Thesis (Ph.D.)--Duquesne University, 2006. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 208-210) and index.

Thesis (MTech (Education))--Cape Technikon, Cape Town, 2004 / The majority of studies that have examined the prevalence of eating disorders have sampled women from western societies. Theoretical models have emphasised Western socio-cultural factors as central in the development of eating disorders. Consequently, eating disorders have been conceptualised as disorders from Western industrialised countries where white women experience social pressures toward thinness. Within these societies, white women are believed to be at risk of developing eating disorders, while black women are not exposed to the same social pressure regarding weight. In the literature, it has been argued that African women are 'protected" from developing eating disorders because traditionally a fuller figure has been more acceptable. However, findings from recent studies are beginning to reveal a considerable degree of body perception dissatisfaction among black women, indicating that this debate is far from settled. In the African-American culture, in terms of body perceptions, people are not expected to be all built to look alike. A full, yet healthy body has represented strength, power and prosperity in the African culture throughout history. However, the thin ideal for women seems to be spreading across all ethnic groups. Incorrect body perceptions, dissatisfaction with one's body's appearance and a drive to be thin can lead to erratic eating patterns such as self-starvation and purging, which in turn can result in eating disorders such as Anorexia and Bulimia Nervosa. In view of the above, this study investigated body perceptions among black female high school learners in the Cape Metropole. The participants were 702 girls between 13 and 19 years old in ex DET high schools in grades 8 to 11. The study attempted to determine participants' body weight dissatisfaction; whether they perceived themselves as overweight, underweight or of normal weight; and whether they expressed influence by the media, as well as family and peers, on their body perceptions. The sample was divided into two age groups, namely a younger group of 13 - 15 years and an older group of 16 - 19 years. The chi-square test was used to test the statistical significance of the data. The results revealed a statistically significant difference between the younger age group (13-15 years) and the older age group (16-19 years) regarding body weight dissatisfaction and body weight perceptions. Furthermore, the expressed influence by the media and family/peers also show statistically significant results.

In this thesis I investigate the theoretical or philosophical notion/archetype of the Dionysian in relation to the transgressive female body in performance. I do so through 1) an investigation into the theories behind the Dionysian and the transgressive; 2) an examination of the performative practice of the transgressive female body; and 3) a personal exploration of the theatrical practice. 1) In the first chapter I introduce and thoroughly explore the archetypal concept of the Dionysian, and identify its significance because of its intrinsic association with the transgressive. I associate it with its oppositional force, the Apollonian, which is similarly significant because it is through the Dionysian disruption of the Apollonian from which the very notion of the transgressive springs. Through a review of Camille Paglia's seminal text on the subject of the Dionysian¹, this chapter provides a historical, mythological and theoretical context for the schism between the two archetypal aesthetics, starting from the description of the mythology of the ancient Greek gods, Dionysus and Apollo, and unpacks the transgressive nature of the Dionysian. Drawing on concurring theories of Friedrich Nietzsche and Julia Kristeva, as well as Hans Thies-Lehmann's writings on post-dramatic theatre², Chapter One attempts to firmly establish the inherent link between the Dionysian and theatre and performance, as well as the Dionysian and the transgressive, and provide a thorough theoretical framework for the rest of the thesis. 2) The second chapter investigates the work of two female performance artists³ who (re)present⁴ their bodies as transgressive in performance, namely Marina Abramovic and Karen Finley. It critically examines specific performance works of theirs, and through this examination it explores how they (re)present their bodies as transgressive in performance, and why they do so. This chapter furthermore establishes the connection between the transgressive female performing body, as (re)presented by Abramovic and Finley, and the Dionysian. In so doing it explores how they negotiate this ancient aesthetic or practice in a contemporary performance context. I believe that these performance artists are in fact striving to celebrate and reclaim the Dionysian within their work, and I attempt to establish this within this chapter. 3) The third chapter of this thesis analyses my own practical exploration of the transgressive female body in performance in a piece entitled Bleeding Mermaid (2008). It examines this exploration in the context of the theory of the Dionysian, as well as investigating how and why I (re)presented my body as transgressive in the performance. The analysis furthermore questions how I understand my work on the (re)presentation of the transgressive female body in relation to, and within the context of, Finley and Abramovic's work on the same subject. Through this investigation, I aim to establish a link between the Dionysian and the transgressive female performing body; and investigate the motivation(s) behind the (re)presentation of the transgressive female body in performance. I hope to open up a pathway to the reclamation of the Dionysian, both in performance practice and research. ¹Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. England: Penguin Books, 1990. ²Lehmann, Hans-Thies. Postdramatic Theatre. Trans. and Intro. Karen Jürs-Munby. London and New York: Routledge, 2006. ³Performance Art began around the 1960s in Europe and America. It is performance with a sense of immediacy – in that it is hard to replicate as it interacts with each unique audience – it is thus effectively a fresh/new experience each time. It breaks the boundaries of traditional theatre (form, structure, venue, time etc) and is often shocking or provocative in nature. It mixed the aesthetics of theatre and art, often taking place in installation settings. Performance Art has developed and morphed throughout the years, and is also referred to as Live Art in Britain. A performance artist is someone who produces performance art. It is possible that Performance Art no longer exists/is possible because it no longer shocks or affects the audience. ⁴My use of the brackets in (re)presented/(re)present throughout this thesis is because I would like to make simultaneous reference to the words/connotations of "presentation" and "representation", without being bound to the connotations of illusion/falseness/non-reality as is associated with the word "representation" (in opposition to the concept of the "real"), and thus be left only with the one-dimensional approach/meaning of "presentation".

The purpose of this study was to examine whether Psychological Well-Being (comprised of self-esteem, optimism, satisfaction with life, and self-determination), perfectionism, body surveillance, and neuroticism moderated the relationship between body dissatisfaction and bulimic symptoms after controlling for social desirability and actual physical size. 847 female undergraduate students participated in the study. Participants completed an online questionnaire packet. An exploratory factor analysis determined that self-determination, optimism, self-esteem, and satisfaction with life loaded on to one factor representing Psychological Well-Being. Hierarchical moderated regression (HMR) was used to control for the influences of social desirability and body mass index on bulimic symptoms and then determine the main and interactive effects of body dissatisfaction and each moderator. Four variables (neuroticism, body surveillance, concern over mistakes, and doubts about actions) strengthened the relationship between body dissatisfaction and bulimic symptomatology, whereas Psychological Well-Being weakened the relationship. Parental expectations, parental criticism, and personal standards did not moderate the relationship between body dissatisfaction and bulimic symptomatology.

This study investigated the body image constructions of Afro-Latinx Caribbean women who identify as Domincan, Puetro-Rican, and/or Cuban. Fifteen women participated in the research study aiming to investigate how race, gender, culture and the intersection of the three influences the conceptualization of body image for this specific population of women. A mixed methodology approach was implemented. The primary research method was analysis of qualitative data via CQR. Interviews were accompanied by four quantitative measures in order to further inform the qualitative data. The measures specifically investigated cultural values (Marianismo Belief Scale), racial identity (Multidimensional Model of Black Identity), acculturation (Stephenson Multigroup Acculturation Scale), and body image satisfaction (Stunkard Figure Rating Scale). The scales informed the data by providing information about the participant’s adherence to traditional cultural values and its intersection with gender (marianismo), the salience of their racial identity, the degree to acculturation, and ideal body image. Four domains emerged from the data, which shed light on the conceptualization and experience of body image for this group of women. The results have implications for the multicultural awareness for counselors working with Afro-Latinx Caribbean women, in addition to the psychological awareness of this group within the psychological body image research, and the many gaps which continue to need exploration.

New Historicist scholarship has left a major impact on the study of mid-19th century notions of gender and nationhood. It has effectively challenged an all but consensual reliance on the paradigm of separate spheres as appropriate interpretive framework for this pivotal period in US history—a period in which the geographical as well as discursive boundaries of the nation were subject to intense debate and conflict. ...

Der Band untersucht mit Hilfe textspezifisch ausgewählter Ansätze aus den Bereichen Literaturtheorie, Medienwissenschaft, Psychoanalyse und gender studies die widersprüchliche Bedeutung von Visualität für Fowles` Romanwerk. Im Zentrum der Arbeit stehen unter anderem die Fragen, ob die in den Romanen und Novellen erfolgende kritische Problematisierung von Bildmedien zu einer Bejahung ihrer kreativen Möglichkeiten führt, ob es sich um medienfeindlichen Konservatismus oder um eine literarisch ebenso produktive wie kreative Funktionalisierung von Bildern, Stereotypen und Vorurteilen handelt.

Elite and collegiate athletes are subpopulations at increased risk for the development of disordered eating and pathogenic weight management strategies; such risks may extend beyond sport participation into sport retirement. As athletes self-weigh, whether during their time in competitive sport or in retirement, it would be expected that they also experience increases in body dissatisfaction and psychosocial distress. Results suggest both a longitudinal impact, as well as continued cross-sectional relationships between SW and disordered eating attitudes and behaviors. Specifically, former SW (at Time 1) is related to their levels of body satisfaction in relation to the Body factor and the Overall Body at Time 2. Particularly, athletes who weighed themselves 7+ more times a week reported significantly higher levels of body dissatisfaction on the Overall Body factor and the Body factor than retired athletes who did not self-weigh, all other groups did not differ significantly from each other. Cross-sectional relations were found between current (Time 2) SW and Body Satisfaction (Overall Body, and Body factors), Dietary Restraint, and Bulimic Symptomatology. In all cases, those who engaged in SW 7+ times per week had significantly higher scores than all other groups.

Submitted in partial fulfillment of the requirements for the Degree Master of Technology: Graphic Design, Durban University of Technology, Durban, South Africa, 2014. / The aim of this study was to investigate how images of women in the media that espouse women’s empowerment can indeed have the opposite effect and may even contribute to lowered self-esteem in women. To this end, this project is intended to explore issues such as body image and image manufacture in order to find a possible answer to the question of what is ‘real beauty’ in the South African context. A semiotic approach seeking to review the ways in which women are seen through visual communicative images was undertaken. This visual research revealed the importance of the ‘gendered gaze’ at the centre of issues that relate to self-esteem. An in-depth analysis of the literature, pertaining to self-esteem, interrogated the works of Naomi Wolf, John Berger and Susie Orbach, amongst others. This was carried out in order to understand more about how the dictates of consumerism pervade the work of the style industries. These sectors are well supported by the diet, food and cosmetic surgery industries who tend to effectively increase and add to a sense of body related insecurities. In addition, content analysis of selected South African editions of Cosmopolitan magazine was conducted. The images described represents a significant development period in the emergence of certain beauty ideals in South Africa. The British Unilever marketing campaign, The Dove Campaign For Real Beauty, was used as a base model for the applied design component of this study. In addition an action research approach was employed through a series of interviews and questionnaires directed at mostly female participants in South Africa. This method revealed that self-esteem issues have far reaching implications, affecting women of all ages. As a response to the perceived need for a South African based campaign, this research project informed the development of The Sisterhood Self-Esteem Crusade. In contrast to The Dove Campaign For Real Beauty which was created to promote increased sales of beauty products, The Sisterhood Self-Esteem Crusade’s focus is to interrogate and raise awareness of self-esteem. Underpinning this was an attempt to build confidence, cascade new ways of understanding and to propagate sense making, informed through action research, amongst South African women.

<p>This study explored the perceptions of black South African women residing in Khayelitsha, Site B, about thinness, HIV./AIDS and body image. Obesity is a major public health problem in developed as well as developing countries. The HIV/AIDS epidemic has been escalating in Sub-Saharan Africa and has been said to be the leading cause of death in South Africa.</p>