Made available in DSpace on 2014-06-11T19:29:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2003-06-16Bitstream added on 2014-06-13T18:38:39Z : No. of bitstreams: 1 silva_cv_me_assis.pdf: 240438 bytes, checksum: f85f083a27c2a4f31bcfe528e3df7f8b (MD5) / A presente dissertação trata da inclusão da Arte nos processos pedagógicos, analisando o conceito de arte e delineando um panorama histórico da arte no Brasil. Identificando sua inserção, pela LDB, como disciplina no currículo escolar, discute as possibilidades de arte como experiência emancipadora ou como atividade paralela. Propõe que educadores retomem a arte como aliada na dinâmica da relação psicossocial da sala de aula, na forma de processo construtivo. Para tanto, a pesquisa se baseia no constructo teórico apresentado por Piaget, a abstração reflexionante (réfléchissante), para falar da criatividade do professor e da construção da novidade em sala de aula, por intermédio dessa inserção da arte. Analisa o conceito de docência artística e observa a especificidade das linguagens artísticas como necessária à formação do professor. O texto atenta o leitor para a necessária inclusão da arte como processo fundamental à ação e ao pensamento criativo, na construção do conhecimento de professores e alunos. Professor e artista devem ser sinônimos, e a arte, mais do que instrumento, deve constituir as bases interativas, de processos pedagógicos, que possibilitem ao professor uma atuação crítica e reflexiva, em sua práxis, entendendo que teorizar é um processo tentativo de reflexão sobre a própria experiência. A dissertação apresenta como método de investigação, depoimentos de professores envolvidos em um processo construtivo de utilização da arte em sala de aula. A partir da análise dessas falas, são apontados princípios gerais para a atuação dos professores. São orientações que visam desconstruir formas prefixadas do cotidiano escolar e possibilitar ao professor... / This essay deals with the inclusion of Art in the educational process, analyzing its concept and descreibing a historical view of it in Brazil. Identifying its insertion, through LDB, as a subject in school curriculum. We discuss the possibilities of Art as a wide experience or as a collateral activity. We propose the teachers recapture Art as an allied in the dynamic of psycosocial relation inside the classroom and as a way of constructive process. This research is based on a theoretical construct developed by Piaget, abstração reflexionante ( réfléchissante), to explain teacher's criativity and the construction of novelty inside the classroom through the insertion of Art. We analyze the concept of artistic teaching and observe the particularity of artistic languages as a necessary condition to teacher's graduation. The text arrests for the inclusion of Art as an important process for action and creativity thinking inside the knowlegde constrution of teachers and learners process. Teacher and artist should be synonymous and Art, more than an instrument, should build the interactive bases of educational processes, which make a critic and reflexive action inside teacher's praxis possible, understanding that theorizing is an attempt process of reflection about his or her experience. This essay uses as a method of researching declarations of teachers involved with the constructive process of using art inside classroom. From the analyze of their declarations we detach general guidelines to teachers`...(Complete abstract, click electronic access below)

京都大学 / 0048 / 新制・課程博士 / 博士(人間･環境学) / 甲第20774号 / 人博第836号 / 新制||人||201(附属図書館) / 29||人博||836(吉田南総合図書館) / 京都大学大学院人間・環境学研究科共生人間学専攻 / (主査)教授 田地野 彰, 教授 桂山 康司, 准教授 高橋 幸, 教授 柳瀬 陽介 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM

Orientador: Elisabeth Gelli Yazlle / Banca: Mário Fernando Bolognesi / Banca: Marilene Proença Rebello de Souza / Resumo: A presente dissertação trata da inclusão da Arte nos processos pedagógicos, analisando o conceito de arte e delineando um panorama histórico da arte no Brasil. Identificando sua inserção, pela LDB, como disciplina no currículo escolar, discute as possibilidades de arte como experiência emancipadora ou como atividade paralela. Propõe que educadores retomem a arte como aliada na dinâmica da relação psicossocial da sala de aula, na forma de processo construtivo. Para tanto, a pesquisa se baseia no constructo teórico apresentado por Piaget, a abstração reflexionante (réfléchissante), para falar da criatividade do professor e da construção da novidade em sala de aula, por intermédio dessa inserção da arte. Analisa o conceito de docência artística e observa a especificidade das linguagens artísticas como necessária à formação do professor. O texto atenta o leitor para a necessária inclusão da arte como processo fundamental à ação e ao pensamento criativo, na construção do conhecimento de professores e alunos. Professor e artista devem ser sinônimos, e a arte, mais do que instrumento, deve constituir as bases interativas, de processos pedagógicos, que possibilitem ao professor uma atuação crítica e reflexiva, em sua práxis, entendendo que teorizar é um processo tentativo de reflexão sobre a própria experiência. A dissertação apresenta como método de investigação, depoimentos de professores envolvidos em um processo construtivo de utilização da arte em sala de aula. A partir da análise dessas falas, são apontados princípios gerais para a atuação dos professores. São orientações que visam desconstruir formas prefixadas do cotidiano escolar e possibilitar ao professor ...(Resumo completo, clicar acesso eletrônico abaixo) / Abstract: This essay deals with the inclusion of Art in the educational process, analyzing its concept and descreibing a historical view of it in Brazil. Identifying its insertion, through LDB, as a subject in school curriculum. We discuss the possibilities of Art as a wide experience or as a collateral activity. We propose the teachers recapture Art as an allied in the dynamic of psycosocial relation inside the classroom and as a way of constructive process. This research is based on a theoretical construct developed by Piaget, abstração reflexionante ( réfléchissante), to explain teacher's criativity and the construction of novelty inside the classroom through the insertion of Art. We analyze the concept of artistic teaching and observe the particularity of artistic languages as a necessary condition to teacher's graduation. The text arrests for the inclusion of Art as an important process for action and creativity thinking inside the knowlegde constrution of teachers and learners process. Teacher and artist should be synonymous and Art, more than an instrument, should build the interactive bases of educational processes, which make a critic and reflexive action inside teacher's praxis possible, understanding that theorizing is an attempt process of reflection about his or her experience. This essay uses as a method of researching declarations of teachers involved with the constructive process of using art inside classroom. From the analyze of their declarations we detach general guidelines to teachers'...(Complete abstract, click electronic access below) / Mestre

This phenomenological study explored a common essence of collective class actuation (CCA) among six seminary teachers in a Western state. CCA is an optimal learning state of a class collective. Data were gathered through interviews, observations, and a focus group. Data analysis yielded themes, textural and structural descriptions, an overall essence, and a model explaining the processes of buy-in and actuation. Findings indicate that seminary teachers seek to actuate their classes by leading them toward agentic, collective buy-in. This requires management of two social environments: the internal social environment (the heart) and the external social environment. The internal social environment is comprised of a sense of collective relevancy and a sense of collective trust. If both of these collective beliefs are present, students may be more likely to buy into the purpose and activity of the class collective. The external social environment relates to classroom sociality, which can be too high (hypersocial) for learning, or too low (hyposocial) for learning. These teachers therefore describe seeking to keep their classes in the sweet zone of learning by simultaneously maintaining high engagement and high focus. Both social environments (internal and external) affect one another and influence buy-in and actuation for deep learning. Participants manage the complexities of both environments by maintaining a splendid mix of learning and enjoyment, thereby generating an optimal learning experience.

The purpose of this study is to examine speaking anxiety and classroom dynamics in the ESL classroom from the students’ perspective. This paper also sets out to investigate the specific behaviors or thoughts learners have in regards to speaking English. The investigation gives an explanation how these factors influence students’ ability to learn and perform in a particular instructional framework. The ESL classroom is looked upon as a group formation having its own dynamics that might have an effect on some students’ speaking anxiety. This study is conducted using both qualitative and quantitative method. The quantitative part is based on the survey designed to establish the presence and amount of anxiety related to speaking ESL in the classroom. The qualitative part is consisted of individual semi-structured interviews. The survey is also the basis for the choice of the interviewees. The investigation is carried out in a secondary school with students from the grades 7 and 8. Results of the analysis of data suggest that speaking in the ESL is not exclusively the source of the anxiety, but that speaking in front of the class is. The research points out and supports the fact that speaking anxiety is spotted in classroom settings. In other words, this indicates the significance of the relationship between speaking English, speaking anxiety and classroom environment. Furthermore, students investigated also show the awareness of their reactions: behavioral, emotional and cognitive.

94 items was developed that encapsulate what children notice in their classrooms as affecting the emotional environment and the language they use to describe it. Study 3 had 63 adults use a modified decision task to sort the 94 items into groups of their selection of similarity and dissimilarity. The analysis of these data revealed 11 clusters of items and 3 underlying dimensions - Teacher Affect, Teacher Expectations and Style, and Classroom Dynamics. Each dimension has two opposing ends, and each of the 94 items can be viewed on a three dimensional map showing their relationship to each of the other 93 items along these 3 underlying dimensions. The visual graphic makes these dimensions easy to interpret for those who are likely to be organising classroom environments. This research shows that when given a chance to talk about their experiences in classrooms, students can explain what they value in a classroom, what they will remember about school, and what influences them and their learning.