Professional treatment, mainly medical and psychological, dominates research and clinical practice concerning women and their recovery from depression. This thesis challenges the assumption that women cannot be 'experts' actively involved in their own recovery. This study explored the narratives of eighteen women in Aotearoa New Zealand whose lives had been seriously disrupted by depression. They had found ways other than, or in addition to, professional solutions that helped them to live undisrupted meaningful lives. The research used a narrative inquiry approach informed by authors from across the social sciences including Arthur Frank, Jerome Bruner and Rivka Tuval-Mashiach. The underpinning social constructionist understanding of depression is informed by the work of Jane Ussher and Janet Stoppard. The women whose individual narratives provide the core data for the study ranged in age from 32 to 70 years at the time they told their stories. Their lives had been disrupted by depression at different times during the last 50 years of the twentieth century. Five of the women met as a group with the researcher as the analysis began, and their ideas informed significant aspects of the conclusions. The women had all experienced major depressive disorder, although this was not always formally diagnosed. Their recovery had involved a range of responses from outside the professional mainstream including physical, mental, social and spiritual aspects. Each woman had sought and found a 'formula' that was 'right' for her. The narratives showed all the women talked of their experience with depression and recovery in an holistic and contextualised way. They all talked about 'chocolate' solutions which provided symptom relief, and 'deeper' and often more complex sets of solutions which enabled them to discover or re-discover meaningful ways to live. Meaning-making often involved growing spiritual or transpersonal awareness in the broadest sense. A surprising finding was that the patterns of recovery were not related to the severity of the depression at the worst time. Rather, it emerged that the ways the women talked about their recovery journeys mirrored their stories of the 'jolly good reasons' why they were depressed; the more complex and lengthy the story leading up to the worst times, the more complex the formulae required for recovery. The implications of the research for clinical practice and for policy makers are that depression and recovery need to be seen as gendered, contextualised, and holistic. Women need opportunities to discover and take advantage of a range of 'things' so that they can find their own 'right formula' for recovery. This formula may involve professional treatment including anti-depressant medication and psychological therapy, but it is likely to involve many other things as well. This study challenges the notion that recovery needs to be guided by a professional expert, and creates hope for women being able to learn from each other's experiences.

A journey comprised of three paths is the metaphor through which I i) reflect and report on my involvement with four New Zealand primary school Boards of Trustees (BOTs) investigating the emancipatory potential that applications of information and communication technologies (ICTs) may have on their governance processes, ii) analyse appreciative inquiry through application(s) of critical theory, with specific reference to the investigation above so as to deepen understanding of the research method, and iii) reflect on my personal development, as achieved through my engagement with participants and the research process. Stemming from an interest in improving school governance I was keen to identify current use of ICTs by BOTs and to work with them to identify potential applications. Appreciative inquiry with its focus on enhancing existing positive organisational attributes seemed to provide an appropriate structure for my investigation. At the back of my mind however, a concern was formulating: Does this method of research deliver the benefits the literature espouses? What influence would the positive orientation have on the research process and on the power dynamics within the research environment? Complementary streams of critical thinking and reflexivity were invoked to assist my analysis. Applications of ICTs which may appear 'helpful' to BOT governance processes are identified in this report. However, uncritical uptake of these applications may not necessarily be consistent with the emancipatory intentions I aspire to. Framed within Habermas' theory of communicative action, the potential colonisation of the BOT lifeworld by the system is considered. Domesticating influences may potentially constrain democratic processes at local school and societal levels. The participatory action research process undertaken facilitated a deepened understanding of governance for all involved. Identification of time and funding constraints indicates BOTs may be prevented from reaching their true potential. Attempts to enhance governance through additional applications of ICTs will be of minimal effect unless efforts are made to better understand and resource the governance efforts of Trustees. Purported empowerment of the community as mandated in the Education Act 1989 comes with a heavy cost, for schools and individuals. Care must be taken to ensure that 'efficiency' gains are not made at the expense of democratic processes. Critical analysis of appreciative inquiry as a research method highlights the influences of power and language use within the research process. Appreciative inquiry should be seen as a process for, rather than a master of change. The contribution of appreciative inquiry to organisational and personal transformation may be drawn from the ontological basis of the approach rather than from the technicalities of a specific form of implementation. I suggest the focus on what is 'good' be made more complex, to recognise that appreciation may also mean 'to know, to be conscious of, to take full and sufficient account of'. Application of an enhanced definition of appreciation has deepened my understanding of not only the situation under investigation but also the research process itself. Through my enhanced concept of 'appreciation' embedded and sometimes obscured influences were highlighted, better understood, and at times transformed to serve the emancipatory aspirations of participants. In keeping with the reflexivity mandated by my commitment to critical theory and action research, I applied this enhanced definition of appreciation to my personal development during my engagement with participants and the research process. My struggles to apply my chosen social constructionist and critical theory lenses to this work are evident in my attempts to work with the largely functionalist literature in this field and the influence of my undergraduate education. Recognising the theoretical and personal developments I gained as I travelled the three paths of my PhD journey, the scene is now set for me to challenge the predominance of functionalist, mechanistic metaphors which dominate organisational literature. In doing so, I seek an alternative approach to understanding organisational activity; and a new vocabulary through which I might extend my understanding, and negotiate new and emancipatory meaning(s) with others.

This thesis examines the processes and outcomes of a composer-teacher's practice in the context of a New Zealand secondary school. The research was undertaken by the composer-teacher/researcher as a case study that integrates an investigation of the context with four action research music composition projects developed as a creative response to that context. Chapters One to Three comprise the background theory. Chapter One provides an introduction and overview of the research; Chapter Two explains and justifies the research methods. Chapter Three peels away and examines five layers of the secondary school context identified as significant in shaping the perceptions of the participants: approaching the context in a multi-layered way enabled coherent synthesis and appraisal of the relevant literature. Chapters Four to Seven comprise the four action research music composition projects. Each action research project focuses on a music score composed by the composer-teacher/researcher for a specific group of students at Macleans College, Auckland. The composition, production, and performance processes are investigated from the perspectives of all the participants. Each music project comprises a four part progression - plan (composition process), data (music score), data analysis (recordings of performances, surveys, and interviews with all participants) and reflection (feedback, and feedforward into the next project). Each phase of the research generated significant outcomes, such as the four original music scores. Chapter Eight summarizes the themes, issues, and patterns that emerged, and makes recommendations for further research. A model of co-constructive practice emerges from this research: teacher and students co-construct artistic worlds through performance. The model is not new (it is common practice, adopted by generations of musician-teachers) but is rarely acknowledged and currently un-researched. This research demonstrates the validity of the practice from both musical, and teaching and learning perspectives, and examines the strengths and limitations of the model. At its best, the creative processes co-constructed by a teacher with her students are shown to provide a crucible within which intense and creative learning experiences occur. Students of all levels of ability are shown to gain confidence in this context, and subsequently develop skills with apparent ease. The co-constructive model is limited in that it cannot meet the musical needs of all students: co-construction should be considered as one model of practice, appropriate for use in association with many others. This research provides 'virtual access' to a particular world of performance practice, revealing the secondary school context as a realm of authentic and valid musical practice.

Global diasporas caused by wars carry many streams of people - in the 1970s one of these streams contained orphans from Vietnam delivered to white parents in the West. On arrival, the social expectation was that these children would blend seamlessly into the culture of their adoptive parents. Now some adoptees, as adults, reflect on their lives as 'Asian' or racially 'Other' children in white societies, charting the critical points in their maturation. This thesis interrogates their life histories to explore the role of birth-culture in the self-definition of people removed from that culture at birth or in childhood. Thirteen adult adopted Vietnamese participants were interviewed. These interviews provided qualitative data on issues of racial and cultural identity. These data were developed and analysed, using a framework drawn from symbolic interactionism and cultural studies, in order to reveal the interpersonal dynamics in which people were involved, and the broader cultural relations that sustained them. The findings reveal that in early childhood the adopted Vietnamese identity process was shaped by a series of identifications with, and affirmations of, sharing their adoptive parents racial and cultural identity. Such identifications were then challenged once the adoptees entered society and were seen by others as different. The participants' attempts to locate a secure sense of self and identity within the world they are placed in are disturbed by numerous uncertainties surrounding racial and cultural difference. One of the most crucial uncertainties is the adopted Vietnamese knowledge about their cultural background. While most felt they lacked positive knowledge about Vietnam and racial diversity, their sense of identity was unsettled by experiences with racism and negative cultural stereotypes throughout their late childhood to adolescence. As their recognition and acceptance of their difference develops in adulthood, they experience a degree of empowerment due to their being able to access more knowledge about their cultural background and a greater appreciation of racial diversity. Many participants have formed closer ties with other people born in Vietnam, most notably other adoptees; most returned to visit Vietnam. The thesis concludes that those adoptees who were able to develop an understanding of the Vietnamese and other backgrounds to their complex identities, tended to be more integrated as adults than those who either rejected or were unable to come to terms with their Vietnamese ancestry.

In this thesis, it is argued that the fundamental goal of education is one of equipping individuals to partake of the good life as members of a just democratic society. It is argued further that a necessary condition for the realisation of this goal is that individuals are equipped to think well; more precisely, to make decisions on the basis of arguments that are both logically cogent (that is, which have true premises and which are either inductively strong or deductively valid) and ethically grounded (that is, with premises which express appropriate regard for the welfare of others). The concern of the thesis is the role education might play in fostering both the capability and the readiness to engage widely in such thinking. Although this concern has a long and complex history within the Western tradition, insufficient educational progress has been made. It is suggested that progress has been hampered on the one hand by the stark disciplinary divide between the descriptive approach of psychology and the normative stance of philosophy; and on the other, by a failure on the part of educational programme developers to take into account the constraints of prevailing educational structures. It is argued that what is needed is a new model of interdisciplinary research.

This thesis sets for itself the task of testing the viability of a dialogic model of learning as a methodology for teaching critical thinking in reading and writing to undergraduate students of Thai in Thailand. To this end, we conducted an experiment involving twenty-one undergraduate students of Thai at KhonKaen University, Thailand. This study presents the intellectual background of the pedagogic framework supporting the experiment and a discussion of its outcomes. The assessment of the results of the experiment focuses on the forms of evidence resulting directly from this pedagogic framework. The study concludes with a number of considerations for future research in critical thinking which our project helped us to identify. For the purpose of our work, we adopt the model of dialogic learning which involves students in looking for perspectives enabling them to challenge, and as a result to enhance, the relevance of the understandings in which they frame their interactions. The process is dialogic because it involves students in working with different points of view by identifying challenging perspectives, constructing conflicting arguments and exploring the strategic potential that the interaction of these arguments may have on the students? initial assumptions. In this sense, the concept of dialogue that we use refers to the methodology of students? inquiry (learning), rather than a specific form of linguistic genre. In our view, this definition is suitable to all fields of inquiry considering that each field deals with evaluation of the strategic (enabling) power of its assumptions. In the course of this work, we establish the relevance of the above concept of dialogic inquiry against a multitude of ideas regarding the suitability of different approaches to the teaching of critical thinking. We illustrate that, typically, teaching approaches value questioning as a means for generating reasoned arguments. However, the originality of the dialogic model used in this thesis lies in its ability to focus pedagogic environments on students? strategic engagement in social interactions, rather than on the process of questioning alone. Consequently, in our study we assess the quality of students? learning by identifying the contexts indicating the quality of students? social engagement. These included gauging the community?s interest in the students? project, the depth of students? exploratory work, their ability to work together and students? own personal involvement in their project. These outcomes helped us to reflect on the quality of the teaching model which we designed in order to promote the critical thinking process. The emphasis on students? strategic engagement in social interactions allowed us to break away from the conventional concerns with the link between classroom learning and real-world tasks. Instead, our students engaged in the task of creating a Thai News Network (TNN), an Internet-based broadcasting channel, involving students in generating for themselves the meaning of the objectives of their academic subject in the contexts of challenges that they experienced when creating the channel and its (news) articles. Our data analysis shows that the concept of a Thai News Network proved very successful despite the conventional beliefs that Thai students would find it difficult to be critical thinkers. As we demonstrate throughout the entire thesis, the main issue in teaching critical thinking is not, as it is often assumed, to ask students to critique the teacher or other authority texts. Rather, it is to create conditions enabling students to identify, and to work with, conflicting perspectives in order to create for themselves increasingly better informed and more inclusive strategies for acting in the world. This may not be an original purpose, but our study offers an original pedagogic framework for facilitating this objective.

At my workplace, a metropolitan, Catholic primary school, I made the observation that, when Inquiry Learning was offered to children, Creative Drama was rarely utilized as part of the program. Based on my experience as a drama teacher, I thought that students might benefit from, and would enjoy learning in this way. I sought to investigate the relationship between Creative Drama and Inquiry Learning, to explore how these two education methods might work together, and then to identify what the benefits of a program combining Creative Drama and Inquiry Learning might be to most students. Though there have been many studies on using drama for the purpose of inquiry, few studies have looked specifically at the relationship and characteristics of the two constructs and how they work together in a classroom setting. / The main question for research was: What is and could be the relationship between Creative Drama and Inquiry Learning? / My chosen methodology, Action Research, suited my study because I am a drama teacher. Its problem-solving nature, intention to bring change, and make improvement to practice, were all reasons for that choice. I employed Burns seven stages of Action Research (2000) and through this implemented a program where students inquired into a concept through Drama and presented their own devised performance to an audience. / The use of Creative Drama as a vehicle in Inquiry Learning was enjoyable, motivating and engaging for students. Both methods are collaborative and encourage students to wonder and discover. Together the two methods facilitate the development of students’ social, interpersonal and problem solving skills. There was evidence of enhanced higher order learning skills, as they were able to explore attitudes, perceptions, creativity and deep understandings. Immersion into a pretend world with imagined possibilities linked well and became interrelated with the factual information collected through inquiry. / This investigation supports the notion that Inquiry Learning and Creative Drama have much in common and the relationship between the two, when worked together, provides a valuable learning opportunity for most students. Students made improvements to their performance and social skills, enjoyed the learning experience and were rewarded with a tremendous feeling of success following their final performances.

Thesis (LL. M.)--Judge Advocate General's School, United States Army, 1996. / "April 1996." Typescript. Includes bibliographical references. Also issued in microfiche.

Thesis (LL. M.)--Judge Advocate General's School, U.S. Army, 1972. / "April 1972." Typescript. Includes bibliographical references. Also issued in microfiche.

Efforts to improve education - more concretely science education - by creating fundamental shifts in standards for students and teachers have been launched by educators and policy makers in recent years. The new standards for science instruction address improvements in student learning, program development, assessment, and professional development for teachers, with the goal to prepare US students for the academic demands of the 21st century. The study examined teachers' knowledge and practices in science instruction with English language learning (ELL) students. It also examined relationships among key domains of science instruction with ELL students, as well as profiles of teaching practices. The four domains included: (1) teachers' knowledge of science content, (2) teaching practices to promote scientific understanding, (3) teaching practices to promote scientific inquiry, and (4) teaching practices to support English language development during science instruction. The study was part of a larger 5-year research and development intervention aimed at promoting science and literacy achievement of ELL students in urban elementary schools. The study involved 32 third grade, 21 fourth grade, and 17 fifth grade teachers participating in the first-year implementation of the intervention. Based on teachers' questionnaire responses, classroom observation ratings, and post-observation interviews, results indicated that (1) teachers' knowledge and practices were within the bounds of the intervention, but short of reform-oriented practices and (2) relationships among the four domains existed, especially at grade 5. These findings can provide insights for professional development and future research, along with accountability policies.