Global ETD Search

11	Der Blick auf die kindliche Lebenswelt : Ein Vergleich zwischen Erich Kästners Dreger, Kerstin January 2005 (has links) No description available. Kinder- und Jugendliteratur Erich Kästner Cornelia Funke das Familienleben die Schule die Liebe die Freundschaft Specific Languages Studier av enskilda språk
12	Autor a autorství ve fotografii v první polovině 20. století v českých zemích / Author and authorship in photography in the first half of the 20th century in the Czech lands Pichler, Dominika January 2017 (has links) The diploma thesis deals with the concepts of author and authorship in the photography of the Czech lands in the first half of the 20th century, taking into account the international influence, essential from the perspective of the development of photography in this region. This given era became a fruitful and manifold stage of development of the "fine art" photography and of the interest in the photographer himself. The thesis starts by giving a brief evaluation of the changing role of a photographer as an author since the very invention of photography. It then focuses on pictorialism and via the beginnings of modern photography moves on to discuss the avant-garde. In each particular development period the thesis finds outstanding authors as well as specific issues related to the subject matter of authorship, and by means of that also points out the power of an individual who is able to influence an entire generational movement. By unfolding individual development of particular authors (Drahomír Josef Růžička, František Drtikol, Josef Sudek, Jaromír Funke, Eugen Wiškovský, Jindřich Štýrský) the thesis aims to prove that every single style period in the history of photography bears specific significance for the next period; although this influence is often denied by the authors themselves in...
13	Michael Ende: Děvčátko Momo a ukradený čas, James Krüss: Tim Tolar aneb Prodaný smích, Cornelie Funkeová: Pán zlodějů. Interpretace děl a jejich srovnání. Didaktické využití románu Děvčátko Momo a ukradený čas / Michael Ende: Momo, James Krüss: Timm Thaler, or the Traded Laughter, Cornelia Funke: The Thief Lord. Interpretation of literary pieces and comparison of these interpretations. Didactic adaptation of the novel Momo Blažková, Tereza January 2017 (has links) In the theoretical part, this diploma thesis deals with a literary analysis and comparison of books Momo, Timm Thaler, or the Traded Laughter and The Thief Lord. The pieces of work are analysed on the basis of their common features. Such features include the main characters, and the magical motifs which affect real life situations. The partial subjects of observation are film versions of the works. The thesis is concluded by the practical part addressing a didactic adaptation of the novel Momo; including worksheets and other teaching aids designed for pupils of elementary schools and grammar schools. The teaching aids are based on the theory and involve a didactic analysis, methodical analysis and time plans for their utilization in German language classes. KEYWORDS Children's literature, Momo, Michael Ende, Timm Thaler, James Krüss, The Thief Lord, Cornelia Funke, magic elements in literature, The didactics of children's literature.
14	Die Funktion des Schauplatzes Venedig in Cornelia Funkes Roman Herr der Diebe : Mythos, Topos und Symbolik / The Function and the Significance of Venice as a Setting in CorneliaFunke´s Novel The Thief Lord Lehr, Sonja January 2023 (has links) In dieser Arbeit steht die Analyse des Schauplatzes Venedig im Abenteuerroman Herr der Diebe (2000) von Cornelia Funke im Mittelpunkt. Es wird aufgezeigt, wie das Setting die Stimmung sowie die Situation der Protagonisten spiegelt und welchen Einfluss dieses somit auf die Wirkung des Romans ausübt. Des Weiteren werden die kennzeichnenden Merkmale des Handlungsortes Venedig aufgezeigt, insbesondere die Topoider Stadt, ihr Mythos sowie ihre Bezüge zum Roman. Abschließend werden die Symboliken des geflügelten Löwen, des Mondes und des Meeres als Venedig-typische Elemente mittragender Aussagekraft analysiert. Es wird ferner die Hypothese aufgestellt, dass der Schauplatz Venedig eine still im Hintergrund agierende Protagonistin ist. / This work focuses on the analysis of Venice as a setting in the adventure story The Thief Lord by Cornelia Funke. It is shown how the setting reflects the mood and the situation of the protagonists and what impact it has on the novel. Furthermore, the characteristic features of Venice are presented, like the topoi of the city, its myth, and its references to the novel. Finally, the symbolism of the winged lion, the moon and the sea are analyzed; these symbols are particularly related to Venice and thus have a significant meaning for the story. Moreover, it is hypothesized that Venice is acting like a silent protagonist in the background. Symbolik Markuslöwe Schauplatz Venedig Der Herr der Diebe Symbolik Mond Topos Venedig Mythos Venedig Cornelia Funke General Literature Studies Litteraturvetenskap Specific Languages Studier av enskilda språk
15	A Transnational Study: Young Adult Literature Exchanged Between the US and Germany Miskin, Kristana 12 November 2008 (has links) (PDF) Both young adult literature and transnational literature occupy transitional spaces and defy simple classifications. Their commonalities naturally suit the two sets of literature for concurrent study. However, the field is underdeveloped, particularly in the United States. With a concentration on the exchanges taking place between the U.S. and Germany, this thesis addresses the need to assemble primary materials and pertinent critical commentary into a single place available to educators, scholars, and researchers to acquire background on transnational YAL themes. The thesis delineates methods used in conducting and compiling research on U.S.-German YAL exchange and highlights the translation and publication concerns associated with this process. It examines how prizes for translations are granted in each nation, identifying organizations that facilitate the process of exchange and describing transnational trends rising out of these circumstances. The concluding chapter visits concerns and complications raised during the investigation, posing questions for further study of the U.S.-German young adult literature relationship and advocating the pursuit of similar research in other world regions. The appendices provide sites for continued examination. They include lists of award-winning translations available in the U.S., novels by American authors that have been translated and published in Germany, and novels by German-language authors that have been translated and published in the U.S. Arbeitskreis fuer Jugendliteratur author awards Batchelder children's literature exchange Cornelia Funke German Germany interdisciplinary research Jugendliteratur Gillian Lathey literature Emer O'Sullivan translation transnational literature prizes publishing young adult literature youth literature English Language and Literature
16	Storytelling tricksters: a reader’s coming-of-age in young adult fantasy fiction in Germany Kim, Chorong 13 June 2018 (has links) In this thesis, I examine three works of modern German fantasy fiction for young adults, their common grounding in the Romantic aesthetic framework and in particular the Romantic notion of creativity, and the implication of their unique fantasy fiction paradigm in our modern day. The novels are Michael Ende’s The Neverending Story (1979), Inkheart (2003) by Cornelia Funke and The City of Dreaming Books (2006) by Walter Moers. They represent a Germany-specific narrative paradigm which can be seen in the protagonist readers’ transformation from mere readers into storymakers/storytellers, and in the conflict between a book-loving hero and antagonists who are against literature. The protagonists embody the Romantic notion of creativity that involves the sublimation of a poet’s crisis into an exploration of the self. The mundane is infused with fantasy, thereby elevating reality to an idealised state. These Romantic storytelling readers act as tricksters, a fairy tale archetype that shares similarities with the figure of the Romantic poet. I employ the theoretical frameworks of German Romanticism, Frankfurt School critical theory, and postmodern models, including those by Deleuze and Guattari. I argue for a modern version of the trickster archetype which explains how a complacent, passive reader becomes an active storyteller. / Graduate Michael Ende German Literature Fantasy Fiction Trickster German Romanticism Novalis Cornelia Funke Walter Moers Young Adult Fiction Young Adult Fantasy Fiction German Young Adult Fantasy Fiction The Neverending Story Frankfurt School critical theory Storytelling Die Unendliche Geschichte Tintenherz Die Stadt der Träumenden Bücher Heinrich von Ofterdingen Culture Industry Anglo-American fantasy fiction

Page generated in 0.041 seconds