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1	The Success of Failure Temporal Interpretation and the Glitch Process Birdsong, Todd Todd 01 August 2015 (has links) The past is a statement; the future a question. Henri Cartier-Bresson provides us with an interpretation of the “now” with the decisive moment and it is through this lens that I examine the glitch. Like the street photography style that Cartier-Bresson pioneered, the glitch artist role is not to simply create, but lies in inviting and reacting to conditions that will permit art to happen. Similar to the camera’s shutter being triggered, the glitch is initialized in a moment of uncertainty by our analog selves and is revealed to be dissident code that is set free from the pristine constructs of the digital format. As the glitch is an affective event that happens in real time, or in a moment, it can be recorded, captured and documented as a breakthrough of noise separated from the signal. As a culture, we tend to filter out and defend against the noise of the glitch while keeping the myth of perfect signal alive. I would suggest that we welcome the noise as a type of natural wilderness in the machine that reveals the illusion of the digital era and blurs the lines between transcription and transcoding. Decisive Moment Glitch Noise Reveal Signal Wilderness
2	Moments of Absorption Kaufman, Sarah K. 01 January 2008 (has links) Moments of Absorption explores the conceptual and visual themes that are presented in my MFA thesis exhibition. The research looks into the absorption of the nude subject, the gestures that communicate this absorption, and the domestic space as a stage for the presentation of these gestures. This work investigates a tension between the theatrical and the natural as represented by images. theater of the home ablutions silence photography naked nude light gesture home stage domestic punctum decisive moment quiet honesty theatricality openness private body absorption genuine self-absorption graigslist color photography Art and Design Arts and Humanities
3	Okamžik a autorství ve fotografii / Moment and Autorship in Photography Šarkadyová, Lucie January 2020 (has links) Most of the work on photography is about image and trying to understand photography as an image. Contrary to this approach, this paper deals with the experience of the photographer at the time of taking the picture, and also the influence of photography, understood as a medium, on our perception. The main topic is the photography of movement, where we can best demonstrate how photography changes both our perception and our understanding of (objective) reality. The beginning of the work is devoted to one of the greatest Czech photographers, Josef Sudek, who describes the method of his work. Sudek's definition of the moment involved in taking the picture is "when everything fits together"; the impossibility of returning to the same moment is a central feature of photography as presented in this work. Consequently, the basis for the thesis is that (1) photography and camera change the way we perceive, and that (2) photography is an actualization of the possibility of how we see what we see. The actualization of the possibility is discussed mainly in the context of Barbara Probst, whose work "Exposures" fundamentally enters the history of photography, and who - once again - does not put emphasis on the image but rather on the photographer as the creator of the image.

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