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This is the first such study of Operation Banner: taking three Battalions as case studies, drawing upon extensive interviews with former soldiers, primary archival sources including unpublished diaries, this thesis closely examines soldiers' behaviour at the small infantry-unit level (Battalion downwards), including the leadership, cohesion, orientation and motivation that sustained, restrained and occasionally obstructed soldiers in Northern Ireland. It contends that there are aspects of wider scholarly literatures - from sociology, anthropology, criminology, and psychology - that can throw new light on our understanding of the British Army in Northern Ireland. The thesis will also contribute fresh insights and analysis of important events during the early years of Operation Banner, including the murders of two men in County Fermanagh, Michael Naan and Andrew Murray, and that of Warrenpoint hotel owner Edmund Woolsey in South Armagh in the autumn of 1972. The central argument of this thesis is that British Army small infantry units enjoyed considerable autonomy during the early years of Operation Banner and could behave in a vengeful, highly aggressive or benign and conciliatory way as their local commanders saw fit. The strain of civil-military relations at a senior level was replicated operationally – as soldiers came to resent the limitations of waging war in the UK. The unwillingness of the Army's senior leadership to thoroughly investigate and punish serious transgressions of standard operating procedures in Northern Ireland created uncertainty among soldiers over expected behaviour and desired outcomes. Mid-ranking officers and NCOs often played important roles in restraining soldiers in Northern Ireland. The degree of violence used in Northern was much less that that seen in the colonial wars fought since the end of World War II. But overly aggressive groups of soldiers could also be mistaken for high-functioning units – with negative consequences for the Army's overall strategy in Northern Ireland.

The purpose of this study as been to contribute to the emerging interdisciplinary field of historical sleep studies, which spans the biological and social sciences, legal studies, and the humanities. As an interdisciplinary scholar based primarily in the humanities, my goals have been twofold: to develop a critical archive for the use of scholars in this emerging field; and to demonstrate how that archive might be used to productive effect in literary studies. To that end, this project begins with a critical introduction to the field of sleep studies and its relationship to eighteenth- and nineteenth-century thought and follows with two distinct but connected sections: the archive itself and a short series of literary case-studies drawn from across the eighteenth and nineteenth centuries. My hope is that these case studies will show how the materials in the archive allow literary scholars to produce new insights about familiar, canonical texts. <br>

<p>The significance of early modern Bible translation cannot be overstated, but its “breadth, and length, and depth, and height” have often been understated (King James Version, Ephesians 3.18). In this study, I use three representative case studies of very different types of translation to create a more dynamic understanding of actual Bible translation practices in early modern England. These studies examine not only the translations themselves but also the ways that the translation choices they contain interacted with early modern readers. </p><p><br></p> <p>The introductory Chapter One outlines the history of translation and of Bible translation more specifically. It also summarizes the states of the fields into which this work falls, Translation Studies and Religion and Literature. It articulates the overall scope and goals of the project, which are not to do something entirely new, per se, but rather to use a new framework to update the work that has already been done on early modern English Bible translation. Chapter Two presents a case study in formal interlingual translation that analyzes a specific word-level translation choice in the King James Version (KJV) to demonstrate the politics involved even in seemingly minor translation choices. Chapter Three treats the intermedial translation of the Book of Psalms in the Sternhold and Hopkins psalter. By using the language and meter of the populace and using specific translation choices to accommodate the singing rather than reading of the Psalms, the Sternhold and Hopkins psalter facilitates a more active and participatory experience for popular worshippers in early modern England. Finally, Chapter Four analyzes John Milton’s literary translation in <i>Paradise Lost </i>and establishes it as a spiritual and cultural authority along the lines of formal interlingual translations. If we consider this translation as an authoritative one, Milton’s personal theology expressed therein becomes a potential theological model for readers as well. </p> <p><br></p><p>By creating a more flexible understanding of what constitutes an authoritative translation in early modern England, this study expands the possibilities for the theological, interpretive, and practical applications of biblical texts, which touched not only early modern readers but left their legacies for modern readers of all kinds as well. </p>

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<p>  </p> <p>This dissertation is the first comprehensive biography and study of Richard Allestree. Allestree was a soldier, spy, professor, theologian, a survivor of the plague (1665) and Great Fire (1666) of London, and supposed author of the best-selling Protestant classic, <em>The Whole Duty of Man </em>(1658). Throughout his life, Allestree attempted to protect those institutions through his voice, vocation, and violence. His work contributes to our understanding of the dilemmas faced by the late seventeenth-century clergy, caught between the secular rationalism of the Enlightenment and the wild enthusiasm of Protestant dissenting groups. Using his positions of power and influence, he sought to make Christianity accessible to “the meanest of reader,” moving away from perceptions of a rigid faith and seeking to make Christianity a vibrant, active belief in the lives of everyday people. This work presents a finalized canon of the works of Richard Allestree using new tools in digital humanities. Implementing statistical analysis from data gathered from his personal library at Christ Church, Oxford, clerical records, and marginalia, this dissertation settles the three hundred- and sixty-five-year dilemma of Allestree’s uncertain authorship.</p>

Исследование посвящено изучение роли понятия империя в исторических работах Эдмунда Бёрка. В ходе изучения темы была применена методология Кембриджской истории по помещению текста в интеллектуальный контекст времени. Источниками для работы стали ряд публицистических произведений британского публициста, а также его эпистолярное наследие. Результатом работы стало выделение представления Бёрка о империи и том как она должна выглядеть в XVIII в. / This study explores the role of the concept of empire in the historical writings of Edmund Burke. In the course of the study the methodology of Cambridge History of placing the text in the intellectual context of time was applied. The sources for the work were a number of publicistic works of the British publicist, as well as his epistolary heritage. The result of the work was the highlighting of Burke's view of the empire and how it should look like in the eighteenth century.

This study explores Layamon's engenderment of cultural unification for the explicit purposes of an Anglo-Welsh cultural resistance to the Norman overlords in the March of Wales. In essence, I examine some of the most important cultural signifiers in medieval English and Welsh culture and the methods by which the poet adapts and grafts them together to form a culturally amalgamated text—neither explicitly English nor Welsh but yet simultaneously both - and the political implications of this amalgamation. Though Laymon's methodology emanates from multiple aspects of the text, I have concentrated here on what I feel are the most explicit manifestations of this theme: Merlin, his prophecies, and the Law of the March. / Master of Arts

This thesis is a cultural history of the early Fabian Society, focusing on the decades between 1884, the Society’s inaugural year, and 1914. The canonical view is that ‘Fabianism,’ which the Oxford English Dictionary defines as the ‘doctrine and principles of the Fabian Society,’ is synonymous with State socialism and bureaucratic ‘efficiency.’ By bringing the methods of cultural history to bear on the Society’s founding members and decades, this thesis reveals that ‘Fabianism’ was in fact used as a dynamic metonymy, not a fixed doctrine, which signified a range of cultural, and even literary, meanings for British commentators in the 1890s and 1900s (Part 1). Further, by expanding the scope of traditional histories of the Fabian Society, which conventionally operate within political and economic sub-fields and focus on the Society’s ‘official’ literature, to include a close examination of the broader discursive context in which ‘Fabianism’ came into being, this thesis sets out to recover the symbolic aspects of the Fabians’ efforts to negotiate what ‘Fabianism’ meant to the English reading public. The Fabians’ conspicuous leadership in the modern education debates and the liberal fight for a ‘free stage,’ and their solidarity with the international political émigrés living in London at the turn of the twentieth century all contribute to this revised perspective on who the founding Fabians were, what they saw themselves as trying to achieve, and where the Fabian Society belonged—and was perceived to belong—in relation to British politics, culture, and society (Part 2). The original contribution of this thesis is the argument that the Fabians explicitly and implicitly evoked Matthew Arnold as a precursor in their efforts to articulate a kind of Fabian—latterly social-democratic—liberalism and a public vocation that balanced English liberties and the duty of the State to provide the ‘best’ for its citizens in education and in culture, as in politics.

The use of temporary, prefabricated buildings in Britain during the twentieth century arose from wartime need to provide better, and perhaps more importantly, portable shelter for troops and equipment. This thesis provides the first comprehensive list of hut designs for the First and Second World Wars. The full lists and descriptions of each hut are given in the appendices. These lists, 20 types for the First World War and 52 from the Second World War, show the huge range and scope of the huts used and is the major contribution of this thesis. The concentration here is on generic types. Some huts were designed as one-offs and there is no possible way to catalogue these. This thesis has focused instead on those designs or industrially-produced types, which were meant to be produced en-masse as generic solutions to the problem: the sort of hut that might justifiably be given a name (such as a ‘Tarran’, a ‘Seco’, etc.). This thesis provides essential information enabling historians to be able to identify these types. It uses primary and secondary sources to trace the development of these huts and the effect that wartime shortages had on their design. Beginning with the earliest examples of temporary military building, it then focuses on the huts of the First and Second World Wars followed by a study of huts grouped in chapters by material. This research shows that the wartime period pushed industry to make giant leaps forward with construction methods and materials in just a few short years, where otherwise it may have taken decades. This thesis aims to provide the first overview of this process and to enable future researchers to identify and understand the development of these important wartime structures, many of which survive to this day.