Proporciona los pasos y procedimientos para acceder al recurso Tourism Planning & Development.

Aim. The take-off is regarded as the most important phase of the pole vault yet there is an insufficient amount of research on the ground reaction forces of the pole vault takeoff. At this time there is not any scientific research comparing force and time between takeoffs that are out, on and under. The purpose of this study is to compare the differences in ground reaction forces between pole vault take-offs that are out, on or under. Methods. Over five days, 15 male and female college pole vaulters completed 226 vaults on a (AMTI Accupower) force plate. The jumps were put into categories of out, on and under and analyzed by Accupower, and Dartfish software. Separate mixed modal ANOVAs (SAS 9.3) were applied (P≤.05) for comparison between jump types. Conclusions. There is no significant difference between ground reaction forces of the three jump types.

Dans l’imaginaire collectif, François Ier est à la fois le Roi chevalier, le Roi mécène, le Père des Lettres ; il est aussi le Roi bâtisseur, le Roi veneur et séducteur, le Roi captif ou encore le Traître à la Chrétienté. Notre étude propose d’enrichir ce portrait kaléidoscopique en présentant une perspective toute italienne. Dès le début de son règne, ce monarque si complexe semble hanté par la domination de l’espace politique péninsulaire. À travers la lecture de la correspondance d’ambassadeurs et de nonces, ainsi que d’ouvrages historiques et littéraires de l’époque, nous nous intéressons ici à la construction de son image à l’intérieur de la péninsule, entre 1515 et 1530. Nous avons choisi d’observer des moments considérés comme significatifs pour l’espace italien dans son rapport avec le monarque : la victoire à Marignan et la rencontre bolonaise avec Léon X en 1515, l’échec à l’élection impériale en 1519, les défaites de la Bicoque, en 1522, et de Pavie, en 1525, la campagne napolitaine de 1528. Nous souhaitons montrer comment l’élaboration de l’image du monarque ne dépend pas exclusivement des succès ou des échecs politiques et militaires, mais varie au gré des espoirs et des craintes des acteurs politiques de l’époque, offrant, parfois, une représentation inattendue. En 1529, le roi signe la Paix des Dames avec Charles Quint et abandonne ses alliés italiens à la merci de son éternel ennemi. À ce moment, une cassure s’opère ; le roi ne renonce pas définitivement à ses ambitions italiennes, mais le portrait que l’on brosse alors de lui se transforme pour s’adapter à une nouvelle configuration politique. / This analysis deals with the representation of King Francis I wihthin the Italian peninsula spanning the period from 1515 to 1530. In the collective imagination, King Francis I is known as the Knight-King, the « Father and Restorer of Letters » and a Renaissance patron of the arts. He is equally remembered for his contribution to architecture, his hunting activities and amorous conquests, but also for his captivity and his alliance with the Turks. This study aims to broaden the range of King Francis I's multifaceted depictions by adopting a new Italian prespective in order to cast a new light on his representation. From the very beginning of his reign, this highly manifold monarch appears to have been haunted by the idea of dominating the peninsular political arena. The study is based on a corpus of letters written by ambassadors and papal nuncios as well as on historical and literary works. Emhphasis has been laid on several milestones in the history of Italy's relationships with its sovereign : the victory at the battle of Marignano and the King's meeting in Bolonia with Pope Leo X in 1515, the failure of the imperial election in 1519, the defeat at the Battle of the Bicocca, in 1522, and at the Battle of Pavia in 1525, as well as the Neapolitan campaigns of 1528. This thesis demonstrates that the king's image does not solely rely on his successes and defeats, but it largely depends on the changeing shifts in Italian political hopes and fears of the day. Our findings show that some of the depictions of King Francis I belie all expectations. In 1529, the king signs a treaty in Cambrai with Charles V and abandons his Italian allies to his long-lasting enemy. From that point onwards, a shift in politics occurs: the king does not wholly give up his Italian ambitions, but his representation changes, adapting to new political stakes.

Francis Poulenc's one-character opera La Voix humaine (1958), a setting of the homonymous play by Jean Cocteau, explores the psychological complexities of an unnamed woman as she experiences the end of a romantic relationship. During the forty-minute work, she sings in a declamatory manner into a telephone, which serves as a sign of the unrevealed man at the other end. Poulenc uses musical motives to underscore the woman's changing emotional states as she recalls her past relationship. The musical dramaturgy in this work resignifies Debussy's impressionist symbolism by collapsing devices used in Pelléas et Mélisande in a language that shifts between octatonicism, chromaticism, harmonic and melodic whole tone passages, and diatonicism. This late work recontextualizes elements in Poulenc's Dialogues des Carmélites (1953-56), and the end of the opera provides a theme for his Sonate pour Clarinet et Piano(1962), as Poulenc reflects on his youthful encounters with Cocteau, Erik Satie, and Les Six.

Sediment erosion is one of the key challenges in hydraulic turbines from a design and maintenanceperspective in Himalayas and Andes. Past research works have shown that the optimization of theFrancis turbine runner blade shapes can decrease erosion by a signicant amount. This study conductedas a Master's Thesis has taken the proposed designs from past works and conducted a CFDanalysis on a single passage of a Francis runner blade to choose an optimized design in terms of erosionand eciency. Structural analyses have been performed on the selected design through one-way andtwo-way FSI to compare the structural integrity of the designs.Two types of cases have been considered in this thesis work to dene the boundary condition of thestructural model. In the rst case, a runner blade is considered to have no in uence of the joint andother stier components. In the second case, a sector of the whole runner has been modeled withnecessary boundary conditions. Both one-way and two-way FSI have been performed on the casesfor the designs. Mesh independent studies have been performed for the designs, but only for the rstcase, whereas in the second case, a ne mesh has been used to make the analysis appropriate.The loads have been imported into the structural domain from the uid on the interfaces for one-wayFSI. In the case of two-way FSI, the Multi-Field Solver (MFX) supported by ANSYS has been usedto solve the coupled eld analysis. A fully coupled FSI in ANSYS works by writing an input le inthe structural solver containing the information about the interfaces in the structural domain, whichis imported in the uid solver. The interaction between the two domains is dened in ANSYS-CFX,including the mesh deformation and solver setups. The results have been post-processed in CFX-Post,where the results from both the elds are included. It has been found that the structural integrity ofthe optimized design is better than the reference design in terms of the maximum stress induced inthe runner. The two-way FSI analysis has been found as an inevitable part of the numerical analysis.However, with the advancement of the computational capability in the future, there could be a greatscope in the research eld to carry out a fully-coupled transient simulation for the whole runner toget a more accurate solution.

Proporciona los pasos y procedimientos para acceder al recurso Perspectives: Studies in Translatology.

Proporciona los pasos y procedimientos para acceder al recurso The Interpreter and Translater Trainer.

Proporciona los pasos y procedimientos para acceder al recurso The Translator.

Proporciona los pasos y procedimientos para acceder al recurso Translation Studies.

No description available.