Intense intervention is needed for students who have persistent math challenges and perform below grade level. In the classroom setting, teachers need to provide additional support for some students based on their specific needs. This correlational study was an examination of interventions' impact on student achievement in math. The sample comprised students enrolled in Algebra I during the 2021–2022 school year. The results of this study showed that interventions may have a positive impact on student performance, especially when carried out in the proper educational setting. The findings from the research showed that there is no significant statistical correlation between students who received the intervention and those who didn't, as observed through the Algebra 1 EOC. Further studies are required to determine the impact of the interventionist on the academic performance of the students.

This thesis paper, Black Things, White Spaces, offers an in depth look into my journey as an artist and how my artistic practice has evolved over the years. Throughout this time of self-exploration, I have developed an interest in themes of racism, structures of power, representation and stereotypes. In my artistic work, I explore how these themes affect the African American community, as well as myself, as an African American woman. This paper utilizes the creative and theoretical frameworks by artists and scholars like, Bill Viola, Adrian Piper, bell hooks, and Franz Fanon to support the intentions of my work. This thesis illustrates for the reader how my work approaches these themes through certain methodologies, such as: tactical media, blurring the lines between art and life, and the manipulation of time and space. In this paper, I argue the importance of placing my work within the context of African American experiences throughout history. By doing this, my work is able to reference several events throughout history, while addressing our current moment in time. Included in this manuscript are detailed descriptions and analyses of each piece in the thesis exhibition. It is important to speak about the development and the intentions of my art. While speaking about the work, I compare and contrast my thesis work to previous artworks I’ve done, as well as other artists works, in order to place these pieces within an art-historical framework. Finally, this thesis, also addresses how my current work presented in the thesis exhibition will inform my future artistic practice. I believe that my contributions to the African American media arts practice creates spaces to celebrate diversity, empower the voiceless, but most importantly, creates new avenues for change.

Behavior Intervention Plans (BIPs) are used in public schools for students with disabilities, replacing target behaviors with socially appropriate behaviors using positive behavior support strategies. However, research suggests that BIPs are often poorly written or fail to be implemented as intended. One reason for the ineffectiveness of BIPs may be that the interventionist (e.g., classroom teacher or other staff member responsible for implementing the plan) and the context of his/her classroom is not considered when plans are written by specialists (e.g., school psychologist, special education teacher, etc.). The purpose of this study was to evaluate BIPs written and used for students in public schools in the intermountain west for their contextual fit, using a researcher-developed measure of contextual fit based on key concepts previously established in research and modeled after the Behavior Support Plan-Quality Evaluation, Second Edition (BSP-QE II). With the coding guide created by our research team, we coded previously collected BIPs for practicality, the skill level and competency required for the interventionist to implement, and the consideration of cultural values for both the interventionist and the student who would receive the intervention. In addition, a previous research study by a graduate student at the same university had previously coded BIPs from the four school districts in Utah for technical adequacy using the BSP-QE II and, using the results from that study, we ran a Pearson correlation to determine whether there was a statistically significant relationship between BIP quality and contextual fit. Ultimately, our study found that BIPs often failed to include all elements for contextual fit to reasonably be considered established, particularly in the cultural values of those who would implement or receive the plan. In addition, we found a moderate, positive relationship between BIP technical adequacy and contextual fit. Implications for practitioners and ideas for future research are also discussed, including: ensuring that BIPs are developed in teams that include the interventionist, creating BIP templates that are culturally and contextually appropriate, and the possibility of research that documents actual interventionist participation in BIP team meetings as a comparison to the results of our scoring guide of BIP contextual fit.

In this dissertation I explore a group of interventionist performances to identify and examine the politics of addressing issues of gender, sexuality, and trauma in performance contexts. Using performance as a mode of inquiry, I analyze my experiences as a performer, director, and audience member of performances that attempt to intervene in oppressive power structures related to sexism, heterosexism, and a culture of gender violence. I reflect on performer's choices in specific moments in an effort to theorize their potential effects on audience meaning-making and performance efficacy; comparing these choices among a group of performances, I posit applications for interventionist performers moving through similar decision-making processes. I engage three areas of complexity in interventionist performances addressing issues of gender, sexuality, and trauma. First, I explore how performers may encounter creative double binds as they attempt to deconstruct binaries, offer alternatives to master narratives, and initiate paradigm shifts regarding gender and sexual identity, sexual behavior, and victimization. I posit that the choices performers make may influence the immediate effects produced for audience members, creating a risk that performer's intentions may not always be met with a desired audience response. Second, I propose interventionist performance as a potential site for therapeutic affect that may be experienced by performers and/or audience members. By applying the therapist-patient relationship model in psychological mental health settings to audience-performer relationships on stage, I theorize how performers and audience members can approach performances that include disclosures about trauma with an understanding of the risks involved and the care for self and other such disclosures invite. Third, I analyze the potential power dynamics that may be produced through interactive performance strategies that centralize dialogue in sexual violence education programs. Drawing upon critical pedagogy praxis, I explore performers' negotiations of spectatorship, authority, and audience agency to identify several risks involved in this particular area of interventionist performance. I draw this dissertation to a close by suggesting several applications for performer-scholars interested in interventionist performance. I consider efficacy in the midst of negotiating its politics, power dynamics in audience-performer relationships, and interventionist performance as a response to trauma. I suggest that performers might consider a balance of openness and responsibility as they attempt to make efficacious choices in the midst of these complexities. Performers may benefit from acknowledging the needs of both self (the performer) and other (the audience) through self-reflexive praxis that boldly embraces the opportunities available through various interventionist strategies while taking care to acknowledge the potential impact of these choices. Finally, I provide personal reflection on the self-transformation I have experienced from engaging performance as a mode of inquiry in this dissertation project.

Noncompliance in students with Emotional/Behavioral Disorders (EBD) can contribute to difficulty with peer and teacher relationships and may result in reduced time for academic instruction. The Precision Request, an intervention which uses alpha commands, verbal praise, and reductive consequences, has been shown to increase compliance in students with EBD, but no studies have accounted for which component is responsible for the change. This study used an ABCDAX add-in component analysis to determine which component of the Precision Request produced the most effect on behavioral compliance in five sixth-grade elementary students with EBD. Data were collected on percent of student compliance, latency to compliance, and teacher and paraprofessional use of verbal praise and reductive consequences. Percent of correct implementation of the Precision Request was also recorded. All data were subsequently inspected via visual analysis. The interventionists which participated in the study were unable to implement the Precision Request with fidelity and no effect was found on student compliance, which prompted researchers to examine characteristics of the interventionists as a possible explanation for failure to implement with fidelity. A comparison of interventionists suggests that the Precision Request may be too difficult to implement for an individual who lacks behavioral training, who does not use foundational classroom procedures such as positive reinforcement and verbal praise, and/or whose philosophical viewpoints are not conducive to behavior analysis. Future research should examine contextual fit as regards behavioral interventions and interventionists, as well as which behavioral principles need to be mastered by an interventionist before the Precision Request can be implemented with fidelity.

This dissertation is a study of groundwork in Engaged Science, Technology, and Society (STS) research. Engaged STS scholars reframe STS knowledge and move it beyond the traditional scope and boundaries of the field. They use various methods such as critical participation, making and doing, situated interventions, and experimentation to critically engage with their fields of study. These scholars have evaluated their work within the context of the disciplinary outsider, described their use of high-level pragmatic frameworks, and used the arts to bring critical social issues to the public eye. Yet, when I decided to use STS engagement methods to bring visibility to the lesser-known communities in the Bradley Department of Electrical and Computer Engineering (ECE) at Virginia Tech, I found a lack of work documenting the groundwork and experience of engagement. I could not locate groundwork regarding negotiation, designing the most appropriate intervention, collaboration strategies, or confronting my fears and doubts about being in the field. Therefore, in this dissertation, I identify and examine my engagement experience in three interventions within the ECE department to bring visibility to the groundwork of STS engagement. The limited-series podcast Engineering Visibility was a platform to bring visibility to the less dominant communities in the ECE department. Highlighting the experiences of women in engineering, the first-generation student, inclusion and diversity, and the non-traditional student fostered a shared identity and sense of belonging within the ECE department. On the ground, this project examined the need to protect participants' visibility through invisibility. Interventionist Protectivity conceptualizes how I combined trust, accountability, and social awareness to protect my participants' from social scrutiny. The second project was a seminar titled "Expand Your ECE Career." The seminar exposed students to a "broader range of careers" by challenging the traditional ideas of success. The seminar featured four ECE alumni with successful careers in law, finance, and fashion entrepreneurship. Additionally, this intervention pointed out the inadequacies of traditional forms of project assessment. I describe how I measured intervention success through other assessment methods such as "assessment per mobility." The last project was a data-driven white paper that translated the care work of the undergraduate academic career advisors and framed it to be understood by the ECE faculty. The care work done by the academic advisors was underappreciated in its connection to undergraduate student success. On the ground, I discussed the importance of identifying the advisors and the faculty's social construction to create an intervention that translated the advisors' work to be valued by the faculty. Lastly, I conclude with a discussion summarizing the overall lessons learned from the three interventions and discussing my experience of engagement. My engaged STS experience is discussed through my framing of the concept of self-confrontation and the work of avoiding the term of STS being deemed as useful. / Doctor of Philosophy / This dissertation is a study of groundwork in engaged Science, Technology, and Society (STS) research. Recent advances such as critical participation, making and doing, and situated intervention are reframing boundaries between knowledge and action in STS, offering scholars new approaches for improving scientific and technological communities. When I attempted to utilize these theories and methods in a culture change project, however, I found a lack of scholarship documenting the experience of engagement. How does one design the most appropriate intervention? What strategies are required to collaborate and negotiate? How do engaged scholars confront their fears and doubts in their communities and concerning the knowledge they bring back to STS? These groundwork questions confront both novice and seasoned STS scholars and are crucial to successful engaged scholarship, but they rarely are documented and analyzed. Utilizing a matters-of-care framework and self-reflective methods, I describe how and why I sought to change the culture of a large engineering department by making visible unseen and sometimes under-appreciated stakeholders. To do so, I created three interventions: a limited-series podcast to showcase the diversity of experiences in the department, an alternative-career seminar to redefine what counted as success in engineering, and a data-driven white paper to showcase the indispensable care work of academic advisors. I analyzed these projects' construction, application, and outcomes to highlight the complexities and significance of groundwork for STS engagement.

Abstract This thesis contributes to the field of collaborative information systems and Computer-Supported Cooperative Work (CSCW). It extends the notion of technological support for design activities "in use" beyond providing the flexibility to tailor collaborative software, to provide means to support the appropriation process of these tools in their application fields. Two long-term studies on the evolution of usages of collaborative software in a German authority and in a network of freelancers in the field of consulting form the foundation of this work. Based on the experience there, it was possible to identify user activities that drive the appropriation process and to establish a perspective on the appropriation of a Groupware as a social process. Appropriation can be described as a collaborative effort of end users, who perform "appropriation activities" to make sense of the software in their work context. Besides activities to configure the software to fit into the technological, organisational and individual work context of the users ('Tailoring'), there is a larger area of technology-related communication, demonstration and negotiation activities aimed at establishing a shared understanding of how a software artefact works and what it can contribute to the shared work context. The mutual shaping of the technology and organisational contexts resemble an ongoing design process that end users perform largely without any involvement of professional developers. This perspective is the guiding line for developing means for "Appropriation Support", i.e., means to support the appropriation activities that end users perform. To inform the design of appropriation support measures and functions, current approaches that capture the collaborative dimensions of tailoring, and the necessities of 'discourse ergonomics' for technology-related online communication are explored. The trend to work with a tool 'infrastructure' instead of monolithic Groupware tools is a complicating yet important secondary consideration here, since it demonstrates the necessity to offer support 'beyond one tool' to support a use-oriented perspective on appropriation. The resulting idea of 'Use Discourse Environments' as a main concept for appropriation support which captures the activities of communication, demonstration and negotiation as well as the activity of tailoring (where possible) was implemented and evaluated in two prototypes that refer to the application fields of the initial studies. The idea of integrating online discourse, tool representations and tailoring facilities served as a guideline for the use discourse both in an event notification service as well as in the 'Online Future Workshop' that addressed a shared inter-organisational software development infrastructure. Based on the evaluations, design recommendations for appropriation support are made, and the problematic nature of appropriation activities as 'infrastructural work' versus the 'productive work' that end users consider their main area of work is addressed. The thesis concludes with a vision of collaborative software tools that do not only provide their original services, but also address end users as a 'virtual community of technology practice'.

Robert Kane asserts that some decisions and actions which are made by an agent are undetermined. These undetermined decisions are what allow an agent to have free will and ultimate responsibility for her decisions and actions. Kane appeals to probabilistic causation in order to argue that these undetermined decisions are not arbitrary or random. I argue that Woodward’s interventionist approach to causation can be used by Kane to make his theory of free will more plausible by illustrating how the agent causes her decision. Woodward’s account can link an agent’s reasons with her decision, activity in her self-network with her decision, and can render undetermined decisions plural rational, plural voluntary, and plural voluntarily controlled.

Qatar’s education system has recently been subjected to a process of deep structural reform. One of the beliefs which underpins this reform is the assumption that learner-centred pedagogy is more effective than traditional teacher-centred pedagogy. However, there is limited empirical evidence from a Qatari classroom context regarding the effectiveness of using learner-centred pedagogies. This lack of empirical evidence extends to the teaching of English as a foreign language. This study employed Vygotskian sociocultural theory as a lens to investigate the effects of working collaboratively on learners’ longer-term performance of two grammatical structures, the simple past passive and the present continuous passive, as well as the cognitive processes involved. Interventionist dynamic assessment was used to quantify the linguistic performance of male Arabic undergraduate EFL learners (N = 52) three times (pretest, posttest, and delayed posttest) over a 12-week period. In-between the pretest and the posttest, six form-focused treatment tasks were administered. The experimental group (n = 20) completed the treatment tasks collaboratively; the comparison group (n = 16) completed the treatment tasks individually; and the control group (n = 16) did not complete the treatment tasks. In addition, the genetic method was employed to trace the linguistic development of four participants in the experimental group. These four participants were audio-recorded as they collaboratively completed each treatment session. Mood’s median test (Mood, 1954) found a pretest to posttest statistically significant difference (M = 7.70, df = 1, p = 0.01) between the performances of the experimental and control groups for the structure of the simple past passive which is moderate to large in size (Cramér’s V = 0.46). However for both target structures, no statistically significant difference was found between the experimental group and the comparison group, suggesting that the treatment condition of working collaboratively was not more effective in promoting learners’ linguistic development than the treatment condition of working individually. Additionally, the descriptive statistics revealed high levels of individual variation. Of the four participants who were audio-recorded, the journey of one learner is presented. This data was analysed using a microgenetic approach with LREs (Swain and Lapkin, 1995, 1998, 2002) as the unit of analysis. The microgenetic analysis shows how working collaboratively provides learners with access to a shared cognitive space. Within this space, they can employ language as a cognitive tool to access other-regulation from their peers and deploy their own self-regulatory strategies. The experience of an individual was explored within the context of the linguistic gains made by the collective to whom he belongs. Thus, even though the statistical analysis of the results suggests that working collaboratively is not more effective in facilitating learners’ linguistic development than working individually, the process of language learning has been connected to the outcome of language learning through the results of the descriptive statistics and the microgenetic analysis. This study contributes to a better understanding of: the types of pedagogies that may be effective in a Qatari undergraduate context, why collaborative learning can be effective, how knowledge which is initially social can take on a psychological function, and how the Vygotskian sociocultural methodologies of the genetic method and dynamic assessment can be integrated into an SLA design.

This thesis explores representation of the Iraq War in selected Anglo-American and Iraqi novels, examining how several authors have employed this theme in their narratives. The featured novelists are chosen from many writers who focus their efforts and their writing on this conflict. Criterion for selection included offering a critique of the diverse perspectives from which the conflict was perceived, the texts‘ engagement with the political conundrums underpinning war and its approach, how such fiction engages with a contemporary audience and what perspective are deployed to do so. Their public visibility provides the basis of one interpretative strand of the thesis. This study also explores and conceptualises how this conflict has entered the cultural consciousness and to what degree the novels fictionalise the conflict as their main subject, and assesses through which thematic emphases. The texts chosen and to be analysed are pivotal to our understanding of contemporary Iraq and its recent history. It will be argued that the thematic content of these texts contextualise modern war‘s multiple effects within not only the fictional textual world, but as well as their imaginative characters these representations become part of the experience at least vicariously of the audiences who read them. The texts discussed in subsequent chapters are either originally written in, or translated into English (for publication), and therefore all available in English, one major criterion of textual selection. It is interesting to examine the theme of the Iraq War and the historical and pragmatic vein and cultural point of reference from which authors write and has come to dominate the discourse of some contemporary novelists. The goal is to critically explore how the war has become a focal point and the framework of their narratives. The thesis will attempt to analyse how such novels depict the effects of political violence and why they are drawn to powerfully articulate the gruelling reality and experience of those fictionally engaged by and/or affected by it. It will be proposed that novels of and about this conflict are essential to study, understand, and engage with because of the content and the message they attempt to convey which is so crucial to understanding contemporary faultiness in socio-cultural histories, and the critical themes they utilize in writing and the dynamics through which they fictionalize their stories. Such fictional representations of this war serve an important societal, cultural, aesthetic and symbolic function. Thus the study encapsulates how novels of and about the Iraq War reveal and recapture the physical, psychological, and interpersonal losses that are felt by the civilians and military alike.