The past decade has seen a gradual but steady increase in the use of games in participatory planning practices. Since the 'Gamification' gained momentum, the thoroughly thought-through simulation and gaming discipline of the 1970s has been replaced by an amalgam of confusion and optimism about the role and added value of games in planning practice. The lack of clarity about what games really are and the scarcity of studies on how they can be used in dealing with contemporary participatory planning concerns have limited the use of digital games in planning to pedagogic and communication purposes. This research contributes to debates on the role and added value of digital games in participatory planning practices by unravelling the types of knowledge that can be produced by digital games and the many ways in which data flows happen between the real world and the imaginary world of games. To do so this research focuses on the epistemological analysis of digital games and core concepts of participatory planning, democracy and power, using a four-staged problem-centred Design Science Research (DSR) approach; 1) it first explores the existing limitations and potentials of the use of games in scientific fields in general; 2) it reviews the role of knowledge in participatory planning practices and its consequent effect on the defined role of games; 3) it proposes a new framework for using games as a research tool in participatory planning which conceptualizes games as artefacts with embedded information system; 4) it validates the framework by designing, testing and evaluating a game, called Mythoplastis with the aim of capturing the perception of the public about various locations in Manchester, UK. The study concludes that while games are powerful tools for capturing mental model of their players, the dominant gaming and simulation legacy and the emphasis on the scientific validity measures cease planners to be open or receptive to the artistic values of digital games and their potential in being used as research tools. It shows that by bridging the gap between commonly ignored theoretical and practical efforts of main stream game designers with the serious game design frameworks, new conceptions and roles of games can be explored. The designed game, Mythoplastis, shows how real world data can be abstracted in the game world for research purposes. It is also argued that for participatory planning to move beyond generalized and deterministic discourses about the role of planners and supporting tools, it is crucial for planners to re-examine the role of knowledge and validity measures in the conception of participation in planning.

Made available in DSpace on 2016-04-29T14:23:34Z (GMT). No. of bitstreams: 1 Gabriel Cavalcanti Marques.pdf: 9433755 bytes, checksum: 61c778ef73616608edaf7eaee1c954dd (MD5) Previous issue date: 2015-02-05 / The research addresses the issue of development of digital games using UDK game engine. It is to provide the potential for development of the UDK game engine, addressing the aspects and characteristics of a digital game production and the ontological stages of development as: brainstorming, concept art, three-dimensional modeling and level design. We also intend to produce material for use as a guide in the development of digital games with the UDK game engine. We find our justification in the fact that the UDK is a free game engine widely used for high-quality standard games, but is lacking in specific introductory materials. Theoretically this research is based on the concepts of development addressed by authors such as Rabin (2012; 2013), Novak (2010; 2011), Thorn (2011), among others, adopting methodology directed to the ontological artistic aspects of the development of digital games. Theoretically, this research is based on the concepts of development addressed by authors such as Rabin (2012; 2013), Novak (2010; 2011), Thorn (2011), among others, adopting methodology directed to the ontological artistic aspects of the development of digital games, according to Petry (2003). Focused on the production of a tutorial, the research also aims to create a navigable prototype illustrating how the tutorial material may result in a digital game or inland environment with a high standard of aesthetic experience and quality / A pesquisa aborda a questão do desenvolvimento de jogos digitais utilizando o motor de jogo UDK. A mesma visa apresentar os potenciais de desenvolvimento do motor de jogo UDK, abordando os aspectos e as especificidades de produção de um jogo digital e as etapas ontológicas de desenvolvimento como: brainstorm, arte de conceito, modelagem tridimensional e design de nível. Pretende-se também produzir material para ser utilizado como guia no desenvolvimento de jogos digitais com o motor de jogo UDK. Encontramos nossa justificativa no fato de que a UDK é um motor de jogo free largamente utilizado para jogos de alto padrão de qualidade, porém encontra-se carente de materiais específicos introdutórios. Teoricamente essa pesquisa fundamenta-se nos conceitos de desenvolvimento abordados por autores como Rabin (2012; 2013), Novak (2010; 2011), Thorn (2011), entre outros, adotando metodologia voltada para os aspectos artísticos ontológicos do desenvolvimento de jogos digitais, segundo Petry (2003). Voltada para a produção de um tutorial, a pesquisa também visa à criação de um protótipo navegável ilustrando como o material do tutorial pode resultar em um jogo digital ou ambiente navegável com um alto padrão de experiência estética e qualidade

Master of Visual Arts / Digital/video games1 have entertained for 40 years and are a medium with the ability to reach a vast audience. In an article published in the Sydney Morning Herald, Charles Purcell reports that; “Globally, Halo 2 has sold more than 7 million copies. Both in the US and Australia it broke the film box-office record for the most earnings in the first 24 hours of release. The worldwide Halo 2 community on X-box Live has about 400,000 players… at the World Cyber Games in Seoul. Last year, gold medallist Matthew Leto won $US20,000 ($AUS27,0000) after his second consecutive Halo title.” 2. Game consoles have become a part of many lounge rooms just as the television did before them. Games are even commonplace in many coat pockets and carrying bags. This dissertation is concerned with the medium of digital/video games in relation to its effect on Game Art. It is also concerned with the concept of my studio work that deals with “evil” and the “uncanny” which are discussed in chapter four. My research looks at games and how they have developed and the relationship to contemporary art. A history of this development is explored in chapter two. My research will help me in developing an interactive piece. Throughout my current research the thoughts of author of The Second Self: Computers and the Human Spirit Sherry Turkle resonate: “…not what will the computer be like in the future, but instead, what will we be like? What kind of people are we becoming?” 3 It is interesting to consider the video/digital games as experiments of who we are or who we would like to be, little fantasies of empowerment. In a game we are able to live out our frustrations or fantasies in a closed and predictable experience.

Scientific culture is not popular because the essential nature of science – the models and practises that make it up – cannot be communicated via conventional media in a manner that is interesting to the average person. These models and practises might be communicated in an interesting manner using the new medium of the digital game, yet very few digital games based upon scientific simulations have been created and thus the potential of such games to facilitate scientific knowledge construction cannot be studied directly. Scientific simulations have, however, been much used by scientists to facilitate their own knowledge construction, and equally, both simulations and games have been used by science educators to facilitate knowledge construction on the part of their students. The large academic literatures relating to these simulations and games collectively demonstrate that their ability to: re-create reality; model complex systems; be visual and interactive; engage the user in the practise of science; and to engage the user in construction and collaboration, makes them powerful tools for facilitating scientific knowledge construction. Moreover, the large non-academic literature discussing the nature of digital games (which are themselves both simulations and games) demonstrates that their ability to perform the above tasks (i.e. to re-create reality, model complex systems, and so forth) is what makes them enjoyable to play.¶Because the features of scientific and educational simulations and games that facilitate knowledge construction are the very same features that make digital games enjoyable to play, the player of a scientific-simulation-based digital game would be simultaneously gaining enjoyment and acquiring scientific knowledge. If science were widely communicated using digital games, therefore, then it would be possible for there to be a popular scientific culture.

Minorities are underrepresented in the science workforce yet adequately represented as players of computer games. Findings in career development research suggest that a decision to pursue a science career is directly impacted by a person’s investigative self-efficacy. Because minority students choose to spend a significant amount of time playing computer games this study examines the effects of computer games on investigative self-efficacy. The dissertation is composed of a systematic literature review, the development of a theoretical framework, and an application of the theoretical framework in a quasiexperimental study. In the systematic literature review, the small-to-moderate effect sizes of the 6 systematically identified studies suggest that elements in computer games can potentially affect self-efficacy. Unfortunately, the similarities across the small number of studies makes it difficult to generalize the results to other settings and content areas while variability across the studies makes it difficult to pinpoint which computer game elements or type of computer games affect self-efficacy. An exploration of theories and empirical research in cognitive psychology, career development, and performance in complex environments led to a theoretical framework. The theoretical framework integrates attention, flow, and self-efficacy theories as well as the results of Berry and Broadbent’s (1988) study that compared the effects of implicit and explicit instructions on performance. Using the theoretical framework developed in this dissertation, stealth educational games are proposed as an option for building the investigative self-efficacy of unmotivated or academically struggling learners. The effect of stealth educational games on minority students’ investigative selfefficacy was explored. Based on the statistical results in this study and the differences across each of the schools, the potential value of stealth educational games is still unknown. Future research should employ theory to systematically document and define the context in which the game is delivered, incorporate assessments built into the game instead of using surveys, include incentives for student participation and obedience, and compare the effects of a stealth educational game to an explicitly educational game.

For a long time, playing games was considered as the opposite of being productive. However, in the digital age, millions of players produce economic value in the game worlds. This new phenomenon challenges the previous dichotomy of labor and play. To understand this new phenomenon, theoretical innovations are required.   This thesis aims to give a better understanding of in-game productive activities from a theoretical perspective. Based on previous academic studies, I develop a new theoretical framework upon the concept “playbor.” This framework is an attempt of combining two theoretical traditions, namely the Ludology tradition and the Marxism tradition. It is a framework from a ludological starting point toward a critical direction.   In this framework, I firstly analyze how play has been transformed to playbor. This process is shown as a transition model by the shifts of characteristics. Based on the transition model, a taxonomy of playbor is introduced. In the taxonomy, I identify three types of playbors: unintentional playbor, autonomous playbor and obligational playbor. Thereafter, problems related to playbors are examined. Problems from which traditional labor suffers, such as division of labor, alienation and exploitation, can also be observed in the game worlds. Apart from these problems, I identify a new problem which threatens all forms of playbors, namely the vulnerability of data.   This thesis is based on my theoretical research from January to May 2015. The main research method is literature review. Data from news reports and participant observations have also been used to support arguments.

One aspect of the internet that has been discussed in relation to identity creation is whether we can transcend our physical selves when we enter an online environment, thus potentially creating the internet as a space where we could leave our bodies when performing our identity. The purpose of this master thesis is to investigate the accomplishment of membership categorization within the domain of online gaming and through it identity in an online gaming environment. This thesis argues that the discourse within Dota2 constructs the identity of the unsuccessful gamer as an outsider or deviant in terms of nationality, sexuality, and mental capability. Games of Dota2 have been observed and the interaction via the in game chat system has been transcribed and analyzed using Membership Categorization Analysis. The study found that membership was not commonly assigned but when it was, it was associated with the incumbent being on one’s own team and performing lower than expected. Also, in the cases where categories were assigned to players, these were assigned to unsuccessful players (This interactive feature is supported previous research by Eklund (2011) and Linderoth & Olsson (2010) in that they created the game as male centric western European space. The expectations of a successful player were not accomplished in order to inform the identity creation process of successful gamers. The results suggest that identity in Dota2 is structured around a players displayed skill and that the identity created is often based on stereotypes associated with certain nationalities, genders and mental capabilities. The use of MCA offered a holistic approach to how identities were created in online gaming that allowed the researcher to approach the subject without any preconceptions as to what would be found. The study also showed that the use of MCA may be useful when it comes to identity creation within virtual worlds.

Game development is a complex and time-consuming activity that requires domain-specific knowledge and implementation skills. Networked games are particularly difficult due to the additional challenges of implementing the distribution. In recent years, game development has been simplified through tools that allow game development based on entities (objects that compose the game, e.g., avatar, vehicles, trees, and monsters). Entity-based tools simplify game programming by providing entity-level constructs and abstractions to the game developer. However, current entity-based tools fail to appropriately address the development of networked multiplayer games; they either do not support network gaming at all, or compromise the purity of the model by exposing low-level network programming to the game developer. In this thesis, we present a pure entity-based model for developing networked multiplayer games. In our model, the game developer is completely shielded from network programming concerns. In order to demonstrate the model’s practicality, we implemented a game development toolkit called Meerkat. Meerkat uses a combination of generic distribution algorithms and a proxy-based architecture to provide a pure entity-based game programming interface. The same interface can be used to develop both distributed and non-distributed games. Meerkat automates all aspects of networking for the game developer. To evaluate the performance of our system, we built three multiplayer games of different genres. Our experiments show that the overhead of using fully-automated networking can be acceptable for a wide range of games, except in extreme cases where there are strict performance requirements. Meerkat demonstrates that it is possible to extend the pure entity-based approach to networked games while ensuring sufficient performance. / Thesis (Master, Computing) -- Queen's University, 2012-08-29 14:54:00.647

Master of Visual Arts / Digital/video games1 have entertained for 40 years and are a medium with the ability to reach a vast audience. In an article published in the Sydney Morning Herald, Charles Purcell reports that; “Globally, Halo 2 has sold more than 7 million copies. Both in the US and Australia it broke the film box-office record for the most earnings in the first 24 hours of release. The worldwide Halo 2 community on X-box Live has about 400,000 players… at the World Cyber Games in Seoul. Last year, gold medallist Matthew Leto won $US20,000 ($AUS27,0000) after his second consecutive Halo title.” 2. Game consoles have become a part of many lounge rooms just as the television did before them. Games are even commonplace in many coat pockets and carrying bags. This dissertation is concerned with the medium of digital/video games in relation to its effect on Game Art. It is also concerned with the concept of my studio work that deals with “evil” and the “uncanny” which are discussed in chapter four. My research looks at games and how they have developed and the relationship to contemporary art. A history of this development is explored in chapter two. My research will help me in developing an interactive piece. Throughout my current research the thoughts of author of The Second Self: Computers and the Human Spirit Sherry Turkle resonate: “…not what will the computer be like in the future, but instead, what will we be like? What kind of people are we becoming?” 3 It is interesting to consider the video/digital games as experiments of who we are or who we would like to be, little fantasies of empowerment. In a game we are able to live out our frustrations or fantasies in a closed and predictable experience.

Orientador: Macioniro [UNESP} Celeste Filho / Banca: José Luis Bizelli / Banca: Maria do Carmo Monteiro Kobayashi / Resumo: Como objetivo geral intentou-se utilizar jogos digitais como suporte no processo de ensino e aprendizagem em História. Para tanto, os objetivos específicos seguiram duas linhas de trabalho, uma teórica que buscou entender o processo histórico do ensino de História até o panorama atual e a relação dos discentes com as tecnologias digitais e analisar as discussões sobre o uso dos jogos digitais e sua relação com a ludicidade na prática educativa. E uma linha empírica intentou contextualizar conceitos relacionados ao ensino de História e humanidades, além de observar o contato dos estudantes com um jogo digital na prática em sala de aula e o ensino e aprendizagem decorrentes desse processo. Mediante a isso, realizou-se uma sequência didática em uma perspectiva de pesquisa participativa. Para tanto, foram realizadas atividades em sala de aula que nortearam as explanações sobre os conceitos trabalhados, por fim colocando os alunos em contato direto com um jogo digital facilitando assim a observação do processo de aprendizagem resultante das aulas ministradas. / Abstract: This paper aimed the usage of digital games as a support in the process of teaching and learning History. For this purpose, the specific objectives followed two work lines: the theoretical and the empirical. The theoretical sought to understand the historical process of teaching History up to the present and the relation of students with digital technologies, as well as to analyze the discussions about the usage of digital games and its relation to the ludic in pedagogical practices. The empirical work line aimed the contextualization of concepts that are connected to the teaching of History and related subjects. Moreover, it observed the relation between the students and a digital game in classroom practice and the teaching/ learning resulting from this process. Therefore, a didactic sequence was designed in the light of a participatory research. Classroom activities were performed, which guided the explanations about the concepts studied and put students in touch with a digital game, promoting the observation of the learning process. / Mestre