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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Vor der Vorstellung: Die Herausbildung des Kinofoyers als urbane Gattung

Eggers, Sven 09 April 2021 (has links)
No description available.
12

„Film ab!” Max von Allweyer und seine Schulfilm-Unternehmung: Lichtbildvorführungen an Volksschulen im ländlichen Oberbayern 1926-1929

Hertwig, Niklas 09 April 2021 (has links)
No description available.
13

Weltspiegel - Kino im 20. Jahrhundert: Ein Ausstellungsprojekt

Toussaint, Jeanette, Forster, Ralf 09 April 2021 (has links)
No description available.
14

Publikum, Popcorn und Programm in der Provinz: Wie Kinokultur im ländlichen Raum funktioniert - Ein Filmprojekt

Graf, Andrea 09 April 2021 (has links)
No description available.
15

Licht lockt Leute: Als der Mensch in die Schöpfung eingriff und Tag und Nacht aufhob - ein Werkstattbericht

Schröder, Lina 09 April 2021 (has links)
No description available.
16

Erstklassig und routiniert: Das Lichtspieltheater als Arbeitsplatz

Lühr, Merve 09 April 2021 (has links)
No description available.
17

Bewegte Bilder - bewegte Geschichte: Zur Entwicklung des Kinos in Dresden

Zeh, Carola 08 April 2021 (has links)
No description available.
18

Pinguine schreiben nicht: die Darstellung und Verwendung von Schrift in Ulrich Hubs "An der Archeum acht"

Bitterlich, Thomas January 2014 (has links)
Anhand eines der erfolgreichsten Theaterstücke der Saison 2007/2008 untersucht der Beitrag die Repräsentation und Rolle von Schrift und Schreiben in Ulrich Hubs für Kinder verfassten "An der Arche um acht".
19

Die Schrift der Zivilisation in Yasmina Rezas "Der Gott des Gemetzels"

Bitterlich, Thomas January 2014 (has links)
Wie werden Schrift und Schreiben in einem der erfolgreichsten Theatertstücke der Theatersaison 2007/2008 repräsentiert? Welche Rolle und Bedeutung wird Ihnen von der Autorin zugewiesen? Der Beitrag verweist darauf, wie verschiedene Schriftarten und Schreibweisen den dramatischen Konflikts gestalten und die Figuren konstituieren.
20

Film in concert: film scores and their relation to classical concert music

Stoppe, Sebastian January 2014 (has links)
From the very beginning of cinema, music always played an important role in the history of filmmaking. Nonetheless, film music is judged by critics as a kind of low-grade art form. However, the majority of film score composers enjoyed a classical education and composed as well for the silver screen as for the concert hall. Film music also has its roots in the musical era of romanticism. Therefore, symphonic film scores can be regarded as program music in a broader sense. These scores were influenced by a motion picture instead of a poem, a landscape, or a painting. It is neither necessary nor supposed that film music must be subordinate to its belonging film. In fact, a well-written film score may enhance the impact of a film by using its own language—the language of music. Film music is still not truly recognized as an own style of music which is to be performed regularly in a concert hall. There are still strong prejudices about film music—too nice, too industrial, full of clichés, and unworthy to be performed live by an orchestra. This book wants to explore the nature of film music and its relation to classical music in this volume. How is film music perceived today? Does film music have its place on its own—uncoupled from its original film—in the concert hall? And how does film music relate to other musical genres in the 19th and 20th century? With contributions by Emilio Audissino, Marco Cosci, Kristjan Järvi, Irena Paulus, Gene Pritsker, Jaume Radigales, Lorenzo Sorbo, Sebastian Stoppe, and Pascal Vandelanoitte.:Sebastian Stoppe : Film Music in Concert: Introduction Sebastian Stoppe : Film Composing between Art and Business Emilio Audissino : Overruling a Romantic Prejudice: Film Music in Concert Programs Jaume Radigales : Wagner’s Heritage in Cinema: The Bernard Herrmann Case Irena Paulus : Williams versus Wagner — Or an Attempt at Linking Musical Epics Emilio Audissino : Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score Gene Pritsker: On Film Music in the 21st Century Kristjan Järvi : “A Soundtrack to Our Lives...” Gene Pritsker : Composing Cloud Atlas Symphony Lorenzo Sorbo : The Dramatic Functions of Italian Spaghetti Western Soundtracks: A Comparison between Ennio Morricone and Francesco De Masi Marco Cosci : Musical Labyrinths in Time: Alain Resnais’ L’Année dernière à Marienbad Pascal Vandelanoitte : Ludwig: Consonant Music in a Dissonant Life Contributors

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