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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Eating the Country' and 'Aluminium Foil': Questions in the Translation of Contemporary Literary Texts from and into Swahili

Arnold Koenings, Nathalie 11 September 2019 (has links)
This paper considers some of the questions posed by literary translations both from and into Swahili. While the questions a translator might address as she proceeds with each translation may be the same, their differing answers often highlight the translator’s different position towards, and history with, each target language, as well as her aesthetic and political commitments in each. The projects discussed are Mlenge Fanuel Mgendi’s comic short story Starehe gharama (Comfort is Expensive) about a young schoolboy’s misadventure on a daladala bus in Dar es Salaam and Tope Folarin’s Caine Prize shortlisted story Genesis (Mwanzo), in which two Nigerian boys living in the American Midwest witness their mother’s struggle with her new surroundings.
32

PŘEKLADATELSKÉ JEDNATELSTVÍ A ZMOCNĚNÍ: VLIV JOSEFA WINIWARTERA A JEHO ANGLICKÉHO PŘEKLADU RAKOUSKÉHO OBČANSKÉHO ZÁKONÍKU Z ROKU 1866 / Agency and Empowerment in Translation: The Influence of Josef Winiwarter and his 1866 English Translation of the Austrian Civil Code

Fisher, Andrew Philip January 2019 (has links)
In 1866, the Austrian Civil Code (Allgemeines bürgerliches Gesetzbuch - ABGB) was translated into English for the first time by the Viennese lawyer Josef Maximilian Winiwarter. This is a story about the agency and empowerment of this important legal translator and how his translation influenced other translators and texts. The first part of this dissertation explores Winiwarter's life and his motivations for translating the ABGB into English and introduces the premise that Winiwarter's text was pivotal in creating a standard of legal terminology and phrasing for future civil-law texts in English. With the help of case studies and context-oriented research, the second part maps out the agency of Winiwarter and the influence his landmark translation has had on other translators and legal practitioners. It showcases two additional English translations of the ABGB, one in the mid-twentieth century and the other in the early twenty-first century, in order to substantiate just how influential Winiwarter's translation was, even a century later. The final part looks at the recommendations and strategies of Winiwarter and his successors in an attempt to offer practical guidance to legal translators based on the Winiwarter tradition and the research carried out in the dissertation. It also makes reference to...
33

Rehabilitating Howard M. Parshley: A Socio-Historical Study of the English Translation of Beauvoir's Le deuxième sexe, with Latour and Bourdieu

Bogic, Anna D. January 2009 (has links)
This study documents the problematic translator-publisher relationship in the case of the English translation of Simone de Beauvoir’s Le deuxième sexe. The socio-historical investigation of the case study demonstrates that the 1953 translation was complicated by several factors: the translator’s lack of philosophical knowledge, the editor’s demands to cut and simplify the text, the publisher’s intention to emphasize the book’s scientific cachet, and Beauvoir’s lack of cooperation. The investigation focuses on two aspects: the translator’s subservience and the involvement of multiple actors. Primarily concerned with the interaction between the translator and other actors, this study seeks answers that require investigation into historical documents and the work of other scholars critical of The Second Sex. In this enquiry, more than one hundred letters between the translator, H. M. Parshley, and the publisher, Knopf, are thoroughly analyzed. The study combines Bruno Latour’s and Pierre Bourdieu’s sociological concepts in order to provide a more detailed and encompassing examination within the context of Translation Studies. The letter correspondence is the primary evidence on which the study’s conclusions are based. / Social Sciences and Humanities Research Council of Canada
34

Changes within localization practices : A case study of the Fatal Frame series

Norén, Daniella January 2024 (has links)
Japanese video games have existed for decades now; however, the early games often lacked cultural elements and were thus easy to localize in other countries. As video games gained popularity and became more advanced, more of Japanese cultural elements started appearing in the games, which brought rise to translation problems. The localizers had to face the issue of whether to preserve or delete foreign culture elements within the game when these games were released in the West. As game localization of (Japanese) cultural elements is under-researched, this paper focuses solely on cultural terms. It attempts to see whether there is a change of translation techniques and if there is a shift regarding foreignization and domestication from the first game to the latest release within the game series Fatal Frame. The games were played in both their original form (Japanese) and the English localization in order to gather data which consists of cultural terms that appear in-game. Their translation was then analyzed to see if they were deemed to be foreignized or domesticated, followed by a comparison to see if there was a shift in the 22-year gap between the first and latest release. The result indicates that both games used the adaptation and equivalence (paraphrasing) techniques to a similar extent. The latest release preferred using the omission technique compared to the first, while the first game favored equivalence in conjunction with the borrowing technique. However, against expectation, the first game is considered more foreignized compared to the latest release, which goes against the trend seen in other mediums where translations are becoming more foreignized in modern times. This was also the result of a previous study within this area.
35

IL LINGUAGGIO FILMICO INGLESE: IL CASO DEI 'VOCATIVI' NEL DOPPIAGGIO ITALIANO E TEDESCO

TONI, ALESSANDRA ANNA MARIA 02 July 2018 (has links)
La presente ricerca si colloca nel campo della traduzione audiovisiva, poiché riguarda il linguaggio filmico inglese. In particolare, lo studio si focalizzerà sul ruolo dei vocativi presenti in alcune opere cinematografiche. Il lavoro sarà dapprima eseguito sui dialoghi della versione originale e, successivamente, in quelli doppiati in italiano e in tedesco. I tre film che compongono il Corpus sono usciti negli anni ’90 e sono ambientati in epoca vittoriana: Jane Eyre, Swept from the Sea, The Piano. Le forme allocutive osservate sono soprattutto i nomi propri e gli appellativi generici. Attraverso la metodologia della Corpus Linguistics, si svolgerà un’analisi di tipo qualitativo e quantitativo. Infatti, tramite il software AntConc (Lawrence, 2004), si indagherà sul numero e sulla tipologia di occorrenze dei vocativi più frequenti nella lingua di partenza (inglese) e nelle due lingue d’arrivo (italiano e tedesco). Inoltre, si studierà l’eventuale manifestazione degli universali traduttivi (Baker, 1993), osservando contesto linguistico in cui il fenomeno si presenta. L’aspetto innovativo della ricerca consiste in una duplice analisi che coinvolge un triplice confronto. I risultati evidenzieranno una maggiore frequenza di vocativi nelle lingue doppiate e diverse classificazioni di occorrenze. Infine, saranno riportate alcune riflessioni inerenti alle strategie traduttive che sono adottate in italiano e tedesco, a seconda del contesto linguistico e culturale. / This research concerns the field of the audiovisual translation and the English movie language. In particular, the aim of the study will focus on the role of vocatives in a corpus of three films in three different languages. The chosen movies are produced in the '90s and are set in Victorian age: Jane Eyre, Swept from the Sea, The Piano. The empirical process will manly consider two categories of vocatives: proper names and address terms. The study approach will be based on the Corpus Linguistics methodology, in order to get a qualitative and a quantitative analysis of the vocatives. Indeed, there will be an investigation on the number and the type of occurrences involving the most frequent vocatives, both in the source language (English), and in the two target languages (Italian and German). Another important task of the research is the observation of translation universals (Baker, 1993), and the linguistic context in which the phenomenon occurs. The innovative feature of this work is a twofold analysis, which involves a three-way comparison. The results will show a higher frequency of vocatives in the dubbed languages and also different classifications of occurrences. Eventually, there will be some consideration regarding the translation strategies adopted for Italian and German, depending on their linguistic and cultural context.
36

Richard Rolle, Emendatio vitae: Amendinge of Lyf, a Middle English translation, edited from Dublin, Trinity College, MS 432

Kempster, John Hugh January 2007 (has links)
Emendatio vitae was the most widely copied of all Richard Rolle’s writings in fourteenth and fifteenth-century England, and yet in modern scholarship this important work and its early audience have received comparatively little scholarly attention. My aim has been to address this lacuna by producing an edition of one of the seven Middle English translations of the text - Amendinge of Lyf - with notes and glossary. In an introductory study I adopt a dual focus: Rolle’s intended audience, and the actual early readers of this particular Middle English translation. Firstly, I conclude that Rolle may have intended Emendatio vitae as a work of ‘pastoralia’, for secular priests, and therefore with a wider audience of the laity also in mind. This being the case, it demonstrates that the adaptation of traditionally eremitic contemplative writings for a general audience, so widespread in the fifteenth-century, was already stirring in Rolle’s day. Secondly, I look in detail at a specific crosssection of Rolle’s early readership: a translator, several scribes and correctors, and other early readers and owners. The striking thing about this segment of the text’s reception is its breadth, including a priest, a number of prominent lay women and men, and by the end of the fifteenth-century also Dominican and Benedictine nuns.

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