Today, infrared cameras are used especially for target tracking and surveillance operations. However, they have a high dynamic range output, and the standard display devices cannot handle them. In order to show them on common devices, the dynamic range is cropped. Thus, the contrast of the image is reduced. This is called as the High Dynamic Range (HDR) Compression. Although several algorithms have been proposed for preserving details during the HDR compression process, it cannot be used to enhance the local contrasts of image contents. In this thesis, we compare the performances of contrast enhancement techniques, which are suitable for real time applications. The methods experimented are generally histogram based methods. Some modifications are also proposed in order to reduce computational complexity of the process. Performances of these methods are compared with common objective quality metrics on different image sets.

Typical consumer digital cameras capture the scene by generating a mosaic-like grayscale image, known as a color filter array (CFA) image. One obvious challenge in digital photography is the storage of image, which requires the development of an efficient compression solution. This issue has become more significant due to a growing demand for high dynamic range (HDR) imaging technology, which requires increased bandwidth to allow realistic presentation of visual scene. This thesis proposes two digital camera pipelines, efficiently encoding CFA image data represented in HDR format. Firstly, a lossless compression scheme exploiting a predictive coding followed by a JPEG XR encoding module is introduced. It achieves efficient data reduction without loss of quality. Secondly, a lossy compression scheme that consists of a series of processing operations and a JPEG XR encoding module is introduced. Performance evaluation indicates that the proposed method delivers high quality images at low computational costs.

Typical consumer digital cameras capture the scene by generating a mosaic-like grayscale image, known as a color filter array (CFA) image. One obvious challenge in digital photography is the storage of image, which requires the development of an efficient compression solution. This issue has become more significant due to a growing demand for high dynamic range (HDR) imaging technology, which requires increased bandwidth to allow realistic presentation of visual scene. This thesis proposes two digital camera pipelines, efficiently encoding CFA image data represented in HDR format. Firstly, a lossless compression scheme exploiting a predictive coding followed by a JPEG XR encoding module is introduced. It achieves efficient data reduction without loss of quality. Secondly, a lossy compression scheme that consists of a series of processing operations and a JPEG XR encoding module is introduced. Performance evaluation indicates that the proposed method delivers high quality images at low computational costs.

Zugl.: Koblenz. Landau, Diss., 2007

Ο τομέας της ψηφιακής φωτογράφισης εξελίσσεται διαρκώς. Το γεγονός αυτό, καθιστά τη ψηφιακή φωτογραφία χρήσιμο εργαλείο για διάφορες επιστημονικές και όχι μόνο εφαρμογές. Για αυτό τον λόγο, γίνεται απαραίτητη η λεπτομερέστερη αποτύπωση της πληροφορίας. Η λεπτομερέστερη αποτύπωση της πληροφορίας αποτελεί αντικείμενο της εικονοποίησης υψηλής δυναμικής περιοχής(High Dynamic Range Imaging). Ο σκοπός της παρούσας διπλωματικής εργασίας είναι η μελέτη της εικονοποίησης υψηλής δυναμικής περιοχής και η υλοποίηση ενός αλγορίθμου, κάνοντας χρήση πολλαπλών λήψεων για την παραγωγή τελικής εικόνας με διευρυμένη δυναμική περιοχή. / The field of digital photography is constantly evolving. In fact, this makes digital photography a useful tool in various scientific applications. For this reason, a more detailed presentation of information is needed. The detailed presentation of information is the subject of high dynamic range (High Dynamic Range Imaging). The purpose of this thesis is to study the field of high dynamic range imaging and the implementation of an algorithm, making use of multiple shots to produce a final image with extended dynamic range.

abstract: This study examines the applicability of high dynamic range (HDR) imagery as a diagnostic tool for studying lighting quality in interior environments. It originates from the limitations in lighting quality assessments, particularly from the problematic nature of measuring luminance contrast--a significant lighting quality definer. In this research, HDR imaging method is studied systematically and in detail via extensive camera calibration tests considering the effect of lens and light source geometry (i.e. vignetting, point spread and modulation transfer functions), in-camera variables (i.e. spectral response, sensor sensitivity, metering mode,), and environmental variables (i.e. ambient light level, surface color and reflectance, light source spectral power distribution) on the accuracy of HDR-image-derived luminance data. The calibration test findings are used to create camera setup and calibration guidelines for future research, especially to help minimize errors in image extracted lighting data. The findings are also utilized to demonstrate the viability of the tool in a real world setting--an office environment combining vertical and horizontal tasks. Via the quasi-experimental setup, the relationship between line of sight and perceived luminance contrast ratios are studied using HDR images. Future research can benefit from the calibration guidelines to minimize HDR-based luminance estimation errors. The proposed tool can be used and tested in different contexts and tasks with varying user groups for revising the former luminance-contrast guidelines as well as surface reflectance recommendations. / Dissertation/Thesis / Ph.D. Architecture 2011

Operadores de tone mapping reverso (RTMOs) realçam imagens e vídeos de baixa faixa dinâmica para visualização em monitores de alta faixa dinâmica. Um problema comum encontrado por operadores anteriores é a maneira com que tratam conteúdo sub ou superexposto. Sob tais condições, eles podem não ser eficientes, e até mesmo causar perda e reversão de contraste visível. Apresentamos uma classe de operadores de tone mapping reverso, baseados no filtro bilateral cruzado (cross bilateral filter), capazes de gerar imagens HDR de alta qualidade. Experimentos utilizando uma métrica objetiva de avaliação de imagens demostram que nosso método é a única técnica capaz de realçar detalhes perceptíveis ao longo de uma grande gama de exposições de imagem, a qual inclui desde imagens subexpostas até imagens superexpostas. / Reverse tone mapping operators (rTMOs) enhance low-dynamic-range images and videos for display on high dynamic range monitors. A common problem faced by previous rTMOs is the handling of under or overexposed content. Under such conditions, they may not be effective, and even cause loss and reversal of visible contrast. We present a class of local rTMOs based on cross bilateral filtering that is capable of generating highquality HDR images and videos for a wide range of exposure conditions. Experiments performed using an objective image quality metric show that our approach is the only single technique available that can gracefully enhance perceived details across a large range of image exposures.

Operadores de tone mapping reverso (RTMOs) realçam imagens e vídeos de baixa faixa dinâmica para visualização em monitores de alta faixa dinâmica. Um problema comum encontrado por operadores anteriores é a maneira com que tratam conteúdo sub ou superexposto. Sob tais condições, eles podem não ser eficientes, e até mesmo causar perda e reversão de contraste visível. Apresentamos uma classe de operadores de tone mapping reverso, baseados no filtro bilateral cruzado (cross bilateral filter), capazes de gerar imagens HDR de alta qualidade. Experimentos utilizando uma métrica objetiva de avaliação de imagens demostram que nosso método é a única técnica capaz de realçar detalhes perceptíveis ao longo de uma grande gama de exposições de imagem, a qual inclui desde imagens subexpostas até imagens superexpostas. / Reverse tone mapping operators (rTMOs) enhance low-dynamic-range images and videos for display on high dynamic range monitors. A common problem faced by previous rTMOs is the handling of under or overexposed content. Under such conditions, they may not be effective, and even cause loss and reversal of visible contrast. We present a class of local rTMOs based on cross bilateral filtering that is capable of generating highquality HDR images and videos for a wide range of exposure conditions. Experiments performed using an objective image quality metric show that our approach is the only single technique available that can gracefully enhance perceived details across a large range of image exposures.

Context. Tone mapping operators (TMO) are designed to reduce the dynamicrange of high dynamic range images so that they can be presented onstandard dynamic range display devices. Many operators focus on creatingperceptually similar images. Objectives. This thesis aims to investigate how dierent TMOs reproducephotographed text. The underlying reason being to test the contrast reproductionof each TMO. Methods. An experiment has been performed in order to investigate thelegibility of photographed and tone mapped text. A user study was conducted,in which 18 respondents partook, where respondents were to ratehow much of the text in each photograph that they found to be legible. Results. Due to low participation, the results of the experiment are mostlyinconclusive. However, some tendencies have been observed and analyzedand they fall in line with previous work within the area. Conclusions. The main conclusion that can be drawn from the results isthat the TMO presented by Kuang [11] is rated as better than the TMOsby Fattal [7] and Kim and Kautz [10].

Les technologies d'écran ont connu récemment une évolution rapide. De la télévision 3D à l'Ultra Haute Définition, la tendance est maintenant aux écrans HDR (pour ''High Dynamic Range'') permettant de reproduire une gamme de luminance bien plus élevée que les écrans classiques. L'émergence de cette technologie implique de nouveaux travaux de standardisation dans le domaine de la compression vidéo. Une question essentielle pour la distribution à grande échelle de contenu HDR est celle de la rétro-compatibilité. Tandis que la future génération d'écrans de télévision sera adaptée à ce nouveau format, il est nécessaire de permettre aux équipements plus anciens de décoder et afficher une version du même contenu dont la dynamique a été préalablement réduite par un procédé appelé ''tone mapping''. Cette thèse vise à explorer les schémas de compression HDR rétro-compatibles. Dans une première approche, un algorithme de tone mapping spécifié par l'encodeur est appliqué à l'image HDR. L'image générée, alors appelée LDR (pour ''Low Dynamic Range''), peut être encodée et décodée dans un format classique. L'encodeur transmet par ailleurs une quantité réduite d'information permettant à un décodeur HDR d'inverser l'opération de tone mapping et de reconstruire une version HDR. L'étude de ces schémas est axée sur la définition de méthodes de tone mapping optimisées pour les performances de compression. La suite de la thèse se concentre sur l'approche scalable dans laquelle les deux versions sont fournies à l'encodeur sans connaissance à priori sur l'opérateur de tone mapping utilisé. Le producteur garde donc le contrôle sur la création du contenu LDR. Cette version LDR est d'abord compressée comme une première couche. L'image reconstruite est utilisée par le codeur scalable pour compresser plus efficacement la couche HDR grâce à un mécanisme de prédiction inter-couches. Notre approche locale et non linéaire nous permet d'améliorer les performances de codage par rapport aux méthodes scalables existantes, en particulier dans le cas où un tone mapping complexe est utilisé pour générer la version LDR. / In recent years, the display technologies have been rapidly evolving. From 3D television to Ultra High Definition, the trend is now towards High Dynamic Range (HDR) displays that can reproduce a luminance range far beyond the capabilities of conventional displays. The emergence of this technology involves new standardization effort in the field of video compression. In terms of large scale content distribution, the question of backward compatibility is critical. While the future generation of television displays will be adapted to this new format, it is necessary to enable the older equipment to decode and display a version of the same content whose dynamic range has been previously reduced by a process called “tone mapping”. This thesis aims at exploring the backward compatible HDR compression schemes. In a first approach, a tone mapping operator specified by the encoder is applied to the HDR image. The resulting image, called Low Dynamic Range (LDR), can then be encoded and decoded in a conventional format. The encoder additionally transmits a small amount of information enabling a HDR capable decoder to inverse the tone mapping operator and retrieve the HDR version. The study of these schemes is directed towards the definition of tone mapping operators optimized for the compression performance. We then focus on scalable approaches, where both versions are given to the encoder without prior knowledge on the tone mapping operator used. The producer thus keeps full control on the LDR content creation process. This LDR version is compressed as a first layer. The reconstructed image is used by the scalable encoder to compress the HDR layer efficiently by performing inter-layer predictions. Thanks to a local and non-linear approach, the proposed schemes improve the coding performance compared to the existing scalable methods, especially in the case where a complex tone mapping is used for generating the LDR version.