Wood pellets are offering opportunities for a cleaner-burning biofuel but major concerns are overshadowing their potential. Tony Bi and UBC’s Clean Energy Research Centre are engineering solutions.

The study examines the formation and development of Chinese American populations in Augusta, Savannah, and Atlanta, Georgia from the beginnings of Chinese Exclusion period through the passage of the Immigration Act of 1965. Although people of Chinese ancestry were in an ambiguous position upon their arrival in the 1880s within the black-white dyad that defined southern race relations, they were able to negotiate this system, transforming themselves from being perceived as “outsiders” before the 1940s to being treated as “honorary whites” by the late 1960s. To explore this transition, this project analyzes generational differences between immigrants and their children. Before the 1920s, the mostly Chinese immigrant male population concerned themselves with establishing viable businesses for sending remittances back to family in China and creating social institutions that helped the men cope with decades of separation from their families. The men avoided possible conflict with Jim Crow by having their businesses and residences in black or immigrant areas. Some men cultivated better relations with whites by attending Sunday schools that catered to Chinese immigrants. The mutation from “outsider” to “honorary white” status began when prosperous Chinese men started sending for wives to join them in the 1910s, thus ushering in a new pattern of planned long-term settlement in the state. Families successfully challenged the older perception by joining white churches, enrolling their children in white schools, and building social ties with white community leaders. Second generation Chinese Americans reaped the benefits of this strategy in the 1950s and 1960s by gaining access to housing in white neighborhoods, employment opportunities in white-collar occupations, and acceptance as partners in marriages with European Americans.

This essay is an investigation of transnational author Joseph Conrad’s engagement with issues of cultural liminality during the years around the turn of the 20th century. Through an examination of Almayer from Almayer’s Folly, Yanko of “Amy Foster”, and Cornelius from Lord Jim, the common experience of cultural displacement is considered. Conrad placed these three culturally liminal characters in various, carefully constructed social environments. Thus far, these characters have been under investigated in the critical literature, particularly the mixed-culture Almayer and Cornelius. By investigating these three characters and their environments, this essay demonstrates how Conrad depicts cultural displacement in the age of nationalism to be increasingly multifaceted but inevitably disastrous. The essay further reveals the need for more careful critical assessments of the cultural nuances of Conrad’s characters.

The study examines the formation and development of Chinese American populations in Augusta, Savannah, and Atlanta, Georgia from the beginnings of Chinese Exclusion period through the passage of the Immigration Act of 1965. Although people of Chinese ancestry were in an ambiguous position upon their arrival in the 1880s within the black-white dyad that defined southern race relations, they were able to negotiate this system, transforming themselves from being perceived as “outsiders” before the 1940s to being treated as “honorary whites” by the late 1960s. To explore this transition, this project analyzes generational differences between immigrants and their children. Before the 1920s, the mostly Chinese immigrant male population concerned themselves with establishing viable businesses for sending remittances back to family in China and creating social institutions that helped the men cope with decades of separation from their families. The men avoided possible conflict with Jim Crow by having their businesses and residences in black or immigrant areas. Some men cultivated better relations with whites by attending Sunday schools that catered to Chinese immigrants. The mutation from “outsider” to “honorary white” status began when prosperous Chinese men started sending for wives to join them in the 1910s, thus ushering in a new pattern of planned long-term settlement in the state. Families successfully challenged the older perception by joining white churches, enrolling their children in white schools, and building social ties with white community leaders. Second generation Chinese Americans reaped the benefits of this strategy in the 1950s and 1960s by gaining access to housing in white neighborhoods, employment opportunities in white-collar occupations, and acceptance as partners in marriages with European Americans.

Aquesta tesi vol demostrar que Joseph Conrad i William Faulkner, en les novel·les Lord Jim i Absalom, Absalom! respectivament, reflexionen sobre la credibilitat de la veu en la ficció i del discurs racial per mitjà de l'exploració tècnica de la veu narrativa i dels estereotips racials. Nascuda de les crisis històriques que giren al voltant de les relacions racials, patides al si de l'Imperi Britànic de finals del segle XIX i al Sud dels Estats Units durant la dècada de 1930, l'articulació d'aquests dos aspectes en les novel·les permet una representació de les qüestions racials que és innovadora i ambivalent. Certament, la interrogació de la credibilitat dels discursos, tan comú en la novel·la moderna, porta a la sofisticació tant de les estratègies narratives que exploren el problema de la fiabilitat en la ficció com de l'ús dels estereotips racials a dins de la narració, entesos, doncs, com a formes narratives. És justament en l'anàlisi de les correspondències entre els aspectes històrics i els aspectes formals on la tesi troba la manera complexa en què aquestes dues novel·les expressen les tensions racials pròpies dels contextos històrics que les engendren. / This dissertation intends to demonstrate that Joseph Conrad's novel Lord Jim and William Faulkner's Absalom, Absalom! explore the narrative strategy of narrative voice, on the one hand, and racial stereotypes, on the other, in order to reflect upon the credibility of voice in fiction as well as the trustworthiness of racial discourse. Emerging from the historical ideological crisis that involved race relations in the late nineteenth-century British Empire, and in the 1930s U.S. South, the blending of these two aspects allowed an alternative and ambivalent representation of racial issues in fiction. The interrogation of credibility, very common in the Modern novel, results in these novels in a sophistication of the strategies that address the problem of narrative reliability, and of the use of racial stereotypes for narrative purposes in other words, their conception as narrative forms. By paying attention to these two aspects, this thesis claims that it is in the analysis of their intertwining where we may find the expression of the historical tension born of complex race relations.

No description available.

This dissertation is an institutional history of the Mississippi State Hospital. Specifically, it is a study of the use of the hospital as an institutional instrument to establish, maintain, reinforce state-sponsored racial segregation and white supremacy during the period of Jim Crow in Mississippi. Mississippi's institution for its mentally ill residents became an instrument to reinforce the state's racially, socially, and economically rigid society.

No description available.

This study investigates how different guitarists introduced saxophone-like phrasing into the improvisatory and compositional vocabulary of jazz guitar through their collaborations with saxophonists. This research presents a comparative analysis of phrasing, articulation, and melodic design in solo improvisations. The mixed approach to this study includes analysis of motives, voice leading, articulation, length of phrases, melodic contour, and the execution of bebop vocabulary on the guitar. The findings are based on original transcriptions from significant recordings by guitar-saxophone pairs. These highlight the similarities between and adaptations of musical devices from saxophonists Stan Getz, Jimmy Giuffre, and Joe Lovano into the jazz guitar styles of Jimmy Raney, Jim Hall, and John Scofield. This study supports the argument that the evolution of modern jazz guitar playing is directly connected to the adaptation of saxophone-like phrasing at an improvisatory and compositional level. It also shows that the concept of style in jazz flows between different instruments' lineages. Understanding these findings provides a more complex and accurate concept of the development of style in jazz.

The dissertation examines African American Freemasons throughout the South during the Jim Crow era. The secret nature of Prince Hall Affiliated Freemasonry (PHA) has hidden the contribution and activism of the organization and its members. I argue the organization is part of a web of networks that fought for civil and human rights for African Americans. Through PHA, members are cultivated into leaders, activists, businessmen; over the years, the members have created an initiatic identity that connected them to the African American community and humanity. The significance of my study is that I analyze PHA through a womanist lens and argue the organization has a diarchal gender relationship that allows women and men to take on leadership and activist roles that differed from the normative gender relationship of their time.