Le système de communication décrit est construit dans et avec l'architecture du système d'exploitation CHORUS, fondé sur la communication par message entre des "acteurs". Le modèle ISO sert de base à notre modèle, dans la mesure ou il permet de construire des couches distinctes pour organiser la communication dans chorus.

Temos aktualumas. Dirbant su berniukais, būtina ieškoti būdų, kaip juos įtraukti į chorinę veiklą, kuri turi tapti reikšminga bendruomenei. Tyrimo objektas – Lietuvos berniukų chorų veikla Lietuvoje. Tyrimo tikslas – ištirti berniukų chorų veiklos Lietuvos bendruomenėje socialinį reikšmingumą. Uždaviniai: 1) pateikti meno kolektyvų veikos visuomenėje misijos teorinį pagrindimą; 2) apžvelgti berniukų chorų kūrybinės veiklos sklaidos Lietuvoje ypatumus (visuomeninių funkcijų įžvalgos); 3) ištirti Lietuvos berniukų socializacijos prielaidas. Hipotezė. Berniukų chorai bendruomenėje vaidins reikšmingą vaidmenį, jeigu jiems vadovaus šiai veiklai pasišventę kompetetingai kvalifikuoti vadovai chorvedžiai – pedagogai, suvokiantys pedagoginę ir socialinę savo darbo prasmes, jeigu chorų dalyviai bus motyvuoti, bus ugdomas berniukų aktyvumas, tapatumo įprasminimas, saviraiška, komunikaciniai gebėjimai (bendrauti ir bendradarbiauti), sąveika su aplinka, bendruomene vaidins svarbų vaidmenį paauglių prevencijos procese, jeigu jų kūrimosi procesą, veiklą stimuliuos visuomenė. Tyrimo metodai. Teoriniai: mokslinės, pedagoginės, publicistinės bei informacinės literatūros sisteminė analizė. Empiriniai: respondentų apklausa; autorės praktinės darbo su berniukų choru patirties apibendrinimas. Matematiniai statistiniai: procentinė duomenų analizė, chi kvadrato kriterijaus taikymas, kontingencijos koeficientas (C). Išvados patvirtina, kad muzikinė raiška chore atlieka svarbią vaikų... [toliau žr. visą tekstą] / The relevance of the subject. While working with boys it is important to look for means to involve them into chorus activity which is to become significant to the society. The object of the research – Lithuanian boy chorus practice in Lithuania. The goal of the study – to explore the social impact of boy choruses on Lithuanian society. The tasks: 1) to introduce the theoretical grounding of the mission of the artistic collectives’ influence in the society. 2) to revise the spread peculiarities of boy chorus activities in Lithuania (the social function providence). 3) to study the presumptions of Lithuanian boys’ socialization. The hypothesis. Boy choruses will play an important role in the society if they are managed by dedicated competitively qualified choirmasters – pedagogues realizing both the pedagogical and social meanings of their work, if the chorus participants are motivated, if the activity, the sense of identity, self-expression, communicational abilities (to communicate, to cooperate) of the boys will be developed, the interaction with the surroundings and the society will be important to the process of the teenager prevention if the society stimulate their creation and practice. The methods of the research. Theoretical: the systemic analysis of the scientific, pedagogical, journalistic and informational literature. Empirical: the interview, the generalization of the author’s practical work with a boy chorus. Mathematical statistical: the percentage analysis... [to full text]

In this work an analysis of the CHORUS (anti-)neutrino-nucleon scattering data taken on lead--scintillator calorimeter during the 1998 run is presented. The differential cross-sections are measured in the range of $0.01le xle 0.7$, $0.05le y le 0.95$, $10le E_nu le 200 GeV$ for both anti-neutrino and neutrino beam modes. The anti-neutrino and neutrino--nucleon structure functions Fone, Ftwo and Fthree is extracted by making 2, 3 and 6-parameter fits to the measured differential cross-sections. The comparisons of these results with the earlier experiments, CDHSW and CCFR is given.

Males of European tree frog are clustered in the chorus in order to attract females. Males were re-captured, their body size and position in chorus was recorded. Goal of this thesis was investigated a correlation between the males' body size and mating behaviour and their position in the chorus.

Made available in DSpace on 2016-03-15T19:42:02Z (GMT). No. of bitstreams: 1 Fernando Martins Mourao Oliveira.pdf: 1827344 bytes, checksum: 07d3df58a7578def5e0deff10062d8f1 (MD5) Previous issue date: 2011-02-16 / This research investigates the rehearsal moment of the choral experience through the vision of the social historical theory of Vigotski. For that we start defining what the theory of knowledge construction is, which has its origin in the period of the Russian Revolution. The first chapter addresses the socio historical teaching theory, drawing upon the work of Vigotski himself and some other authors who studied the research this psychologist, who has in Marx and his dialectical materialism the mentor of his work. The choral rehearsal and its components also need be defined, bringing to the discussion the conductor, the music pedagogy used during the rehearsal and some technical elements as the warm-ups and repertoire preparation. Thus we establish the bases for the second moment that consists in the analysis of five different choral rehearsals, using recordings and observations of those rehearsals in order to analyze both the applicability of Vigotski s theory and the actions in the rehearsals that can be understood through his theory / Esta pesquisa investiga o momento do ensaio de canto coral através da visão da teoria sociohistórica de Vigotski. Para tal, primeiro será definido o que é a teoria da construção do conhecimento, que tem sua gênese no período da Revolução Russa. No primeiro capítulo, faremos um estudo da teoria de ensino socio-histórica através da bibliografia do próprio Vigotski, além de alguns autores que se propuseram a explorar a pesquisa desse psicólogo, que tem o materialismo dialético de Marx como mentor de seu trabalho. Também é necessário definir o ensaio coral e seus componentes, trazendo para discussão o regente e a pedagogia musical utilizada, além de alguns elementos técnicos como o aquecimento e a preparação do repertório. Assim, estabelecemos as bases para um segundo momento, que consiste na análise de cinco ensaios de diferentes corais, utilizando-se de gravações e observações, para verificar tanto a aplicabilidade da teoria, quanto as ações no ensaio, que podem ser entendidas através da teoria socio-histórica de Vigotski

京都大学 / 0048 / 新制・課程博士 / 博士(工学) / 甲第21071号 / 工博第4435号 / 新制||工||1689(附属図書館) / 京都大学大学院工学研究科電気工学専攻 / (主査)教授 大村 善治, 教授 松尾 哲司, 准教授 小嶋 浩嗣 / 学位規則第4条第1項該当 / Doctor of Philosophy (Engineering) / Kyoto University / DGAM

This thesis contributes to the literature on intergroup contact by exploring the long-term impact of grassroots efforts on members of majority and minority groups involved in an intractable conflict. In such circumstances, the conflict parties’ existential survival is perceived to be at stake, which results in salient group boundaries magnified by competing memories of collective trauma. Drawing empirical support from the Jerusalem Youth Chorus—an Israeli-Palestinian encounter program based in Jerusalem—this paper examines opportunities to desecuritize intergroup relationships from the bottom-up. To this purpose, it scrutinizes Gordon Allport’s Contact Hypothesis and narratives of historical trauma. The findings from 16 semi-structured interviews conducted with alumni participants provide unique insights into the impact of a hybrid approach to contact, with music and dialogue providing fertile ground for sustainably rethinking us-them relations toward greater boundary permeability. They also highlight the scope and the limits of conducting bottom-up “memory work” in a societal context of severe asymmetry. Group-specific results are highlighted.

This composition is a single-movement work for three choirs and full orchestra, including celesta, piano, and four percussionists. Total duration is fifteen minutes. The music is divided into six sections, with the overall form being substantially influenced by the structure of the poem, War Is Kind, by Stephen Crane (1871-1900). Many devices are utilized to contrast tension and relaxation, as associated with ironic elements of the text, with repetition and development of musical elements and motives providing unity for the entire work.

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