This diploma thesis deals with developing multimedia applications on Java Micro Edition platform. The aim of this work is to design and implement the application which could establish a call between two users. The first part of the work describes J2ME platform, its two configurations and profiles. Next part is focused on Session Initiation Protocol and Real-time Transport Protocol. The application design consists of choosing the suitable virtual machine JVM, SIP and RTP libraries. The main part of this work describes application structure, graphic user interface and installation packages creating. It also shows a way of customizing the media stack - Java Media Framework, version Cross Platform.

Cette thèse doctorale est le fruit de trois années de recherche, accomplie notamment à Paris et à Rome. Elle porte sur un commentaire au traité Sur les songes de Synésios de Cyrène, dont elle contient la première édition critique. Notre travail de recherche a nous permis d’établir que ce commentaire remonte, à peu près, aux années vingt du XIVe siècle, à savoir à la même période à laquelle Nicéphore Grégoras rédigeait son propre commentaire au même traité de Synésios. Cette coïncidence temporelle nous a amenés à nous poser la question du rapport entre les deux œuvres exégétiques : à laquel, par exemple, il faut attribuer la précédence chronologique ? Qui était l’auteur anonyme du commentaire inédit et quel rapport avait-il avec Grégoras ? L’effort de répondre à ces questions nous a amenés, enfin, à considérer les raisons d’intérêt que les Byzantins de l’époque pouvaient avoir à l’égard du traité de Synésios, étant donné qu’il est le seul, à l’exception de l’épistolaire, qui a été commenté par des savants à Byzance. La dernière partie de la thèse, donc, est dédiée à l’analyse de la première époque des Paléologues (de la fin du XIIIe au début du XIVe siècle). Notre conclusion est que, pendant une période de crise identitaire, les Byzantins pouvaient retrouver dans ce genre d’ouvrages remontant à l’Antiquité leurs propres racines culturelles. / This PhD dissertation deals with a commentary on Synesius of Cyrene’s On Dreams, of which it includes the first critical edition. It is the result of a three-years research: I spent most of this time in Paris and Rome.The research allowed me to establish that the commentary approximately dates back to 1320s, that is, to the same period in which Nicephorus Gregoras wrote his commentary on the same Synesius’ treaty. This chronological coincidence led me to investigate the relationship between these two different exegetical works. I could not avoid wondering, for instance, “Which commentary has the chronological priority?”, “Who is the anonymous author of the inedited scholia and which is his relationship with Gregoras?”. The effort to answer to these questions finally led me to consider the real reasons for interest in the treaty On Dreams in that period, since it is the only Synesius’ work – apart from his epistolary – which has been commented by Byzantine scholars. Thus, the last part of the dissertation is dedicated to the historical analysis of the first Palaiologan period (late 13th – early 14th century). My conclusion is that – during a period of identity crisis – Byzantine scholars might find in this kind of works (dating back to Antiquity) their own cultural roots.

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During the 1930s, German-born music critic and composer Gualterio Armando (1887-1973), formerly known as Walter Dahms, set to music thirty-four poems by some of the most important Hispano-American poets from the latter part of the nineteenth and first half of the twentieth century. In these songs, Armando tries to capture the spirit and idiosyncrasy of Hispano-American cultures while incorporating his own musical aesthetics. Armando’s 34 Canciones Hispanoamericanas para Canto y Piano (34 Hispano-American songs for voice and piano) display an original sound and style full of rhythms, shapes, colors, and textures found in the music of various Hispanic cultures. Nevertheless, the essence of these songs is deeply rooted in nineteenth-century German musical traditions. This eclecticism results in unique works that developed and evolved as reflections of their creator’s musical psyche. This dissertation presents an analytical study of selected songs from the 34 Canciones. The study focuses on three compositional aspects: unity within song cycles, chromaticism, and the use of pre-existing musical material. Since only one of the 34 Canciones has ever been published, this document also includes a complete edition of the thirty-four songs. Additionally, a significant part of the research incorporates a biographical sketch of the composer.

京都大学 / 新制・課程博士 / 博士(文学) / 甲第24339号 / 文博第913号 / 新制||文||729(附属図書館) / 京都大学大学院文学研究科文献文化学専攻 / (主査)教授 VASUDEVA Somdev, 教授 横地 優子, 教授 宮崎 泉 / 学位規則第4条第1項該当 / Doctor of Letters / Kyoto University / DFAM

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