Global ETD Search

11	Nativism and the decline in civil liberties: reactions of white America toward the Japanese immigrants, 1885-1945 O'Neal, Jonathon P. January 2009 (has links) Indiana University-Purdue University Indianapolis (IUPUI) / This thesis concentrates on how nativism, through a series of discriminatory policies over the span of fifty years, influenced the creation of the Japanese American internment camps during the Second World War. By using the experiences of the first—and second—generations of Japanese immigrants, my thesis explores how nativism supported the creation of laws meant to preserve racial homogeneity, cultural superiority, economic segregation, and national security from the Japanese immigrants living in California during the end of the nineteenth century and first half of the twentieth century California Alien Land Laws Japanese Internment Civil Liberties Nationalism Nativism Japanese Immigration Civil rights Nationalism -- United States Nativism Segregation -- California Immigrants -- California Japanese -- Foreign countries
12	A Narrative Analysis of Korematsu v. United States Santos, Bevin A. 12 1900 (has links) This thesis studies the Supreme Court decision, Korematsu v. United States, 323 U.S. 214 (1944) and its historical context, using a narrative perspective and reviewing aspects of narrative viewpoints with reference to legal studies in order to introduce the present study as a method of assessing narratives in legal settings. The study reviews the Supreme Court decision to reveal its arguments and focuses on the context of the case through the presentation of the public story, the institutional story, and the ethnic Japanese story, which are analyzed using Walter Fisher's narrative perspective. The study concludes that the narrative paradigm is useful for assessing stories in the law because it enables the critic to examine both the emotional and logical reasoning that determine the outcomes of the cases. Japanese Americans -- Civil rights. Civil rights -- United States. World War, 1939-1945 -- United States. Supreme Court Japanese internment Walter Fisher's narrative perspective
13	Living Under Security Certificates: Experiences of Securitization of Detainees and their Families Wadhawan, Subhah 06 December 2018 (has links) Security and race have historically been entangled in the politics of nation-building, whereby national security discourses have constructed the ‘public’ whom it should protect as ‘white’ while demonizing persons of colour as a threat to that public. In the current war against terrorism, these racialized discourses, underwritten by a colonial logic, have materialized through the symbolic and literal displacement of Muslim persons. Under this imperative of national security, both existing and novel legislations have either been suspended, contorted, or implemented to be used against Muslims, or anyone who visibly appears Muslim. Security certificates are one of such judicial tools. This thesis seeks to explore the experiences of securitization, analyzing how this legislation strips the subjects of the security certificate program of their legal rights and social connectedness. To explore this, I interviewed three of the five men from the ‘Secret Trial Five’ cases and some of their family members. I investigate how securitization manifests in the lives of those who have been securitized, exploring the practices that are used to maintain and reinforce the othering and the displacement of Muslim populations. Security Certificates Families Secret Trial 5 Chinese Head Tax Japanese Internment Canadian National Identity Lived experiences National Belonging Colonial State Colonization Qualitative interviews Social Death Civil Death State of Exception Securitization Racialization War on terror Experiencs of Muslims within Canada Exclusion Othering Moral indifference Mohamed Harkat Adil Charkoui Hassan Almrei Mahmoud Jaballah Mohamed Zeki Mahjoub House surveillance Body Relationships
14	George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art. Cuthbert, Nancy Marie 20 August 2012 (has links) Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories. / Graduate George Tsutakawa American modernism modern design silicon bronze sculpture welded sheet metal sculpture West Coast modernism Pacific Northwest Seattle public art Century 21 Fulton Mall postwar shopping center design Asian American art World War II Japanese internment Nisei Kibei machine aesthetic abstract art spirituality in art Lawrence Halprin environmentalism in art International Style architecture postwar urban planning Ala Moana Center Northgate Shopping Center Zen in America Bauhaus in America Walter Gropius Victor Gruen Mark Tobey Japanese American Henry Moore Sigfried Giedion Lewis Mumford Alexander Archipenko Paul Horiuchi Johsel Namkung Dudley Carter Freeway Park, Seattle Bentall Centre, Vancouver Seattle Public Library secondary Orientalism organicism in art modernist architecture

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