Uppsatsen handlar om hur fyra judiska personer upplever antisemitism i Sverige. De har svarat på frågor som rör två teman, antisemitism och Israelkritik/antisionism. Informanterna har inte personligen utsatts för antisemitism i stor utsträckning, däremot upplever de att antisemitismen finns mer utbrett på andra platser i Sverige. Israelkritik upplever de enbart som antisemitism när den är obalanserad och när media anklagar judar kollektivt för vad som sker i Israel/Palestina. Sionism ser de dock ingen anledning till att kritisera eftersom den handlar om ett judisk självbestämmande. Ett par av informanterna anser att sionism är så starkt förknippat med judisk tradition att antisionism per automatik blir judefientlig. / The essay is about how four Jewish people experience anti-Semitism in Sweden. They answered questions related to two themes, anti-Semitism and Israel Criticism / anti-Zionism. The informants have not personally been subjected to anti-Semitism widely, but they feel that anti-Semitism is more prevalent in other parts of Sweden. Criticism of Israel is experienced as anti-Semitism when it is unbalanced and when the media blames Jews collectively for what is happening in Israel / Palestine. They see no reason to criticize Zionism because it is about a Jewish self-determination. A couple of respondents believe that Zionism is so strongly associated with Jewish tradition that anti-Zionism automatically becomes hostile towards Jews.

The purpose of this study was to provide an initial evaluation of the effect of ‘Together for Sweden’s (TFS) storytelling method regarding anti-religious prejudice, based on a social identity perspective. Furthermore, the aim was to understand the possible self-perceived changes that the storytelling method contributes to regarding anti-religious prejudice. The study applied a mixed-method approach with a quasi-experimental design. The quantitative data collection consisted of a pre-and posttest with an experiment and control condition. The qualitative data collection consisted of semi-structured interviews with participants from the experiment condition. The quantitative results point to a positive self-perceived change in anti-religious prejudice. However, the change was small and not statistically significant in relation to the control condition. The qualitative find suggests that for some participants, the storytelling could provide an opportunity for a positive intergroup contact, counter-examples, counter-stereotypic information as well as addressing the categorization process through multiple and shared group memberships. The qualitative findings also point to a change regarding the view of religious people but not concerning the view of religion. This, together with a mixed response regarding affective shifts and a lack of intentional shifts, can help to explain the quantitative results. The findings of the study address the need to evaluate prejudice-reduction intervention in a school context as well as the need to test a social identity perspective outside a laboratory context. It also provided a first and tentative assessment of TFS’ storytelling method, which can contribute to a further adjustment of the method or future in-schools interventions.

"Instead of studying, for example, how the psychology of personality limits and prevents real social and political change, we should be studying how political and ideological changes create new personalities and individual needs and motives." The above quotation is from social psychologist Professor John Turner, who is one of the two theorists, the other being Henri Tajfel, most responsible for the Social Identity Perspective, the principle subject of this thesis. The Social Identity Perspective is an approach to Social Psychology that incorporates two sub-theories: Tajfel's Social Identity Theory and Turner's Self-Categorization Theory. This thesis is based upon using the perspective for the purposes of creating more realistic and believable fictional characters in realist fiction. For the purposes of this thesis Pam Morris' definition of realism will be used, that being, 'any writing that is based upon an implicit or explicit assumption that it is possible to communicate about a reality beyond the writing.' According to both theories, individuals can develop two principal identities: the personal self, which is to say a collection of idiosyncratic qualities that define them as a unique individual, and a collective self (or social identity) that encapsulates the status and characteristics of the social groups they belong to in opposition to other social groupings. Turner theorised that the personality of a human being is heavily influenced by their social context at an unconscious level. This influence can be made manifest by their parents, by their school friends and work colleagues, by their romantic partners, and especially by the collective cultural expectations native to the area they choose to reside in. Turner put forward the concept that our personality and actions are therefore influenced by society at the level of how the individual defines himself or herself. This occurs without agency on the part of the individual. These social belief systems therefore mould what the individual thinks, their actions, and their motivations. This thesis will demonstrate a method of usage for elements of Social Psychology, specifically the Social Identity Perspective that underpins the actions, interactions and motivations of the fictional characters contained within the thesis's creative element. It is the contention of this thesis that The Social Identity Perspective will assist an author in marrying together ever more realistic characterisation to other areas of writer research already extensively drawn upon by the author such as those projects focused upon creating a more realistic setting in a historical novel for instance. As previously stated it is the intention of this thesis to apply aspects of social psychology to the creation of realist texts only, the findings however may also be of use to authors who write in other genres, after all even the writer of fantastic fiction still requires characters whose actions are fundamentally recognisable and justifiable to the reader in order for them to be able to make sense of the fiction and as Henry James said, 'one can speak best from one's own taste, and I may therefore venture to say the air of reality (solidity of specification) seems to me to be the supreme virtue of a novel'. It is the aim of this thesis that its findings may highlight the potential of using The Social Identity Perspective and other adjuncts of Social Psychology as tools for both plot construction and character development that is completely realistic. This may then lead to other areas of research, some of which are suggested in the concluding chapter of this thesis.