise for large scale dissemination. The second objective was to promote criteria and standards for future intervention research efforts. The scope of interest for this review includes universal (for everyone in the population), selective (for those in the population who are at a greater risk), and indicated (for those who already are experiencing conditions that identify them as at risk) programs. The evaluation of the interventions resulted in three levels of evidence: (1) most promising, (2) emerging, and (3) mixed. For an intervention to be considered “most promising”, it was required that ten criteria be met through examination of research findings in published reports consistent with Flay and colleagues (Prev Sci 6(3):151–175, 2005). Interventions that were classified as “emerging” met most of the criteria. Finally, interventions classified as “mixed” did not reach threshold on more than two criteria that were deemed critical. The results revealed that there was very limited research on IT interventions that meet all the evaluation criteria. Only one intervention approach met all of the criteria (Appearance Booklet) (Hillhouse and Turrisi, Behav Med 25(4):395–409, 2002; Hillhouse et al., Cancer 113(11):3257–3266, 2008). Although the number of published papers in the IT area has increased dramatically over the past decade, these efforts have yet to translate into rigorously conducted intervention trials. The review points to important issues that need to be addressed in future research on the prevention of IT. Keywords
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Perspective vol. 22 no. 6 (Dec 1988) / Perspective (Institute for Christian Studies)Pitt, Clifford C., Veenkamp, Carol-Ann, Frederick, G. Marcille, Van Ginkel, Aileen, VanderVennen, Robert E. 26 March 2013 (has links)
No description available.
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| 128 |
Perspective vol. 22 no. 4 (Aug 1988) / Perspective (Institute for Christian Studies)Veenkamp, Carol-Ann, Williams, Stuart, Pitt, Clifford C., Ansell, Nicholas John, Van Arragon, Leo 26 March 2013 (has links)
No description available.
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| 129 |
Perspective vol. 22 no. 3 (Jun 1988) / Perspective (Institute for Christian Studies)Pitt, Clifford C., Veenkamp, Carol-Ann, Kits, Harry J. 26 March 2013 (has links)
No description available.
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| 130 |
Perspective vol. 22 no. 2 (Apr 1988) / Perspective (Institute for Christian Studies)Pitt, Clifford C., Clemenger, Bruce, Mayer, John R.A. 26 March 2013 (has links)
No description available.
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