El espectáculo de transmisiones deportivas es entendida como un fenómeno que se asocia al consumo de la audiencia a través de los medios de comunicación como la televisión. El propósito de este estudio es analizar la percepción del público sobre el deporte espectáculo emitido en TV (particularmente, desde el caso del voley peruano). Para ello se toman las discusiones sobre las transmisiones deportivas y deporte espectáculo. A través del uso de entrevistas a 2 grupos de audiencia, se demostró que la espectacularización televisiva de voley es reconocida por el público debido al atractivo en la diversidad de elementos visuales complejos. Sin embargo, se encontró limitaciones en la percepción de elementos sonoros y críticas hacia los comentarios y narraciones. Estos hallazgos contribuyen a posteriores investigaciones en torno a la mejora del tratamiento de contenido de las transmisiones televisivas al cuidar diferentes aspectos audiovisuales. / The show of sports broadcasts is understood as a phenomenon that is associated with the consumption of the audience through the media such as television. The purpose of this study is to analyze the perception of the public about the sport spectacle broadcast on TV (particularly, from the case of Peruvian volleyball). For this, discussions about sports broadcasts and sports entertainment are taken. Through the use of interviews with 2 audience groups, it was demonstrated that the television voice show is recognized by the public due to the attractiveness in the diversity of complex visual elements. However, there are limitations in the perception of sound elements and criticisms of comments and narrations. These discoveries improved upon subsequent research on improving the content treatment of television broadcasts by taking care of audiovisual aspects. / Tesis

The degree to which the SABC (South African Broadcasting Corporation) as public broadcaster gives shape to its language policy and language mandate, against the background of an investigation of language rights, establishes the central problem statement of this research.It is widely acknowledged that it is difficult to define the concept of language rights. Although the language-sociological literature associates this concept with minority and cultural rights, it can also be seen as individual rights. According to the Constitution of the Republic of South Africa, 1996, it is clear that language rights should be seen as individual rights that can be exercised within a particular community. Although this dissertation provides an extensive juridical and language sociological explanation of the concept of language rights, the description by Judge Albie Sachs will be used as a working definition for this research. His division between the following four fundamental language rights, viz.: (i) the right to use your language; (ii) the right to develop your language; (iii) the right to be understood and to understand other languages as well as (iv) the right not to be discriminated against because of your language, provides a useful investigation instrument with which the degree to which the SABC-TV acknowledges and protects language rights can be measured.It is found that despite the policy documents on national and corporate level that has equal consideration and treatment of the diverse South African languages in mind, it still happens that the SABC-TV fails to give form to the language rights of individuals that belong to indigenous minority language groups in South Africa. Due to this, the research suggests that the extensive implementation of subtitles, as a form of screen translation that differs from lip synchronised dubbing, can make a significant contribution to the acknowledgement and protection of language rights by the SABC-TV.In addition to a discussion on what subtitles entail, the technical nature and specific parameters thereof, a feasibility study is included within which the affordability of this project for the SABC-TV is indicated. It is found that this form of screen translation is ideal for the South African situation because it is cheaper than both lip synchronised dubbing and the creation of new television programmes, but also because it can effectively be employed in regional broadcasts. Furthermore, the use of bilingual subtitles and pivot subtitles are also alternatives that may be considered. It is essential though that subtitles can indeed contribute to the way in which the SABC, as a public broadcaster, acknowledges and protects the fundamental language rights of the multitude of South Africans that belong to different language communities in South Africa. (Written in Afrikaans)

This thesis concentrates on 1938 radio broadcast Pravda vítězí (The Truth Will Win), broadcasted from Vienna in both Czech and Slovak languages in the two months preceding and following the signing of the Munich agreement. Its theoretical part follows the genesis of the two broadcasts, the personalities involved and also the connection between Pravda vítězí and Vlajka, the infamous Czech fascist movement. In the practical part, Nazi propaganda themes are being analyzed in both broadcasts during October 1938. Main focus is on the campaigns against president Beneš, against freemasonry and bolshevism, pro-German campaign and antisemitism. In the Slovak language broadcast, anti-Czech campaign was a significant part of the Nazi propaganda, along with the support of Slovak separatism. Comparison of the ideological focus and goals of both broadcasts is supported by numerous quotations. In the final part, the thesis offers a brief look at the reactions to the broadcasts. Also, it attempts to evaluate the broadcasts' possible effects on both Czech and Slovak audience in the light of its primary goal - the disintegration of Czechoslovakia.