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The Killing of Osama bin Laden, Was it Lawful?Elfström, Amanda January 2012 (has links)
The main purpose of this work is to investigate if the US ́s killing of Osama bin Laden on 2 May 2011 in Abbottabad in Pakistan was lawful. The background to the killing is what happened on 11 September 2001 when four US airplanes were hijacked and crashed into World Trade Center and Pentagon. Al Qaeda, a terrorist organisation led by Osama bin Laden, was immediately suspected for the attacks, which led to the starting point of the US ́s ‘global war on terror’. This work tries to give a short brief on ‘global war on terror’ and answer if there is a global war on terror and/or if a new category of war is needed. In order to get an answer to the main question of this work I had to investigate if US is in an international armed conflict or in a non-international armed conflict with Al Qaida. Another important question to investigate is if an armed conflict in one State can spill over to another State and still be consider as an armed conflict. Other important questions to answer are, if Osama bin Laden was a legitimate target under international humanitarian law, if he was a civilian or if he had a continuous combat function and what level of participation in hostilities he had? Not less important is also to investigate if human rights law is applicable when Osama bin Laden was killed, especially the fundamental right to life. Lastly I end my investigation with a quick review of the laws of jus ad bellum in order to get an answer if US had a right to resort to force in Pakistan. My conclusion is that the US was not involved in an armed conflict with al Qaeda in Pakistan where the killing took place. The conflict between the US and al Qaeda in Afghanistan is to be categorised as a non-international conflict. This conflict cannot be described as a conflict that has spilled over to Abbottabad where Osama bin Laden was killed. All people, including Osama bin Laden, has a right to life. Because of lack of information on what happened in Abbottabad when Osama bin Laden was killed it is impossible to give a clear legal answer if the US had the right to kill him. It could be lawful, but it could also be considered as a crime against international human rights law.
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"Believe it or not, this is Afghanistan!" : la mise en scène "culturelle" de la guerre dans les entraînements militaires aux États-UnisMartin, Alexandra 09 1900 (has links)
La thèse porte sur la mise en scène de la guerre dans les entraînements militaires aux États-Unis. Elle étudie des faux villages moyen-orientaux qui servent pour l’entraînement de pré-déploiement en Irak et en Afghanistan. On retrouve ces villages sur diverses bases militaires, comme au National Training Center (NTC) de Fort Irwin (Californie), où une douzaine de faux villages afghans et iraquiens ont été construits depuis 2007 dans le contexte de la contre-insurrection afin de préparer les troupes aux guerres de type urbaines et asymétriques. Dans ces environnements immersifs, l’armée américaine tente de reproduire les paysages socioculturel et religieux où se tiennent les missions : mosquées, salons de thé, marchés extérieurs, maisons traditionnelles forment le décor. Afin de préparer les soldats au terrain humain, une rencontre culturelle est simulée entre eux et la population locale à travers des jeux de rôle. Des acteurs, qui sont parfois d’origine afghane et iraquienne, sont embauchés pour jouer la population locale, ce qui servirait à prévenir un certain « choc culturel » anticipé sur le terrain et augmenter la sensibilité culturelle des soldats. Des experts de l’industrie du cinéma comme des pyrotechniciens et des artistes-maquilleurs participent également à ces simulations pour les rendre plus « réalistes » à travers leurs effets spéciaux.
La thèse étudie les rationalités et les technologies à l'œuvre dans les faux villages et les manières dont elles soutiennent cette mise en scène « culturelle » de la guerre. Elle examine les pratiques matérielles et discursives des performances qui s’y déroulent. En quelles instances les exercices de simulation s’inscrivent-ils dans un régime de représentation racialisé? Comment l’orientalisme américain est-il articulé dans ces espaces? Quels mythes politiques et discours dominants circulent dans ces géographies fictives? La thèse problématise la représentation et la production de savoirs sur l’autre. Ce faisant, elle participe à la discussion sur l’altérité entamée par plusieurs courants théoriques et champs disciplinaires dont elle s'inspire, notamment les cultural studies, les critical race theories et la critique postcoloniale. L’analyse est basée sur une observation de courte durée au NTC. Le Centre offre des visites guidées de la base qui permettent au public d’assister à une journée d’entraînements dans les faux villages. J’ai participé à deux reprises à ces « NTC Box Tours ». J’ai également mené des entrevues semi-dirigées avec plus de vingt vétérans d’Iraq et d’Afghanistan afin de discuter avec eux de leur expérience d’entraînement de pré-déploiement et du rôle de la culture dans les simulations militaires. / The thesis looks at the performance of war in military training in the US. It studies the mock Middle Eastern villages that are used for Iraq and Afghanistan pre-deployment training. These villages are found on several military bases such as the National Training Center of Fort Irwin (California), where a dozen of oriental towns were implemented since 2007 in order to prepare the troops for urban and asymmetrical type of warfare in the context of counterinsurgency. In these immersive environments, the US military tries to reproduce overseas sociocultural and religious landscapes: mosques, tea rooms, street markets, traditional houses and so on form the set. To prepare the soldiers to the human terrain, a cultural encounter between them and the local population is simulated through role play. Actors, sometimes from Iraq and Afghanistan, are hired to enact the local population. This is said to prevent an anticipated “culture clash” on the ground and raise cultural awareness amongst the soldiers. Experts from the filmmaking industry such as pyrotechnics and makeup artists also take part in these simulations – working to make them more “realistic” through their special effects.
The thesis examines the rationalities and technologies at stake in the mock villages, and the way they sustain the « cultural » mise en scène of war. The research interrogates the material and discursive practices of the performances taking place in the mock towns. In what instances are the simulation exercices anchored in a racialized system of representation; how is the American orientalism being rearticulated in these spaces; what political myths and hegemonic discourses are circulating in these fictive geographies? The thesis problematizes the ways of knowing and representing the other. Therefore, the research takes part to the discussion on otherness initiated by diverse theoritical accounts and academic fields, such as cultural studies, critical race theories, and postcolonial critique. The analysis is based on a short observation at NTC. The Center offers guided tours of the base, allowing the general public to attend to one day of training in the mock villages. I participated twice in these “NTC Box tours”. I also conducted semi-directed interviews with more than twenty Iraq and Afghanistan veterans, in which they share with me their experiences of pre-deployment training and their thoughts on the place of culture in military simulations.
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On LeaveMartin, Hugh J. 01 June 2021 (has links)
No description available.
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