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Il significato del dialogo nell'incontro interumano alla luce della filosofia di Levinas /Adamczewski, Wojciech Henryk. January 2007 (has links)
Thesis. / Emmanuel Lévinas (1906- 1995). Includes bibliographical references.
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Poetologie elegischen Sprechens das lyrische Ich und der Engel in Rilkes "Duineser Elegien"Fuchs, Britta A. January 2008 (has links)
Zugl.: Heidelberg, Univ., Diss., 2008/2009
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Dialogues in Turgenev's novels speech-introductory devices /Hellgren, Ludmila. January 1980 (has links)
Thesis--University of Stockholm. / Bibliography: p. 147-148.
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Budgethilfe Theorie und Evidenz /Meier, Michael. January 2008 (has links) (PDF)
Master-Arbeit Univ. St. Gallen, 2008.
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Dialogprozesse Gestaltungsansätze für Dialoge im globalisierten Umfeld /Hellmann-Grobe, Antje. January 2000 (has links)
Thesis (doctoral)--Universität St. Gallen, 2000.
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Die Prosadialoge der englischen Renaissance (1528-1545) Erscheinungsformen und Strukturen /Schoell, Oliver. Unknown Date (has links)
Universiẗat, Diss., 2003--Jena. / Datei im HTML-Format und Datei im TXT-Format.
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Att söva barn med autismspektrumtillstånd : Anestesisjuksköterskans förhållningssätt genom den perioperativa dialogenLarson, Malin January 2018 (has links)
Barn med AST, autismspektrumtillstånd, är en förhållandevis vanlig patientkategori som kommer i kontakt med anestesisjukvården då de kan behöva sövas för enklare ingrepp som till exempel tandvård. Tidigare forskning visar att anestesisjuksköterskor upplever att det är svårt att vårda barn med AST. När barnen kommer i kontakt med sjukvården upplever de att miljön är stressig och de har svårt för att kommunicera med sjukvårdspersonal. Det är påvisat att föräldrar upplever att sjukvården inte lyssnar till deras barns specifika behov och att kunskapen hos sjuksköterskor är bristfällig. Syftet med studien var att undersöka anestesisjuksköterskors förhållningssätt i mötet med barn med AST under den perioperativa dialogen. Kvalitativ metod valdes på grund av att anestesisjuksköterskors upplevelser och erfarenheter skulle undersökas. Sex stycken anestesisjuksköterskor tillfrågades att ställa upp i studien. De fick frågan om hur de tänker när de ska söva ett barn med AST och därefter fick de berätta om en speciell eller nyligen upplevd sövning. Intervjuerna transkriberades och analyserades enligt en kvalitativ konventionell innehållsanalys. I resultatet framkommer att anestesisjuksköterskor är medvetna om barnens särskilda behov och de arbetar för att tillgodose behoven. Tre kategorier utgör resultatet; Att förbereda sig, Att skapa en relation, Att vara flexibel. Varje kategori utgörs av subkategorier. Resultatet understöds av tidigare forskning som belyser att preoperativa förberedelser gynnar anestesisjuksköterskor och patienter samt att anestesisjuksköterskor är följsamma utifrån varje barns specifika behov. Det finns sjukhus i Sverige som har upprättade rutiner för hur barn med AST ska bemötas och tas om hand preoperativt, men dessa rutiner är inte standardiserade på alla sjukhus. Vidare forskning om hur barn med AST bemöts när de kommer till sjukhus där sådana rutiner saknas behöver göras för att kvalitetssäkra den perioperativa omvårdnaden hos barn med AST.
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Odborová organizovanost / Trade unionsSchwarzová, Martina January 2016 (has links)
The work deals with different functions for Workers and the success of trade unions in
enterprises. The first part deals with the characteristics of the market, the definition of trade
unions, the history of the trade union movement, the position of trade unions in the Czech
Republic. The second part will focus on the position of trade unions in a selected company
and subsequent draft resolution.
The aim this diploma thesis is to identify the activities of trade unions. Role of Trade
Unions in the present. Activities of trade unions to apply economic theory and bring a real
trade union influence on economic entity in the Czech Republic.
In selected enterprises will be made on the basis of the survey, which will be an
evaluation of the success of the trade union in the company. Furthermore, a comparison is
made with successful enterprise trade unions and enterprises with trade union organizations
nonfunctional.
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Co je to divadlo / What is the TheatreNeznal, Vít January 2017 (has links)
Vít Neznal’s PhD thesis begins by defining theatre as a specific sphere of media. According to the author, such notion is made possible by following up to the tradition of Czech theatre theory (immediacy as a specific feature of the medium, a synthetic basis, a non-substantial conception of a work, acting as a decisive art, a total three-dimensional feedback-based communication with cardinal impact on the specific nature of stage acting, and an active position of the spectator). On this basis, Neznal proceeds to explain why there is no justifiable reason for theatre theory to abolish the dichotomy between art and reality. His premise is that while theatre is rooted in life, it is at the same time automatically and irreversibly taken out of it as a medium. As a result, there is, from the point of view of theatre theory, a difference between an intensified “life” entering the stage and becoming the basis of expression (intensification of “life” is the basis of means of expression and is therefore made intentional) and between its integration with other pillars forming the constitutive basis of a theatre act as such on the actual level of media (the artificial pervaded by “life”).
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Dialog autor-hudba k procesu vzniku koncepčního hudebního p očinu / The dialogue author - music; about the process of origin of a conceptional musical pieceUrbánek, Stanislav January 2012 (has links)
The author in this thesis addresses selected aspects of the process of origin of a conceptional musical piece, particularly a song (as a complete form), he reflects the principle of a dialogue which is present in music and tries to describe the way in which the originating musical structure is perceived from the point of view of the author. That is the communication of the authorial self with his own musical idea. Furthermore the author strives to authentically reflect the process of the origin of his own musical attempts.
Each of the five chapters of this thesis deals with different set of themes- themes which are closely connected with the actual process of musical creation (the process of creating music and foremost the process of "making" songs).
The first chapter is dedicated to formation of values and to determining the author-music relationship, while the question of taste, necessity and creative direction is being emphasized. The second chapter attempts to answer the question what exactly can be regarded as a song, how its boundaries can be defined and in what way can time and space be managed within those boundaries. The third chapter approaches the author's relationship with his music as a dialogue, tries to describe it and it also deals with understanding of the current in music and the necessity of the element of the immediate during the process of musical creation. In chapter four of this thesis the order of steps in the birth of a song is discussed - from the initial idea to the final form.
In the last fifth chapter the author seeks his own constructive and creative expression and he especially analyzes the relationship between originality and authenticity.
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