No description available.

No description available.

Texte remanié de: Thèse de doctorat--Lettres--Perpignan, 1998. Titre de soutenance : Contribution à l'étude de la langue des gitans de Perpignan. / Bibliogr. p. 255-274.

Inaug.-Diss.--Hamburg, 1938. / Lebenslauf. eContent provider-neutral record in process. Description based on print version record. "Quellen-und Abkürzungsverzeichnis": p. ix-xii.

This thesis examines the strategy employed by the Catalan nationalist movement in the late 1980s and 1990s to secure a greater role for sub-national authorities in the process of European integration. It includes an analysis of the relationship of the Generalitat, the government of the Spanish autonomous community of Catalonia, and particularly, Convergencia i Unio, the centre-right Catalan party in power since 1980, with the various actors and institutions central to the process of European integration. Thus, the Catalan nationalist movement has pursued a dual strategy to consolidate its participation in the process of European integration based on the one hand on a co-operative regionalist strategy and on the other, a bilateral nationalist strategy. A close examination of this dual strategy would suggest that there is a clear disenchantment among Catalan nationalists with the concept of "Europe of the Regions" and with the EU-wide efforts in the 1990s to secure a greater role for sub-national authorities.

The author of this thesis tackles the study of the forging of Gabriel Miró’s literary language in the context of his poetics taking the writer’s complete literary and journalistic works as well as his complete correspondence as a corpus.  A chronological approach to this corpus has made it possible for the author to establish tangible patterns of evolution. The study is divided into two main blocks and an “Epilogue”.  The first block (I) is specifically dedicated to the forging of the literary language.  The second block (II) deals with the evolution of Miró’s poetics in relation with the forging of is literary language.  A final “Epilogue” (III) establishes a complementary external context that allows for a further understanding of the consolidation of Miró’s literary language and poetics and suggests new avenues for future research. The first block (I) is in its turn divided into two main sections.  The first section (1) deals with the influence of the Catalan language in the forging of Miró’s literary language.  The following section (2), studies the linguistic background behind the distinctiveness of the literary language (2.1.), and the influence of the literary language of <i>the siglo de Oro </i>in it (2.2.). The next block (III) tackles the evolution of Miró’s theoretical notions used to define his literature, his <i>explicit poetics</i> (3).  In the following section (4), those theoretical notions at work (Miró’s <i>implicit poetics</i>) are also studied in a chronological continuum in relation to the role played by the literary language.  A specific aspect of that link between language and poetics is covered in the study of Miró’s narrative of memory (5). A final “Epilogue” (III) is concerned with the way in which Miró the man is presented in his letters by Miró the writer (6).  The scope of Miró’s relationship with Catalan culture in his Barcelona period (7) is dealt with in the last section of this “Epilogue”.

No description available.

Texte remanié de: Tesis doct.--Universitat de València, 1981. / Bibliogr. p. 19-28.

Diss.--Philosophische Fakultät--Saarbrücken, 1998--Universität des Saarlandes. / Bibliogr. p. 169-175. Contient le texte de la loi en catalan.

This dissertation analyzes four twenty-first-century Catalan novels which present the complex positions occupied by mothers in the last seven decades. Its conceptual framework posits motherhood as both a changing social construction and a political institution in a constant state of flux. In Inma Monsó´s Todo un carácter (2001), Eva Piquer´s Una victoria diferente (2002), Carme Riera´s La mitad del alma (2004), and Najat El Hachmi´s El último patriarca (2008) motherhood is explored as a metaphorical act, a gender-constructing experience, as well as the locus of expression with regard to gender and power relations. During the dictatorship of Francisco Franco (1939-1975), the majority of women were excluded from public spaces, and forced to stay home to care for their husbands and children. Furthermore, the state criminalized abortion, made contraception and divorce illegal, and promoted an ideal of femininity based on silence, sacrifice, and self-denial. The political changes of the late 1970s allowed women greater personal autonomy, and many women writers began to challenge stereotypical views of women’s social roles. Yet in the 70s and 80s, the narratives of Esther Tusquets, Ana María Moix, and Montserrat Roig represent the mother as a repressive figure whom the daughter must reject in order to liberate herself and regain her voice. It is not until the 90s when the novelists Mercedes Abad, Maruja Torres, Carme Riera, Imma Monsó, Eva Piquer, and María Barbal rehumanize the mother figure, recovering their matrilineal heritage. However, far from suggesting a unified trend in representations of motherhood in Catalan fiction, the diverse points of view of the novels under discussion here reveal that differences in attitudes among women authors about mother-daughter conflict are far from resolved. The theoretical background for this dissertation draws mainly on the work of Adrienne Rich, Nancy Chodorow, and Julia Kristeva. It includes psychoanalytic studies as well as sociologically based essays by Anna López Puig, Amparo Acereda, Jacqueline Cruz, Barbara Zecchi, Ángeles de la Concha, and Raquel Osborne, among others.