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1	El ensayo de Jorge Volpi: El México de los años ‘68 y ‘94 January 2015 (has links) abstract: In the mid-1990’s, in Mexico, a group of novelists emerged during a public appearance at a literary venture aimed to go against predominant forms of aesthetics, canon, groups or literary ‘mafias’ prevalent during that time period. The group of five young writers called themselves “El grupo crack,” (The crack group). They brought with them the crack manifesto (1996) where each member of the group wrote to plea for a renovation of the novel with the assurance of having literary works that would challenge the reader as much as the literary status quo. Along with the manifesto, each one of them presented a novel. A few years after the presentation, the members of the group received many literary prices and accolades, inside and out of academic circles. One of the primary objectives of this work is to expose the poetic proposal of the literary grupo crack as it relates to previous movements, groups, and literary trends. Among the five writers of the group, Jorge Volpi has shown a significant growth in his literary corpus in a very short period of time. Aside from the great recognition he has received for his novel En busca de Klingsor (1999), (In search of Klingsor), Volpi has been a motive of study, mostly, for his narrative, leaving behind his essays. There are two collections of political-cultural essays that are well hidden in the early Jorge Volpi bibliography. The first one is titled La imaginación y el poder. Una historia intelectual de 1968 (1998), (Imagination and Power. An Intellectual history of 1968), and the second, La guerra y las palabras. Una historia intelectual de 1994 (2004), (War and Words. An intellectual history of 1994). Both works have been ignored in the bibliography of the grupo crack. To analyze both works it was necessary to contextualize Mexican history of the years 1968 and 1994, respectively. The analysis shows the interaction and coexistence between the intellectual class and the Mexican political class in an authoritarian regime, same symbiosis that Vargas Llosa would once refer to as “the perfect dictatorship.” / Dissertation/Thesis / Doctoral Dissertation Spanish 2015 Latin American literature Literature Boom El grupo crack EZLN Jorge Volpi La masacre de Tlatelolco México
2	Technology and the Grail in Fringe, In Search of Klingsor and Other Nazi Scientist Tales Hall, Kenneth 01 December 2019 (has links) No description available. Fringe Holy Grail In Search of Klingsor Jorge Volpi Nazis Second World War X-Files mad scientist Literature and Language Film and Media Studies
3	Allegory and the Transnational Affective Field in the Contemporary Mexican Novel (1993-2013) Bernal Rodríguez, Alejandra 08 October 2019 (has links) This thesis identifies continuities and disruptions within the tradition of literary allegory in Latin America and critically revisits the category of “national allegory” (Jameson 1986) in order to articulate an interpretative model suited to contemporary “transnational allegorical fiction”. Based on the analysis of seven Mexican novels that register the transition of neoliberalism from the political-economic order to a form of biopolitical control (Althusser, Foucault, Žižek), I identify the emergence of what I call a “transnational affective field”: a symbolic horizon, alternative to the nation, where the prospective function of foundational romances (Sommer) and the retrospective function of mourning akin to postdictatorial fiction (Avelar), converge. This ideological device negotiates power relations, facilitates the transfer of local/global meaning, promotes intercultural empathy and compromise, and denounces mechanisms of exclusion; thereby, reconfiguring the affective and political functions of allegory in Latin American fiction. Part One discusses critical approaches to allegorical fiction in both Latin American and World literatures. Part Two compares the representation of the binomial nation/world in three historiographic metafictions by Carmen Boullosa, Francisco Rebolledo and J.E. Pacheco through recent approaches in post-/de-colonial and memory studies. Part Three examines the depiction of the nation as simulacrum and the figuration of postmodern subjectivities in Jorge Volpi and Juan Villoro from a poststructuralist perspective. It also contends that Álvaro Enrigue’s and Valeria Luiselli’s novels are representative of an emergent meta-allegorical imagination that, in an ironic reversal of allegory (de Man), simultaneously constructs it as a mechanism of ideological control as well as a conscious strategy to resist commodification and symbolic violence (Bourdieu) in the contemporary world. The analysis demonstrates the vitality of Mexican transnational allegorical fiction as a socio-political and affective counter-hegemonic discourse that also functions as an effective strategy of recognition in the international literary field. Allegory Transnationalism Contemporary Literature Mexico Transnational literature Global novel Affective Field Nationalism Cosmopolitanism Mexican Literature Postnationalism Romance Mourning Postmodernism Affect Cosmopolitan memory Carmen Boullosa Cielos de la Tierra Francisco Rebolledo Rasero José Emilio Pacheco Morirás lejos Jorge Volpi El fin de la locura Juan Villoro Arrecife Alvaro Enrigue Vidas perpendiculares Valeria Luiselli La historia de mis dientes Neoliberalism in literature Walter Benjamin and allegory Paul de Man and allegory Mexican World Literature
4	The Politics of Cosmopolitanism in Contemporary Spanish American Literature: Elena Poniatowska, Mario Vargas Llosa, and Jorge Volpi Within a Disputed Tradition Bilodeau, Annik January 2016 (has links) This dissertation asserts that the tortuous relationship Spanish American literature had with cosmopolitanism since the Wars of Independence reached a turning point towards the end of the second half of the twentieth century. While the literary production of the nineteenth and most of the twentieth century was centred on the Spanish American nation and the continent, contemporary literature has become increasingly deterritorialized, and has begun to present narrative worlds and discuss issues that transcend this circumscribed universe. The discerning of this articulation of global issues in contemporary literature – which I contend is predicated on the concept of cosmopolitanism – is the primary objective of this investigation. The five novels examined here are Elena Poniatowska’s La “Flor de Lis” (1988), Mario Vargas Llosa’s El Paraíso en la otra esquina (2003) and El sueño del celta (2010), and Jorge Volpi’s El fin de la locura (2003) and No será la Tierra (2006). This study aims to describe and assess an evolving perspective on the treatment of cosmopolitanism in Spanish America. I trace the shift from the previous generations’ main preoccupation with aesthetic cosmopolitanism, which sought to engage Latin American literary discourse with the Western canon, to what I identify as the current political implication of the concept. To this end, I show that whereas mid-twentieth century authors displaced cosmopolitanism in favour of more politically expedient concepts, authors now plot it in their novels as a means of discussing issues of identity and citizenship in an increasingly globalized world. Cosmopolitanism Nationalism Cosmopolitan Reading Contemporary Latin American Literature Latin American Literary History Elena Poniatowska La "Flor de Lis" Mario Vargas Llosa El Paraíso en la otra esquina Flora Tristan Paul Gauguin El sueño del celta Roger Casement Jorge Volpi El fin de la locura No será la Tierra Walter Mignolo Anthony Kwame Appiah Rooted Cosmopolitanism Peru Mexico Latin America

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