Orwell often treats liberal and radical figures sympathetically and explores his own political position through them. He discriminates between types of liberalism and strongly prefers nineteenth-century liberalism and radicalism to contemporary liberalism. His patriotism, and its distinction from nationalism, are influenced by G.K. Chesterton and by the 'Little England' section of the late nineteenth-century Liberal Party. Many of Orwell's other values, freedom of expression, privacy, and individual autonomy, are part of liberalism. He attacks Marxist forms of socialism which threaten liberal values, and becomes committed to socialism where it promises to protect or fulfil them, although such a form of socialism remains only a possibility. He is best described as a liberal committed to socialism. Orwell was dissatisfied with the exclusion of historical considerations from most contemporary literary criticism. Marxism was an exception to this. He is influenced by Marxist criticism in his treatment of proletarian literature, and in his critical method of analysing a writer's work in terms of its political tendency and the writer's position in society. His knowledge of passages of Marx's work itself can be traced to The Adelphi. Orwell argues that the writer must be a liberal, and that prose literature is associated with liberalism, yet also admits the Marxist case that liberalism is a product of capitalism. He then doubts whether the culture of liberalism will continue to exist if capitalism is replaced by socialism, and finds it definitely incompatible with the growth of totalitarianism. An uneasy resolution of these dilemmas is reached in the distinction between a man as a writer and as a citizen, the preservation of the writer's liberal mind in a separate compartment from his activity as a man in an increasingly non-liberal society. The witness-narrator of Orwell's reportage of the 1930s can be compared to the autonomous self preferred by liberalism. These works were not directly influenced by the contemporary documentary movement. Orwell's tendency to appeal to common sense and to argue from observation and experience can be connected with liberalism, as can his view of language as an instrument, and the validation of personal identity by sensation and memory in his work. The distance of the observing subject of his reportage from the observed person can disrupt attempts at empathy and run counter to his expressed socialism. A sequence of composition is established for the essays in Inside the Whale.

The thesis examines the thought of Thomas More and Gerrard Winstanley, emphasizing the concern of both theorists with the prevailing moral depravity of human nature attributable to the Fall of Man, and their proposals for the amendment of men's conduct by institutional means, especially by the establishment of a communist society. The thesis opens with a conceptual exploration of 'utopianism' and 'millenarianism' before discussing the particular forms of these concepts employed by More and Winstanley. The introductory section also includes an investigation of the context which constituted the background to the ideas of More and Winstanley. More's theology, his conception of human nature, and his view of contemporary civil society are examined in detail. It is argued that the conclusions More derived from this aspect of his thought formed his basic conception of the situation to which the institutional amendments outlined in Utopia were directed. These proposals, regarding communism, the state, family and community life, education, religion, and ethics, are discussed. It is argued that Utopia constitutes More's model of a society designed to facilitate the salvation of man. Winstanley's appreciation of man's nature, prevailing condition, and potential for spiritual regeneration, are outlined. The development of Winstanley's thought, and the impression his active involvement with the Diggers made upon him, is described. It is argued that Winstanley renounced millenarianism and ultimately assumed utopian social theory as a medium for the articulation of his proposals for the restoration of man to spiritual regeneracy on earth. The institutional aspects of this scheme, regarding communism, the state, patriarchalism, labour, and education, which he outlined in The Law of Freedom, are evaluated. The thesis concludes, with a brief comparative analysis before setting the ideas of More and Winstanley'in the context of the changing worldview, appreciation of man's potential and progress, and the emphasis upon aspiration, which evolved in the early modern period.

Marx's critique remains the most incisive analysis of capitalism to date, though the transformations which capitalism has undergone require that his conceptual apparatus be radically overhauled. I have attempted to do so through a topological twisting of his conceptual assemblage, highlighting new elements and relations. In this way I am lead to questions of time already highlighted by Marx, in relation to an immanent and constitutive ontology. However, my primary concern remains with the contemporary strategies of capitalist command, and the new conditions and strategies of resistance it demands. Concrete/Abstract: or. The German Ideology - i)The question of ideology, the failure of its problematic, and the initial step beyond: fetishism as 'dissimulation objective' (Deleuze); ii) the function of money and the emergent 'truth in practice' of an ontology of efficient material-abstraction. Total Critique is a Pragmatics - i) The transformation of Critique from partial to Total, and the emergence of a differential materialist ontology, ii) the critique of the labour theory of value, and the transformation of capitalism into a project of heterogeneity management (fundamental ontology). Subsumption - i) An account of Braudel's notion of the anti-market, and a critique of the reduction of the anti-market to capitalism; ii) an account of real subsumption in terms of a temporal ontology. Time and Resistance - i) A re-reading of 'historical determinism' in the light of Marx's letters to Vera Zasulich on the Russian commune; ii) the question of becoming as opposed to history through a diagramming of masses rather than the contraposing of classes; iii) temporality as motor of flight/control: the syntheses of time as a diagramming of efficient capitalist material-abstraction, and of the strategies of a critical materialist pragmatics.

This paper presents an analysis of history textbooks used in schools in Sweden and Norway. The intention of the research was to study how the history textbooks describe communism and communistic dictatorship mainly during the cold war. The result of this study is that there were no big differences between Swedish and Norwegian history textbooks, but there are, however, some differences in how communism was described between the authors and also over time. Mostly, the books that were written in the post cold war period were somewhat more critical to communism in the eastern Europe (even thought they mainly handled with Stalin´s communism. And they also set quotationmark between Stalin´s communism and the nazi terror during World War two.

Communist Stardom in the Cold War: Josip Broz Tito in Western and Yugoslav Photography, 1943-1980 Nikolina Kurtovic Doctor of Philosophy Department of Art University of Toronto 2010 Abstract This dissertation examines the iconographic and ideological aspects of the public image of Josip Broz Tito, the communist leader of Socialist Yugoslavia and one of the major historical personalities of the twentieth century. By studying the specific historical, political, and cultural contexts of Tito’s changing iconography between 1943 and 1980, I considers a dynamic relationship between the Western and Eastern perspectives on his leadership style, personality, and role, as communicated in the idiom of Western photojournalism and celebrity photography, as well as the style of official presidential photography in Yugoslavia. I analyze photo-essays on Tito published in Life, Time, and Picture Post, and in the official Yugoslav magazines, Yugoslavia and Yugoslav Review, as well as his portraits by Yousuf Karsh and by Ivo Eterovic in his photo-book Tito’s Private Life. I engage the issues of image reception by studying fundamental stereotypes within the canon of Tito photography, exploring their relation to the popular and political discourses on war heroism, resistance myth, masculinity, leadership, communism, disease, romance, family, leisure and celebrity in the U.S. during World War Two and the Cold War. Tito’s photographs are compared with relevant examples in modern portrait photography, photojournalism, and European painting, thereby situating Tito’s example in the tradition of Western political image making, but also in relation to local traditions. My dissertation shows that the practical role of the cult of Tito in the American press during the Cold War was to render him and Yugoslavia as examples for the satellite countries, and to enlist popular support for U.S. policy. It also helped Tito navigate a political crisis following his 1948 break with Stalin. The iconography created in this context contributed to the genesis and modernizing of Yugoslav presidential photography in the 1950s. Appropriating the rhetoric and formal devices of Western celebrity and glamour photography, Yugoslav photographs created a set of presidential stereotypes and their photographs were bearers of the conventional narrative of Tito’s presidency in Yugoslav magazines and books addressing Western audiences between 1960 and 1980. My dissertation underscores the role of cross-cultural contacts and contexts for developing, maintaining, and understanding of Tito’s publicity and celebrity in the West.

Thesis (M.A.)--Catholic University of America, 1989. / Includes bibliographical references (leaves 286-294).

Thesis (Ph.D.). / Written for the Dept. of Political Science. Title from title page of PDF (viewed 2008/01/12). Includes bibliographical references.

Thesis (Ph.D.)--University of Wollongong, 2004. / Typescript. Includes bibliographical references: leaf 310-333.

Thesis (Ph. D.)--University of Washington, 1994. / Vita. Includes bibliographical references (leaves [328]-334).

Thesis (M.A.) - Carleton University, 2003. / Includes bibliographical references (p. 139-149). Also available in electronic format on the Internet.