本文內除第一章<緒論>、第五章<結論>外，共分為三章:第二章<支遁的生平>進入探討支遁的生平、行跡、交游、著作出家諸事。第三章<支遁時代的背景>觀察到<支遁集>是在甚麼樣的學術背景下形成的。第四章<支遁集分析>分析支遁集的版本、流傳、和內容。再者，分析支遁集部分的文類形式與內容。

Thesis (Ph. D.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.

This paper thoroughly studied the childhood, education, and job experiences of Hu Jintao, the present leader of Chinese Communist Party, and analyzed his personalities and cultural cultivation to understand his political character, behavior, and the thinking about policy on Taiwan. This paper includes six chapters. Chapter one includes the motive, objective, and the research method. Chapter two talks about the childhood of Hu Jintao. Chapter three describes how Hu became the fourth successive leader of Communist Party of China. Chapter four compares the 4 successive leaders and their policies on Taiwan. Chapter five discusses the consideration of Communist Party of China between its policy on Taiwan and international situation. Chapter six, the conclusion of this paper, brings out some suggestions for future thinking about foreign strategy toward China. After the 1949 civil war in China, the Government reined by Kuomintang withdrew to Taiwan and the Communist Party of China won the political power of China. It has been 60 years since the People¡¦s Republic of China was established on October 1st 1949. All of the 4 successive leaders claimed that there is only on China in the world, and Taiwan is part of China. Therefore, there were Mao Zedong¡¦s force liberation to peaceful liberation, Deng Xiaoping¡¦s peaceful liberation to ¡§one country with two systems,¡¨ Jiang Zemin¡¦s continuous ¡§one country two systems¡¨ based on Hong Kong experience, and Hu Jintao¡¦s two-side strategy ¡X ¡§milder for the milds, and firmer for the firms¡¨ and ¡§One country two systems for peaceful union.¡¨ Based on the above-mentioned background, this study compared the successive 4 leaders¡¦ breeding, learning, personalities, statecraft, leadership, value of life, and the policy on Taiwan collection and analysis of papers, periodicals, dissertations, scholars¡¦ writings, governmental publication, statistics, researches, records issued in China, and foreign periodicals, dissertations, and writings. Hopefully, the results were expected to be helpful to reveal China¡¦s strategies for Taiwan by describing in detail about the origins, historical causes, and possible future development between Taiwan and China. The final goal is helping China and Taiwan to understand each other more deeply and to have more friendly interactions, thus there would be more opportunities for the two parities to cooperate and benefit both sides.

Le 20e siècle aura été marqué par des vagues de migration des populations d'une ampleur encore inégalée. Cette mobilité, doublée des soulèvements des nouveaux mouvements sociaux dans les années 1960, a engendré des interrogations quant à notre façon d'envisager la problématique de l'identité. Traditionnellement conceptualisée comme une essence, ancrée de façon stable et permanente au coeur de l'individu dès sa naissance, l'identité s'est révélée comme une réalité beaucoup plus complexe. À la lumière de ces expériences remettant en question tous les types de frontières, l'identité s'est montrée multiple, changeante, et contextuelle. En prenant en considération le mouvement qui agite les catégories identitaires que l'on croyait fixes, des auteurs féministes ou postcolonialistes mettent à l'épreuve les théories modernes du sujet. Plutôt que d'attribuer à l'origine et aux qualités qui s'y inscrivent le pouvoir de définir immuablement l'individu, ces théoriciens tentent de rendre visible et compréhensible la marge de manoeuvre dont usent les sujets pour se définir continuellement au présent. L'identité s'envisage ainsi non plus comme une chose que l'on reçoit passivement, mais comme un verbe, une pratique qui se vit au présent. Cette réflexion théorique faisant du présent un espace d'invention et de subversion de l'identité s'est transposée dans les arts visuels, notamment dans les oeuvres de Rebecca Belmore, Canadienne de descendance ojibwa, et de Jin-me Yoon, Canadienne d'origine coréenne, deux artistes femmes occupant une position d'altérité au sein de la nation canadienne. Vivant toutes deux une situation de dualité culturelle fragilisant leurs présupposés identitaires, ces artistes font de la question de la contingence de l'identité, abordée sous l'angle du déplacement -physique ou métaphorique -, un des thèmes centraux de leurs oeuvres. Concevant l'oeuvre d'art comme une pratique théorique, ce mémoire considérera que les oeuvres de Belmore et de Yoon ne consistent pas en de simples représentations d'identités déjà constituées mais sont plutôt des espaces au sein desquels ces identités adviennent, dans et par l'action, c'est-à-dire la création artistique. Ainsi, l'analyse de certaines des oeuvres de ces artistes dévoilera leur manière de concevoir et de représenter différemment la problématique de l'identité. Démontrant l'incapacité de l'image du corps de rendre compte adéquatement de l'identité de celui qu'elle représente, ces artistes proposent des manières alternatives d'évoquer leur identité personnelle multi-accentuée. Suggérant un portrait contextualisé d'elles-mêmes, elles révèlent les limites de l'image qui ne peut jamais représenter la totalité du sujet. Après avoir déconstruit les systèmes normatifs contraignants que sont l' « amérindianité » ou l'orientalisme, Belmore et Yoon usent de la marge de manoeuvre qu'elles ont au présent pour transformer les symboles culturels en signes porteurs de nouvelles significations. Elles témoignent ainsi de la capacité de tout sujet de se réapproprier les qualités qui le définissent. Une action par laquelle le sujet peut octroyer un sens à son existence -une existence non plus seulement subie mais aussi faite sienne. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Art contemporain, Identité, Féminisme, Postcolonialisme, Rebecca Belmore, Jin-me Yoon.

Lie Xian Zhuan is representatives of the early story of Immortals class; Lie Yi Zhuan is Wei-Jin and South & North Dynasties¡¥s early Zhiguai's Novels. This thesis is focused on Research the books's author , Year of publication and table of contents ,discuss about the witchcraft from Pre-Qin Dynasty to the Wei Jin Dynasty. By research Lie Xian Zhuan and Lie Yi Zhuan 's contents, can probe the differences between both's background and witchcraft.

Abstract To integrate the operating ability and to enhance the operating efficiency of financial institutions, the government of Taiwan promulgated the act of financial holding company in June 2001. Fourteen licenses of financial holding company have been issued since then and the purpose of forming financial holding companies is to increase their international competitiveness which is important to Taiwan since she has become a member of WTO. Among those 14 financial holding companies they are different in scales, in operating strategies and in operating performances. Can those small-scaled financial holding companies survive in the market with increasing competitiveness? Should they merge with other large scaled financial holding companies? The purposes of this thesis are to analyze the previous two questions. In other words, we examine the impact of the Act on the operating strategy and performance of two small-scaled financial holding companies: Jin Sun and Waterland financial holding companies. To address the second issue mentioned previously, we also analyze the operating strategies and performances of the Fubon financial holding company, which is known as having the advantage of stores and branches and of marketing financial products. Our research provides critical operating strategies for Jin Sun and Waterland financial holding companies to enhance their operating performances.

No description available.

Thesis (D. Miss.)--Western Seminary, Portland, OR, 1998. / Abstract. Includes bibliographical references (leaves 187-200).

Thesis (D. Miss.)--Western Seminary, Portland, OR, 1998. / Abstract. Includes bibliographical references (leaves 187-200).

abstract: Sacred apocalyptic texts claim to foretell coming events, warning the faithful of some terrible fate that lies beyond the present. Such texts often derive their power from successfully recasting past events in such a way as they appear to be "predicted" by the text and thus take on additional meanings beyond the superficial. This ex eventu status allows apocalyptic texts to increase the credibility of their future predictions and connect emotionally with the reader by playing on present fears. The fifth-century Daoist apocalyptic text, the Scripture on the Cycles of Heaven and Earth (Tiandi yundu jing, &#22825;&#22320;&#36939;&#24230;&#32147;), is no exception. This thesis examines the apocalyptic markers in the poetic sections of the text, attempting to develop a strategy for separating the generic imagery (both to Chinese texts and the apocalyptic literary genre as a whole) from the more significant recoverable references to contemporary events such as the fall of the Jin dynasty and the subsequent founding of the Liu-Song dynasty. / Dissertation/Thesis / M.A. East Asian Languages and Civilizations 2011