Black Western Thought: Toward a Theory of the Black Citizen-Object troubles and challenges the philosophical category of the human, particularly the black human. Oppositionally reading Enlightenment texts like Edmund Burke’s A Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful and Emanuel Kant’s Observations on the Feelings of the Beautiful and Sublime, I extend Emanuel Eze and Charles Mills critiques of Kant and the Enlightenment through relinquishing the quest for a black humanity. This project embraces the abjection of blackness and posits that in the rejection of quest for humanity the black citizen-object reveals heretofore unexplored ontology, epistemology, poetics, and philosophy. Through careful close-reading of poets Phillis Wheatley, Terrance Hayes, Natasha Trethewey, and Jericho Brown, this project explores the political and aesthetic possibility of extending the democracy of subjectivity and presiding intelligence to black aesthetic and intellectual productions. Moving away from the notion of blackness as fear-inducing, funky, reprobate, and disorderly, this project constantly seeks to play with the dark rather than play in the dark. This act of ‘playing with the dark’ manifests as an interrogation of Ralph Ellison’s Invisible Man in relationship to quantum physics and visibility / invisibility of blackness. The project hopes to shake the very stable ground of the ontology of aesthetics and academic discourse. / text

This dissertation starts from the proposition that globalization is a process of integration aided and abetted over centuries by technologies (e.g. transportation and today’s electronic communications) that have collapsed time and space among individuals and enabled the projection of power. This dissertation excavates and analyzes what are termed discourses of globalism, the rhetorical construction of a social order that transcends the nation-state. The primary form of globalism at this juncture is neoliberal globalism, an elite discourse that is hostile to the nation-state and promotes a world that organizes individuals into global markets as producers and consumers. One of the defining tenets of neoliberal globalism is the assertion that “there is no alternative” to organizing society, a phrase made (in)famous by British Prime Minister Margaret Thatcher in the 1990s. The project is framed as a search for the emerging rhetorical strategies that might reconstruct agency (the capacity for individuals to affect the world) at a grassroots level under that umbrella of neoliberal globalism and at least contemplate an alternative organization of a more integrated global society. Methodologically, the dissertation employs Kenneth Burke’s (1937) theory of discursive history as an interplay of acceptance and rejection frames over time. Using food talk, primarily Internet content concerning food and agriculture, as a corpus of texts the dissertation charts neoliberal globalism as an acceptance frame and its impact on agency and equipment for living, the embedded social rules and roles for living in a social order. Using the concept of the rejection frame, the dissertation then argues that a grassroots globalism is nascent as seen in food talk and is attempting to counter neoliberal globalism through constructing a theory of rights that transcends the nation-state and provides a new form of equipment for living in a globally organized world. The dissertation concludes by theorizing this emerging rhetoric of rights as a step toward a rhetoric of global personal sovereignty that might unite people in all locales in a balancing of neoliberal globalism. / text

This dissertation explores four narrative texts written about AIDS/HIV and evaluates each one by applying Kenneth Burke's redemption drama, consisting of guilt, purification, and redemption. The methodology is a close textual analysis using rhetorical analysis as a way to highlight the use of the redemption drama in language. The first chapter explores the history of AIDS/HIV and makes the argument for using Burke's rhetorical approach. The second chapter briefly highlights the plot of the four narratives and provides background information and context for each book. The third chapter applies the concept of guilt to all four narratives. The fourth chapter uses purification, breaking it down into mortification and victimage. Chapter five explains the way each protagonist and reader has found redemption. Chapter six concludes the research and offers limits and possible areas for future study. This research shows that with illnesses that carry a stigma, like HIV/AIDS, those ill often feel the need to defend themselves and their mode of infection to others. Using Burke's redemption drama, an analyst can study language use to show how these individuals defend their medical status to others, and how this allows them to redefine both themselves and their ailments.

Though Kenneth Burke has often been dismissed as a brilliant but idiosyncratic thinker, this dissertation will argue that he is actually a precocious systems theorist. The systemic and systematic aspects of Burke’s work will be demonstrated by comparing it to the General Systems Theory (GST) of biologist Ludwig von Bertalanffy. Though beginning from very different starting points, Bertalanffy and Burke develop similar aims, methods, and come to remarkably similar conclusions about the nature and function of language. The systemic nature of Burke’s language philosophy will also become evident through an analysis of the Burkean corpus. Burke’s first book contains several breakthrough ideas that set him irrevocably upon the path of a systemic theory of symbolic action. Burke’s next book, influenced by GST-inspired biology, seeks to understand the nature of associative networks by employing an organic metaphor. Burke’s interest in systems comes from his desire to repair the cultural system crumbling around him as a result of the Depression. Consequently his next book, Attitudes Toward History, studies what happens to such “orientations” (i.e., the systems by which humans classify and evaluate the world) during epistemological crises. The Philosophy of Literary Form is concerned primarily with the function of these orientations. In A Grammar of Motives Burke seeks to understand the basis for transformation of these evaluative systems, and in A Rhetoric of Motives he demonstrates how these transformations are used to persuade. Burke next turns his attention to understanding a small part of the system, a theological doctrine, in The Rhetoric of Religion. Burke’s theory appears plausible when compared to and supplemented by GST and the related self-organizing system theory. Furthermore, a paradigm shift to non-mechanistic cognitive theory allows us to refine and extend Burke’s intuitive theory of symbolic action. The final chapter will argue that symbolic action is the manipulation of the quality space, which is a multi-dimensional model for the super-system composed of mental, linguistic and cultural sub-systems. In mental systems, skeletal information structures called schemas combine to form simple models, which in turn combine to form a model of the world. Similarly, a culture can be seen as a system of schemas held in common by the group. The linguistic system labels, transmits and thus evokes these schemas. The primary means by which the quality space becomes reconfigured is through metaphor, which creates new schemas, and modifies the connections between schemas (and thus the position and relative value of a schema). Metaphor, therefore, is the basis of symbolic action. This systemic theory of symbolic action may be modeled by Connectionist networks. These analogical neural networks provide a model for how brains form and associate categories and support Burke’s assertion that thought is primarily analogical and categorical, thus affording the means for refining Burke’s theory of symbolic action. Ultimately, such a theory may provide a unified field theory for rhetoric, showing how various symbolic action strategies work and interrelate.

This thesis presents a study of how identification, according to Kenneth Burke's theory, can be observed in the media-related practices promoted by the cyber-activist collective Anonymous. Identification is the capacity of community-building through the use of shared interests. Burke affirms that, as human beings are essentially social, identification is the very aim of any human interaction. Cyber-activism deeply relies on this capacity to promote and legitimise its campaigns. In the case of Anonymous, the collective became extremely popular and is now a frequent presence even in street protests, usually organised online, around the world. Here, I argue that this power was possible through the use of identification, which helped attract a large number of individuals to the collective. Anonymous was particularly skilled in its capacity to create an ideology for each campaign, which worked well to set up a perfect enemy who should be fought against by any people, despite their demographic or social status. Other forms of identification were also present and important. Although it is impossible to measure how many people or what kind of people Anonymous has been attracting, the presence of identification as a strong phenomenon is undeniable, since the collective is now one of the most famous cyber-activist organisations.

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The purpose of this research is to contribute a non indigenous perspective to current discourse on sense of place in contemporary Australia. The research employs a number of strategies to investigate current responses to our geographic and historical time position. Within the exegesis there is a vers libre poem, written from the imagined viewpoint of members of the Burke and Wills’ expedition. The poem is supported by a superimposition of the Don Quixote story over that of the ill-fated inland Australian explorers. [...] / Master of Arts (Visual Arts)

The purpose of this research is to contribute a non indigenous perspective to current discourse on sense of place in contemporary Australia. The research employs a number of strategies to investigate current responses to our geographic and historical time position. Within the exegesis there is a vers libre poem, written from the imagined viewpoint of members of the Burke and Wills’ expedition. The poem is supported by a superimposition of the Don Quixote story over that of the ill-fated inland Australian explorers. [...] / Master of Arts (Visual Arts)