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The screenplays of Ben HechtMartin, Jeffrey Brown, January 1978 (has links)
Thesis--Indiana University. / Vita. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1980. -- 21 cm. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [322]-332).
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The screenplays of Ben HechtMartin, Jeffrey Brown, January 1978 (has links)
Thesis--Indiana University. / Vita. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1980. -- 21 cm. Includes bibliographical references (leaves [322]-332). Also issued in print.
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Montage expérimental et modèle de Hecht pour la caractérisation de la collection de charge [beta] de détecteurs au siliciumCharron, Sébastien January 2006 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
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Changing program foci and philosophy at Hecht Neighborhood House, 1889 to 1952Rosenfeld, Mina Lois January 1952 (has links)
Thesis (M.S.)--Boston University
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Études de caractérisation d'un détecteur à pixels Timepix au CdTe en vue d'applications dans la physique des particules et la physique médicalePapadatos, Constantine 08 1900 (has links)
No description available.
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Zur Rekonstruktion historischer Biodiversität aus archivalischen Quellen: Das Beispiel des Oderbruchs (Brandenburg) im 18. Jahrhundert / The reconstruction of historical biodiversity by archival sources: the example of the Oderbruch floodplain (Brandenburg) in the 18th centuryJakupi, Antje 05 July 2007 (has links)
No description available.
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Changing fictions of masculinity : adaptations of Jane Eyre and Wuthering Heights, 1939-2009Fanning, Sarah Elizabeth January 2012 (has links)
The discursive and critical positions of the ‘classic’ nineteenth-century novel, particularly the woman’s novel, in the field of adaptation studies have been dominated by long-standing concerns about textual fidelity and the generic processes of the text-screen transfer. The sociocultural patterns of adaptation criticism have also been largely ensconced in representations of literary women on screen. Taking a decisive twist from tradition, this thesis traces the evolution of representations of masculinity in the malleable characters of Rochester and Heathcliff in film and television adaptations of Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights between 1939 and 2009. Concepts of masculinity have been a neglected area of enquiry in studies of the ‘classic’ novel on screen. Adaptations of the Brontës’ novels, as well as the adapted novels of other ‘classic’ women authors such as Jane Austen, George Eliot and Elizabeth Gaskell, increasingly foreground male character in traditionally female-oriented narratives or narratives whose primary protagonist is female. This thesis brings together industrial histories, textual frames and sociocultural influences that form the wider contexts of the adaptations to demonstrate how male characterisation and different representations of masculinity are reformulated and foregrounded through three different adaptive histories of the narratives of Jane Eyre and Wuthering Heights. Through the contours of the film and television industries, the application of text and context analysis, and wider sociocultural considerations of each period an understanding of how Rochester and Heathcliff have been transmuted and centralised within the adaptive history of the Brontë novel.
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