Thesis (Ph. D.)--University of Chicago. / Includes bibliographical references (p. 498-522).

Thesis--Michigan State University, 1973. / Bibliography: p. 192-196.

Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 208-217).

This creative project for the Master of Architecture degree focuses on the building design and landscape design of a urban development, in particular on the mixed cultural basis of deteriorating inner city neighborhoods in the U.S. A.I have lived in America for over two years. During this time, I acquired substantial knowledge on environments and architecture from traveling and studying. Then, I found the characteristics of a mixed culture in this country. We all know that the Chinese people are an important group in America, and they work hard to establish and contribute to the American culture, economy, and environment, now and forever. Although Chinese Americans do not comprise a large portion of the U.S. population, the Chinese patterns of architecture have had some impact on American culture as a whole. However, Chinatown has become a major element in the fabric of many cities in the U.S.A., like Chicago, San Francisco, New York and Washington D.C. For this reason, I chose to explore the design of a new environment for Chinese immigrants in the U.S.A.The topics of this thesis work are the design of the convention center and the planning of Chinatown Square Project. I tried to apply concepts from the Chinese culture, my experience, and professional education in Taiwan, the Republic of China and America. Therefore, the site plan of Chinatown Square Project was designed according to the Chinese Courtyard System. The tower shape of the hotel of the convention center is the transition of the Pagoda. Moreover, the idea of the curved roof comes from the Chinese bowl and tile. Finally, I merged a western feel, and an eastern spirit in the whole design process.I dedicate this thesis to the community of Chinatown in Chicago and America. / Department of Architecture

The study is a psychobiographical study, aiming to explore and describe the life of John Wayne Gacy. He was a well-respected man in his community, entertaining the neighbourhood as Pogo the clown. But there was a dark side to his nature that he tried to keep hidden; yet glimpses of it appeared throughout his life. This dark side was exposed to the public when the police found twenty-seven dead bodies ranging from boys of nine to young men twenty years of age hidden in his basement. The study utilises the Erikson’s psychosocial developmental theory in order to examine Gacy’s life and attempt to establish unique character traits. The study utilises a qualitative single case study approach, and the subject was selected through purposive sampling based on interest value. Archival data was collected from secondary sources to enhance validity. Data was analysed by first organising and reducing information obtained; and then displaying it for discussion of Gacy’s life. Gacy’s life was reconstructed from birth, through adolescence and adulthood and his death. The findings suggest that the theoretical approach considered the biopsychosocial as well as cultural and historical influences of situations and experiences in Gacy’s personality development throughout his lifespan. The main themes of discussion centre around the abuse he experienced and the influence this had on his development, the lack of crisis resolution and thus achievement of virtues, Gacy’s lack of difficulty in establishing attachment and the resulting narcissism and lack of self-abandon, as well his homosexuality, sadism and the murders he ultimately committed. The study highlighted the importance of psychobiographical studies and the value of Erikson’s theory in understanding development. Recommendations for future research in this field was made in the hope of further uncovering and understanding the personality and its development.

Thesis (M.A.)--University of Chicago. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 62-66).

Zugl.: Heidelberg, Univ., Diss., 1994

1,000 miles marks the culmination of my course of study at the University of Texas. As an MFA student in the playwriting program, I have juggled my responsibilities to the department with my role as a professional playwright, frequently splitting time between Austin and my hometown of Chicago, where I opened four world premieres from 2010-2012. In this thesis, I discuss the ways in which my work has been influenced by the aesthetics of both artistic communities. I focus on two of my plays in particular: Kingsville, which premiered in Chicago during my first semester at UT, and Colossal, which opened in Austin just weeks before graduation. Through the lens of these two plays, I outline my artistic evolution over the past three years, highlighting the ways in which my work has drawn from the very best of Chicago’s storefront theaters and Austin’s experimental scene. / text

The Chicago Area Transportation Study (CATS) set the standard for urban transportation planning during its original 1955-61 genesis years. This study examined CATS' planning methodology during these years and its 1962 regional transportation plan for the Chicago metropolis which had a planning target year of 1980. The subject focus of this study was on expressway planning while the temporal focus was from the late 1950's to circa 1980. The findings of this study revealed four key reasons why CATS' 1962 expressway plan was largely never implemented. These reasons include the inconsistency of some of CATS' 1962 projections for 1980 versus actual 1980 data, the apolitical orientation of CATS, increased urban environmentalism, and rising expressway infrastructure costs. Yet despite the lack of plan implementation, the literature supports the conclusion that CATS did set the standard, at least in its methodology or planning approach. / Department of Urban Planning

This is a study of the Chicago Conspiracy trial of 1969-1970, where eight radical leaders were tried in connection to the riots during the 1968 Democratic National Convention in Chicago, Illinois. The purpose of this thesis is to explore the meanings of the trial to American society in 1970 and from today's historical vantage point. Differing from first-hand accounts of the trial in the early 1970s, this study examines the different public perspectives of the trial through the use of such primary sources as underground newspapers, the defendants' writings, and appeals documents. Particular attention is devoted to the interpersonal relationships between the leading participants of the trial (the judge, attorneys, defendants, jurors, journalists, and spectators).The thesis is organized to highlight the major issues and controversies of the trial, while still addressing the personalities involved in the case. The context of the trial in an era of active American radicalism is examined both before and after the case was tried. An entire chapter is devoted to examining the diverse participants in the trial and the different roles they played in the event. Since the trial was so controversial because of legal issues and the conduct of the courtroom participants, a chapter has been devoted to both of these areas. Paticular attention is paid to events precipitating the prosecution of the eight radicals, including the Chicago Convention disorders and the federal grand jury that handed down the indictments. This organization lays a foundation for exploring the contemporary and historical significances of the trial in the conclusion of the study.