Der Kalender 2021 will mit seinen thematischen Einblicken ein Stück jüngere Geschichte und Entwicklung des Erzgebirgskreises vermitteln, durch ältere Fotos gleichzeitig aber auch an die Vorwendezeit erinnern.

The aim of this thesis is to find out what motives lead Internet users to self-representation in public space. My thesis is focused on the application Instagram, which has not been given much space. The age range of users is from 18 years, divided into free age groups, with the assumption of differences that arise in the course of the investigation. The work has a theoretical and empirical character, where the theoretical part is devoted to gradual changes in society with the advent of new technologies. Qualitative research that answers the main research question and the other partial research questions, was conducted by semistructured interviews. The results can serve as a theoretical basis for future research in the field of social networking, especially the application Instagram. Powered by TCPDF (www.tcpdf.org)

Diploma thesis deals with the manipulation of the photography, especially journalism. To bring the reader into context work starts with the first creation and the history of photography, early examples of manipulation of analog photography and its techniques. The main part focuses on the specifics and characteristics of the digital era in relation to the photographs, handling technology in digital photography and the possibilities of detection. Thesis reflects manipulation of photographs on social networks and the prestigious photographic competitions and the question of objectivity. Considering how it is in the background handling adjustments with confidence in the photo and that picture can be adjusted to detect and effectively to defend against them. Due to the nature of the digital society and a number of factors that the creation and publishing of photographs accompanying the photo we have to think critically and understand its truth value as intersubjective.

The main goal of this thesis was to determine how projects Echo24 and Reporter work with journalistic photography using comparative analysis of their visual content. Both projects were found in 2014 as a reaction to a dramatical change of ownership of the Czech media. These changes also had an impact on journalistic photographers, because the new owners tend to save their costs on photography. This is also one of the reasons why I chose to analyze projects that started in 2014. To explain the broader context, in the first part of this thesis I describe the context of journalistic photography and the Czech media market development from the year 1989. In this work, I also describe other projects similar to Echo24 and Reportér. In the second part of the thesis, I use quantitative content analysis to describe the usage of the photographs in the printed version of Echo24 and Reportér. I also compare the collected data with answers from questionnaires with members of the editorial of the projects and photojournalists. In this paper, I found out that the project Echo24 represents the opposite approach towards photography than Reportér. Echo24, like other media, tends to save their cost on photography. Reportér on the other side can be defined as the protector of journalistic and photojournalistic values....

The aim of this thesis is to analyse methods of capturing and presenting women applied by selected Czech male and female photographers on the social network of Instagram. The first subchapter addresses the topic of digital photography, the transition from the analogue age to the digital one, and the manipulation of the photographic image. The second and third subchapters study social networks along with their impact on the contemporary society, focusing in detail on Instagram and its visual communication. The following part of the thesis addresses gender issues, gender stereotypes, and social inequalities, focusing apart from others on gender stereotypes in visual media and on social networks. The practical part is based on two approaches - a quantitative content analysis of visual communications, i.e. research into selected Instagram content by eight male and female photographers, and qualitative interviews with some of these authors. The main research question is: "What are the manifestations of deep-rooted gender stereotypes in depictions of women in photographs by selected Czech male/female photographers on Instagram?" Replies to this question were collected using six specific sub questions. The quantitative content analysis provided replies to sub questions dealing in particular with the...

Wenn ein „Photograph“ kam, empfand das ein jeder als ein richtig großes Ereignis, denn die Fotografie war noch etwas ganz Besonderes. Die Erfindung im Jahr 1839 wird maßgeblich dem Franzosen Daguerre (1787-1851) zugeordnet. Obwohl sich die technische Entwicklung der Geräte in den folgenden Jahrzehnten ständig verbesserte, war Fotografieren um 1910 immer noch etwas Extravagantes. Die Belichtungszeiten für die Fotoplatten waren lang, deshalb spürt man heute beim Betrachten alter Fotos regelrecht die Anspannung der Abgelichteten, die sich bemühten, ja ganz still zu stehen und nichts zu verwackeln.

In the beginning of my thesis, I reckon with terms of installation and videoinstallation from a theoretical point of view. After establishing their meaning, I work with them in the context of my works. The centre of my thesis is my project called "232 712 steps" and its motive of voyage. My art project contains three main aspects which are experience, documentation and installation and which I explore with my own subjective perspective, but also contextualize with other works of art. Through my didactic part, I work with the term of projection and ways of recording it, each time with different perspectives. Key words: voyage, experience, documentation, photography, installation, space, gallery space, spectator

The diploma thesis as a whole deals with the topic of tracks in contemporary art. It is divided into three parts. Theoretical, didactic and practical part. In the theoretical part, I first define what a track means to me and I apply this definition when searching for tracks in the works of contemporary artists. The theoretical part of the work includes an interview with Patrik Proška, an artist creating some of his works in public space. In the didactic art project, created for high school students, the topic of tracks is viewed somewhat more freely. The main goal of the thematic unit is to lead students to think about tracks through their own artistic activity. Based on the experience gained, they should be able to think about the transience of the tracks, the meaning of our legacy and the consequences of our existence. I especially focus on the art area related to land arts and street art or graffiti. The practical part is the result of my reasoning about the tracks left in public space. I established my reasoning on the knowledge gained in the theoretical part. The result is a set of author's books that document my thoughts on the tracks found or created. I focused my attention mainly on the human desire to leave their tracks in the public space. KEY WORDS track, public space, art, land art,...

The title page is clearly the main representative of the print media, which often determines their success or failure. An even greater justification for the tabloid newspapers whose everyday existence depends on nonabonent readers. A typical representative of tabloid domestic news is Aha!, which creates his main communicator with no real functioning of the theoretical model. This does not mean that it does not work with repetitive characters or signs in this work to clearly identify key elements for creating and thus the theoretical framework that can be used in practice. To this will serve as an analysis relating to the actual Aha!, so comparisons with by the Lidove noviny and Hospodarske noviny. Researched topic will also be given one of the topical issues related images and text.

Barbora Vřeťonko PHOTOGRAPHY AS A REPRESENTATION Photography, although it is technology, is also an idea that implies a specific interpretation of a 'representation'. If there is photography, the world becomes photogenic and therefore it is possible to possess the world in the way of photography. That also requires a network of photographic terms. Reality is ineliminable in photography, we are moving between an image as representation and an image as the "reality." According to Maurice Merleau-Ponty the image is reversing invisible into visible. Photography, in contrary, is reversing visible into visible and so it is a special kind of zero degree image. This thesis will discuss the problems of the existence of photography as a created visual medium. Later it will focus on the relationship between photography and reality, photography and the possibility or impossibility of representation and then, in particular, the relationship between photography and a viewer. The research will take place in a discourse of the contemporary philosophical thinking as it is presented by Miroslav Petricek's book Myšlení obrazem (Thinking by the Images). The main thesis we will develop in this context is a definition of photography as the futile desire to see something as itself and now.