Submitted by Mariana Dornelles Vargas (marianadv) on 2015-05-21T15:57:17Z No. of bitstreams: 1 aos_leitores.pdf: 3089423 bytes, checksum: 9ed39a1573630d0515a016380d40eff0 (MD5) / Made available in DSpace on 2015-05-21T15:57:17Z (GMT). No. of bitstreams: 1 aos_leitores.pdf: 3089423 bytes, checksum: 9ed39a1573630d0515a016380d40eff0 (MD5) Previous issue date: 2011 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A pesquisa expõe estratégias autorreferencias investidas no editorial da revista Veja, que possibilitam a criação de vínculos de confiança e credibilidade com seu público. Descreve o perfil do jornalismo opinativo a partir da narração dos processos de produção das reportagens dando ênfase aos seus colaboradores, como repórteres e fotógrafos durante suas rotinas de trabalho. Para classificar os tipos de discursos enunciados pela seção examinada, os textos dividem-se em categorias. Após uma minuciosa análise quantitativa realizada sobre as edições do ano de 2009, elegeu-se a ?celebração profissional? como parâmetro da análise qualitativa. O estudo compara os editoriais enquanto ?Carta do Editor? e ?Carta ao Leitor?, apresenta suas características, e discorre sobre suas relações com outras seções da revista, como as imagens que acompanham os editoriais procurando comprovar o que está sendo dito em seus textos. A pesquisa identifica marcas autorreferenciais no discurso de Veja enquanto sujeito enunciador que, através da persuasão, e de forma implícita, instiga o leitor a render-se aos seus ditames. / The research seeks to study the self-referential strategies invested in the editorial of the magazine Veja that allow the creation of bonds of trust and credibility with your audience. Describes the profile of opinionated journalism from the recounting of stories of production processes with emphasis on its employees, as reporters andphotographers during their routine work. To classify the types of speeches declared by section examined, the texts are divided into categories. A detailed quantitative analysis performed on the issues of 2009, he was elected a "professional celebration" as a parameter for qualitative analysis. Compares the editorial "Letter from the Editor" and "Letter to the Reader" by presenting their characteristics, and talks are on their relationships with other sections of the magazine, as the images accompanying editorial looking to prove what is being said in their texts. Brands are identified in the self-referential of Veja discourses, characterized as enunciating subject who, through persuasion, and, implicitly encourages, the reader to surrender to its dictates.

A pesquisa tem como objetivo geral identificar as transformações gráficas e editoriais do jor-nal Diário Popular de Pelotas no período de 1890 a 2016, tensionando como estas se relaci-onam com o caráter local do periódico e as mudanças contextuais e tecnológicas que incidem sobre a publicação. Os procedimentos metodológicos baseiam-se no modelo apresentado por Fonseca, Gomes e Campos (2016) para investigações no âmbito da história do design a partir de materiais impressos. Abrangem a aproximação do pesquisador do contexto sócio-histórico do impresso a partir de pesquisa bibliográfica e documental e análise gráfica do periódico em si. O corpus de análise é composto das edições de aniversário do jornal publicadas a cada início de década, além de outras 5 edições consideradas relevantes no levantamento de pré-análise realizado, o que resultou em total de 18 edições, avaliadas em seus aspectos editoriais (capa, editorias, colunas e seções especiais, suplementos e cadernos especiais) e gráficos (su-porte, formato, grid, o nome do jornal, tipografia e imagens). Observa-se que a construção da identidade editorial e gráfica do jornal está associada a princípios do jornalismo local regional e volta-se para o âmbito de circulação do periódico – Pelotas e cidades em seu entorno. A organização editorial em seções e colunas especiais bem como a hierarquia de informações que priorizam o noticiário local (com a maior editoria, com cadernos especiais ou com espa-ços de destaque) dão visibilidade a estes princípios. Ao longo do período avaliado, tem-se uma consistência editorial e gráfica, ainda que o jornal passe por adaptações relacionadas a mu-danças tecnológicas e contextuais. Estas mudanças são explicitadas aos leitores como estra-tégia para renovar o contrato de leitura entre o periódico e seu público, especialmente nas edições de aniversário do jornal, onde a publicação conta e reconta sua história, reafirmando seu papel na comunidade em que circula. / The general objective of the research is to identify the graphic and editorial transformations of the newspaper Diário Popular de Pelotas between 1890 and 2016, tensioning how these relate to the local character of the journal and the contextual and technological changes that affect the publication. The methodological procedures are based on the model presented by Fonseca, Gomes and Campos (2016) for investigations into the history of design from printed materials. It covers the researcher's approach to the socio-historical context of the print from bibliographical and documentary research and graphic analysis of the journal itself. The cor-pus of analysis is composed of the newspaper's anniversary editions published at the begin-ning of each decade, as well as five other issues considered relevant in the pre-analysis survey, which resulted in a total of 18 editions, evaluated in their editorial aspects (covers, sections, columns and special pages, inserts and supplements) and graphic aspects (support, format, grid, newspaper name, typography and images). It can be observed that the construction of the editorial and graphic identity of the newspaper is associated with the principles of lo-cal/regional journalism, and turns to the scope in which it circulates – Pelotas and its sur-rounding cities. The editorial organization in special sections and columns, as well as the hierarchy of information that prioritizes the local news (with the largest section, supplements or with prominent spaces) lends visibility to these principles. Throughout the evaluated pe-riod, there is an editorial and graphic consistency, although the newspaper goes through ad-aptations related to technological and contextual changes. These changes are made explicit to readers as a strategy to renew the contract of reading between the paper and its public, especially in the newspaper's anniversary editions, where the publication tells and recounts its history, reaffirming its role in the community in which it circulates.

O objetivo deste trabalho é analisar o uso das metáforas como figuras retóricas e analisar o uso das metáforas conceituais nos editoriais selecionados dos jornais: O Estado de S.Paulo, Folha de S.Paulo, Gazeta do povo, O Globo e Gaúcha Zero Hora. Essa análise parte da fundamentação teórica tem como base as metáforas como figuras retóricas de acordo com os preceitos elaborados por Perelman & Tyteca (2005 [1958]) em seu Tratado da argumentação - A nova retórica e as metáforas conceituais de acordo com os preceitos elaborados por Lakoff & Johnson (2002 [1980]) em Metáforas da vida cotidiana. Procura-se, nesse sentido, observar como o orador/editorialista faz a aplicação metafórica em seus textos, a fim de entender sua finalidade argumentativa para com o auditório/leitor. A análise do texto compreende a identificação das diferentes metáforas como figuras retóricas e como metáforas conceituais ambas estão examinadas em nossa pesquisa teórica. Demonstrar a operacionalização das teorias de Perelman & Tyteca e Lakoff & Johnson nos permite apontar como é possível criar condições técnicas-científicas para unir essas duas teorias em uma pesquisa das diferentes metáforas nas diversas construções linguísticas dos editoriais de jornais on-line. / The aim of the study is to analyze the use of metaphors as figures of language and to analyze the use of conceptual metaphors in selected newspaper editorials: O Estado de S.Paulo, Folha de S.Paulo, Gazeta do Povo, O Globo and Gaúcha Zero Hora. This analyzis is based in metaphors as rhetorical figures in accordance to Perelman & Tyteca (1958) in their The new Rhetoric A treatise on Argumentation, and the conceptual metaphors in accordance to Lakoff & Johnson (1980) in Metaphors We Live By. In this regard, we want to observe how the orator/editorialist makes the metaphorical application in their texts, in order to understand their argumentative purpose towards the audience/reader. The revision of the text includes the identification of the different metaphors as rhetorical figures and as conceptual metaphors based on our theoretical research. Therefore, we intend to demonstrate how it is possible to create technical-scientific conditions to unite these two theories (Perelman & Tyteca and Lakoff & Johnson in a research of the different metaphors in the diverse constructions linguistic of the editorials of online newspapers.

<p><strong>Title: </strong>Ethics in thought and practice – a qualitative study in how editorial staff at student magazines reason about ethics. (Etik i tanke och praktik – en kvalitativ studie i hur studenttidningsredaktioner resonerar kring etik)</p><p><strong>Number of pages: </strong>30 (37 including enclosures)<strong></strong></p><p><strong>Author: </strong>Bianca Gideback<strong></strong></p><p><strong>Tutor: </strong>Peder Hård af Segerstad<strong></strong></p><p><strong>Course: </strong>Media and Communication studies C<strong></strong></p><p><strong>Period: </strong>Spring 2010<strong></strong></p><p><strong>University: </strong>Division of Media and Communication, Department of Information Science,</p><p>Uppsala University.</p><p><strong>Purpose/Aim: </strong>The purpose of this study is to explore how students that work at student magazines reason about ethics of journalism and how they transform it into practice. By identifying what circumstances in the context of the student magazine that can affect the work this study aim to see if and how this can affect how they conform to ethics of journalism in practical situations. The result will be presented in relation to a figure of the context of the reporter practice. The figure contains four different aspects that can affect the work of a journalist. These are ideals, values, conditions, and consequences.</p><p><strong>Material/Method: </strong>The materials consist of four interviews with the editors in chief of four student magazines in Uppsala.<strong> </strong>Two of the magazines are union magazines, the union of Uppsala economic students and the union of Uppsala law students. One is a magazine that belongs to Norrlands nation and one belongs to the Uppsala student union. The interviews aim to find out opinions and ideas the editors have about their own ethical approach.<strong></strong></p><p><strong>Main results: </strong>There is awareness about ethics and certain ways the editorial staff work with it, but it’s not always adapted to the actual work. Because of different reasons in the context the magazine is created in, the work sometimes get affected. Responsibility is one main thing that can affect how ethical they choose to be, and since the students often work voluntarily this can affect the work. The content of the magazine is not always so extreme and controversial so in some extent the magazines can afford not to be so ethical all the time.</p><p><strong>Keywords: </strong>Ethics of journalism, editorial staff, student magazine, ideals, values, conditions, consequences.</p>

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Title: Ethics in thought and practice – a qualitative study in how editorial staff at student magazines reason about ethics. (Etik i tanke och praktik – en kvalitativ studie i hur studenttidningsredaktioner resonerar kring etik) Number of pages: 30 (37 including enclosures) Author: Bianca Gideback Tutor: Peder Hård af Segerstad Course: Media and Communication studies C Period: Spring 2010 University: Division of Media and Communication, Department of Information Science, Uppsala University. Purpose/Aim: The purpose of this study is to explore how students that work at student magazines reason about ethics of journalism and how they transform it into practice. By identifying what circumstances in the context of the student magazine that can affect the work this study aim to see if and how this can affect how they conform to ethics of journalism in practical situations. The result will be presented in relation to a figure of the context of the reporter practice. The figure contains four different aspects that can affect the work of a journalist. These are ideals, values, conditions, and consequences. Material/Method: The materials consist of four interviews with the editors in chief of four student magazines in Uppsala. Two of the magazines are union magazines, the union of Uppsala economic students and the union of Uppsala law students. One is a magazine that belongs to Norrlands nation and one belongs to the Uppsala student union. The interviews aim to find out opinions and ideas the editors have about their own ethical approach. Main results: There is awareness about ethics and certain ways the editorial staff work with it, but it’s not always adapted to the actual work. Because of different reasons in the context the magazine is created in, the work sometimes get affected. Responsibility is one main thing that can affect how ethical they choose to be, and since the students often work voluntarily this can affect the work. The content of the magazine is not always so extreme and controversial so in some extent the magazines can afford not to be so ethical all the time. Keywords: Ethics of journalism, editorial staff, student magazine, ideals, values, conditions, consequences.

This presentation covers the origin, history and scope of Partnership: the Canadian Journal of Library and Information Practice and Research; the editorial process and timeframes; research and scholarship for librarians; the peer review process; the components of a good research article; practical tips on what editors look for in a manuscript submission with examples from Partnership journal. The presentation is intended for anyone writing a research article but should be particularly helpful to first-time authors.

This paper covers the origin, history and scope of Partnership: The Canadian Journal of Library and Information Practice and Research, the editorial process and timeframes, research and scholarship for librarians, the peer review process, the components of a good research article, and practical tips on what editors look for in a manuscript submission with examples from Partnership journal. It is intended for anyone writing a research article but should be particularly helpful to first-time authors. The paper was first given as a presentation at Ontario Library Association Super Conference on January 31, 2013. / Ontario Library Association

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[pt] O objeto livro, que tem ocupado um lugar canônico desde a invenção de Gutenberg, vem passando por uma revolução nos últimos anos em virtude da expansão dos meios audiovisuais e da tecnologia digital. A princípio encarada com certa resistência, a interação entre os textos impressos e as telas tem-se mostrado em alguns casos profícua - se não para o produto intelectual pelo menos para o bem de consumo - ou no mínimo inevitável. As transformações ocorrem em ritmo cada vez mais acelerado, e movimentos são feitos em direção à dessacralização do livro e à expansão das práticas de leitura. Assiste-se ao surgimento de um novo tipo de bem cultural, que já nasce com o intuito de se expandir por várias esferas do mercado de bens culturais e do entretenimento, por vezes deslocando o livro da posição de destaque, que outrora ocupava, ao inseri-lo em uma cadeia multiplicadora. Nesse processo de deslizamento e intercâmbio podem ser verificadas algumas mudanças na esfera cultural, a saber: alterações na hierarquia dos produtos culturais, maior aproximação entre mercado editorial e audiovisual, o produto transmidiático e o escritor multimídia. Tendo como base esse panorama contemporâneo, pretende-se analisar o lugar ocupado pela literatura em função da expansão do mercado de bens culturais, da hegemonia do audiovisual e dos novos canais de circulação dos textos surgidos com as tecnologias digitais. Para discutir essa questão, toma-se como objeto a coleção Amores Expressos, produzida pela RT Features e editada pela Companhia das Letras, que se caracteriza como um projeto transmidiático, em consonância com uma sociedade marcadamente audiovisual, mercadológica e expressa. / [en] Literature in express times: The book as an object, which has occupied a canonic place since Gutenberg s invention, has been going through a revolution in the last few years due to the expansion of the audiovisual mediums and the digital technology. At first confronted with some resistance, the interaction between printed texts and screens has become, in some cases, profitable – if not for the intellectual product at least for the consumption good - or at least inevitable. The transformations happens in a speed up pace, and movements are made towards the desacralization of the book and the expansion of the reading practices. A new kind of cultural good comes to sight, designed to expand itself to the different spheres of the symbolic goods and entertainment market, often displacing the book of its prominent position while inserting it in a multiplying chain. In this sliding and interchanging process some transformations can be verified in the cultural sphere: alterations in the cultural products hierarchy, approximation between editorial and audiovisual culture, the transmidiatic product and the so-called multimedia author. Having this contemporaneous scenery as a background, we intend to analyze the place occupied by the literature in accordance to the expansion of the symbolic goods market, the hegemony of the audiovisual and the new channels of circulation of texts that have emerged with the digital technologies. To approach this matter, we take Amores Expressos as our object, a book collection produced by RT Features and edited by Companhia das Letras, that consists of a transmidiatic project, in consonance with a society strictly audiovisual, market-based and express.