In this paper we have studied how user designed mock-ups, together with video recordings, can contribute in the process of generating user requirements when designing the future e- newspaper. The mock-ups originate from future workshop carried out within the DigiNews project. By analyzing user designed mock-ups to retrieve user requirements and evaluating the results against a focus group and newspaper designers we gained understanding on how mock-ups can contribute as data input in a user involved design process. The study concludes that mock-ups are an effective tool for making use of users’ visions and opinions in a dynamic design process.

On September 4, 2013, two men were shot in the suburb Biskopsgården in Gothenburg. This was the catalysts to a very problematic autumn in both Biskopsgården as in another suburb, Hisingsbacka. The local media reports of the events were very through, where the newspaper Göteborgs-Posten took a leading role. It’s these reports which form the basis, the so called material of our essay. Our purpose with this essay is to examine which kind of medial message about the suburbs and their inhibitors the articles sends out to Göteborgs-Posten’s readers. We did this by putting our material against three issues, the first one was how Göteborgs-Posten did portray the suburbs when it came to; choice of words and phrases, angles and how the photos was composed. The second one was if Göteborgs-Posten had failed in its objective reporting when it came to; an “us versus them” perspective, which kind of medial message was sent out and if the journalist took a subjective position in the article. We also examined which actors were heard and what they represent in the society? We approached this study in a qualitative method way because we felt that we needed to examine the theme in its depth. The result were then linked to our three theories which were; framing, stigma and representation theory. The results from our study showed that our first thoughts about the subject did not match the reality of Göteborg-Posten’s reports. The medial image that was sent out wasn’t that negative as we first expected. The result shows that most of the articles in our sample had not a stigmatized tone or gave a misleading media image of the suburbs. In the cases that did send out a negative image it was mostly in the form of words and phrases. Other results obtained by our content analysis of the Göteborgs-Posten’s reporting on the subject was, for the most part were Swedes in the judicial system followed by affected immigrants who took the most place in the articles. Another interesting result was that both negative and positive stigma was encountered in the articles.

The aim of this study was to examine the readability of news articles published in the Swedish national newspaper Dagens Nyheter during the years 1999 - 2013. Our hypothesis was that the written language in newspapers is simpler today than it was 15 years ago. To measure the possible change of the written language in a quantitative study we chose to use a method to calculate the readability of 30 news articles, two from each year. We could not see any development of the language level so we chose to do a complementary qualitative study of the layout and presentation of the news articles. This secondary study showed a significant change in how news is presented throughout the years. The articles from 2003 and forth were presented with more space and more pictures and photos than the articles in our sample published before 2003. We used different theories to support the cause of our study and to analyse and make conclusions from the results. We used the social responsibility theory to support our hypothesis and prove why this problem is relevant and worth studying. The other theories we used to analyse the articles and make conclusions to answer our questions were the framing theory and theories about informational texts, like news articles, and news values.

Discursive psychology was used to analyze constructions of Canadian Muslim identities in the Canadian mainstream daily press. News and opinion discourse from a six-month period (November 1, 2008 - April 30, 2009) was examined. Whereas previous research has typically focused on negative news coverage, I examined the full range of identity portrayals of Canadian Muslims available in the daily press. Not unexpectedly, the most overtly negative identity constructions of Canadian Muslims were found in coverage of terrorism trials. In that coverage, the accused were typically worked up as endorsing an extreme interpretation of Islam. These extreme descriptions of the accused may suggest a particularized and therefore non-representative Muslim identity. Negative identity was also constructed in articles that reported on Canadian Muslims’ interactions with the legal and immigration systems: the behaviours of some Canadian Muslims (e.g., polygamy) were formulated as a threat to mainstream Canadian social values. The coverage also dealt with the issue of discrimination against Canadian Muslims. The case for discrimination was accomplished via comparison (e.g., government treatment of Muslim versus non-Muslim Canadians). However, in some coverage, Canadian Muslims were indirectly and subtly portrayed as possibly deserving of discriminatory treatment. Canadian Muslims were favourably portrayed when they: 1) upheld mainstream Canadian social values, 2) had a sense of humour about their Muslim identity, and 3) educated non-Muslim Canadians about Islam. However, favourable identity constructions of Canadian Muslims were often accompanied by background information that negatively portrayed Muslims in general. This juxtaposition of positive representations of individual Canadian Muslims with negative general information about Muslims and Islam may have subtly suggested that good Muslims are an exception rather than the norm. Overall, it was found that Canadian press coverage offers a fuller picture of Canadian Muslim identity than elsewhere (e.g., the U.S. and the U.K.). However, Sampson’s (1993) distinction between accommodative and transformative voice suggests that this picture is still incomplete. Several possibilities for improvement are suggested; for example, the press’s reliance on ready-made news (e.g., staged events) may provide opportunities to increase favourable identity portrayals of Canadian Muslims.

This thesis examines the role of New Zealand Truth within interwar society. It seeks to identify the audience, market niche, and style of the paper. Its essential concern is with using theoretical models to inform a discussion on the ideas and values expressed in the paper, especially those of moderation, exploitation, excess, and immorality. What it attempts to show is that, although, Truth was a newspaper which depended on deviance for much of its news, it was deeply concerned, and alarmed, at the extent of breeches of mores and laws. However, the thesis will also show that Truth was more than a "scandal rag": it was very much a sports paper as well.

Newspapers have increased their emphasis on page design and presentation due to modern design styles, competition, and changes in technology. While newspaper designers have taken on increasingly important roles in newsrooms, professional and academic literature points to a divide between "word" journalists and "visual" journalists. This researcher examined current attitudes toward this divide using Q methodology.Forty-one journalists at four Midwestern newspapers comprised the sample. The journalists sorted 50 Q statements concerning attitudes about the responsibilities of designers and the value of design to the newspaper and its readers.Upon analysis of results, respondents were divided into three factor groups: the Collaborators, the Progressives, and the Traditionalists. Respondents in all three factors agreed that design elements serve readers and cooperation between designers and other journalists benefits readers. Collaborators had the most advanced point of view on the ability of designers and other journalists to effectively work together. Progressives were highly correlated with Collaborators, but placed a heavier emphasis on the product rather than the process, expressing positive attitudes toward the ability of design elements to aid readers and add to the quality of the newspaper. Traditionalists represented a less-advanced point of view, expressing negative feelings toward collaboration and the ability of designers to contribute as journalists. Newspaper policies and philosophies appeared to dictate attitudes toward the role of design, rather than demographic characteristics or job responsibilities. / Department of Journalism

This thesis was a descriptive study of the process of designing a newspaper front page by three journalists. The newspaper industry has placed increased importance on journalistic design. However, little research had been completed on the mental processes of designers.This study was concerned with the processes that occur as professional journalists designed a front page of a newspaper as determined by protocol analysis. Three Indiana newspapers,The Evansville Courier, The South Bend Tribune and The Times from Munster, Ind., were selected. The individual who designed the front page on a regular basis participated in the protocol sessions.The conclusions showed that these designers spent the majority of the design process planning and analyzing materials to be used. The majority of all decisions made by the designers were based on past design knowledge. The journalists applied their skills in a rapid and confident way as they designed separate portions of the page until all elements were used and the page was complete. / Department of Journalism

This art project focuses in a voyeuristic way on the fatality and futility of war. With its accompanying emotional responses; the aim is to reflect on these issues through a cyclical process of construction and destruction. The motivation for this research is to generate a personal and intimate understanding of the experience of war by exploring notions of helplessness and loss through art making processes. The research presumes war exists as a continuous fatal and futile cycle. Within this investigation fatality is defined as accepting the conditions of death, dying and disaster while also alluding to the philosophical concept of fate: futility is defined as pointless, hopeless or useless. Through methods of construction and destruction this project seeks to initiate alternate ways of emotionally processing, responding to, and understanding the experiences of war from a distance. This thesis is constituted as practice based artwork 80% accompanied by an exegesis 20%.

Thesis (M.S.)--West Virginia University, 2008. / Title from document title page. Document formatted into pages; contains iii, 50 p. Includes abstract. Includes bibliographical references (p. 45-48).

Thesis (Ph. D.)--University of Washington, 2008. / Vita. Includes bibliographical references (leaves 146-163).