Thesis (M.A.)--Bowling Green State University, 2007. / Document formatted into pages; contains viii, 105 p. : ill. Includes bibliographical references.

Thesis (M.A.)--Brigham Young University. Dept. of German and Slavic Languages, 2004. / Includes bibliographical references (p. 158-163).

Der israelische Autor und Journalist Noah Klieger ist in der deutschsprachigen Forschung zur Holocaustliteratur, in deren Kontext theoretische Konzepte und Interpretationen zahlreicher Autoren (u.a. Ruth Klüger, Primo Levi) dieser Gattung vorliegen, bisher kaum beachtet worden. In der vorliegenden Arbeit steht seine 2010 erschienene Autobiographie „Zwölf Brötchen zum Frühstück“ im Zentrum. Innerhalb der Textanalyse wird der Frage nachgegangen, welche Bedeutung das Schreiben für Klieger hat und inwieweit seine als Reportage angelegte Autobiographie, die den sehr faktenbezogenen und dokumentarischen Stil des Journalisten widerspiegelt, den Rezipienten in der Interpretation lenkt und Authentizität erzeugt. Ausgehend von dieser Fragestellung werden für die Arbeit geführte Interviews mit Noah Klieger (oral history) einbezogen und der Erlebnisbericht „Ich habe den Todesengel überlebt“ von Eva Mozes-Kor, die das Konzept des Erlebnisberichtes mit all seinen Eigenschaften konstant bewahrt, zum Vergleich hinzugezogen. Im Fokus der Arbeit steht die Analyse der Autobiographie Kliegers, wobei auf das Genre Reportage, relevante Stilmittel, zentrale Begrifflichkeiten und Veröffentlichungskontexte sowie auf die Gedächtnistheorie von Maurice Halbwachs eingegangen werden. Abschließend wird die Thematik des Vergebens bei Klieger und Mozes-Kor erörtert. Die Forschungsergebnisse stellen den israelischen Holocaustüberlebenden Noah Klieger als Autor vor und verdeutlichen, dass die innerhalb der Gattung Holocaustliteratur gewählten Darstellungsweisen unterschiedliche Formen von Authentizität evozieren. / Israeli author and journalist Noah Klieger has been ignored by German scientists of Holocaust literature though there are many theoretical concepts and interpretations of other writers such as Ruth Klüger and Primo Levi. In this paper we will focus on his autobiography published in 2010 named “Zwölf Brötchen zum Frühstück”. In the text analysis we will discuss what the act of writing means to Klieger and to what extent his autobiography reflects relation to facts, documentary pen and influences recipients. In accordance with this leading question we will integrate interviews with Noah Klieger (oral history) and a report from Eva Mozes-Kor titled “Ich habe den Todesengel überlebt”. This report constantly maintains the characteristics of a report. The centre of attention is the analysis of Noah Klieger’s autobiography, the characteristics of a report, rhetorical devices, defining key terminology, the context of publishing as well as Maurice Halbwach’s memory research theories. Finally, we discuss forgiving based on texts by Klieger and Mozes-Kor is discussed. The results of the research introduce Israeli holocaust survivor Noah Klieger as an author and clarify that within holocaust literature the different forms of expression evoke many different facets of authenticity.

Univ., Diss.--Köln, 2004.

The diploma thesis is The Theme of the War in Czech Prose Published in 1948-56. Following significant changes after the 1948 war, several thematic forms of Czech prose that are analyzed. After the 1948 war began to be interpreted as a precursor to a future socialist revolution, which had to be the "correct" stories - there were used books M. Pujmanové - Život proti smrti (1952) and B. Březovského - Lidé v květnu (1954). They were compares with dilogií A. Brandalda, Severní nádraží (1949) and Lazaretní vlak (1950). Another section is devoted to prose since 1954, when the artistic treatment of the subject of the war reflected their own experiences of war, concentration camps and life in the Protectorate - K. Ptáčník - Ročník jedenadvacet (1954), F. Burian - Osm odtamtud (1954), N . Frýd - Krabice živých (1956), E. Valenta - Jdi za zeleným světlem (1956). The aim of this thesis is to analyze war themes in the works of these authors in the designated time.

This diploma thesis deals with the interpretation of fiction with the theme of the Holocaust. An integral part of the work is a methodological chapter, which is focused on the issues of hermeneutics and other issues that needed to be taken into account when handling the chosen theme. This thesis further focuses on the description of the historical context, which ultimately played a significant role. The main part of the work consists of an independent analysis of selected works of Czech and foreign authors and their subsequent comparison.

...I never saw another butterfly... is a twelve movement chamber work scored for SATB choir, narrator, percussion I [vibraphone, and tomtoms (4)], percussion II [timpani (4), tam-tam, snare drum, and bass drum], guitar, violins I and II, viola, and cello and is based on the book of the same name. It contains a variety of compositional techniques, forms and genres.

Diaries are private documentations of people’s lives. They contain descriptions of events, thoughts, fears, and desires. While diaries are usually kept in private, published ones, such as the diary of Anne Frank, show that they bear the potential to give personal insight into events and into the emotional impact on their authors. We present a visualization tool that provides insight into the Bergen-Belsen memorial’s diary corpus, which consists of dozens of diaries written by concentration camp prisoners. We designed a calendar view that documents when authors wrote about concentration camp life. Different modes support quantitative and sentiment analyses, and we provide a solution for historians to create thematic concepts that can be used for searching and filtering for specific diary entries. The usage scenarios illustrate the importance of the tool for researchers and memorial visitors as well as for commemorating the Holocaust.

Thesis (doctoral)--Heinrich-Heine-Universität, Düsseldorf, 2002. / Includes registers of names of SS-Baubrigaden inmates, including those who died (p. 338-353); and names of SS tried for crimes (p. 357-363). Includes lists of SS-Baubrigaden and commandants (p. 335-337), and a list of memorials dealing with SS-Baubrigaden (p. 364-367). Includes bibliographical references (p. 377-399) and indexes.

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