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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
91

Constructing multiple realities on stage conceiving a magical realist production of José Rivera's Cloud tectonics /

Mellas, Michael John. January 2008 (has links)
Thesis (M.A.)--Miami University, Dept. of Theatre, 2008. / Title from first page of PDF document. Includes bibliographical references (p. 68).
92

Enhancing unity and authentic worship at Foxworthy Baptist Church, San Jose, California through the teaching and application of forgiveness

Fugate, Donald J. January 2004 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2004. / Abstract. Includes bibliographical references (leaves 215-223).
93

Enhancing unity and authentic worship at Foxworthy Baptist Church, San Jose, California through the teaching and application of forgiveness

Fugate, Donald J. January 1900 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2004. / Abstract. Includes bibliographical references (leaves 215-223).
94

Preferential option for the poor in a first world setting practical theology in a liberating key /

Crump, David P., January 2001 (has links)
Thesis (D. Min.)--Catholic Theological Union at Chicago, 2001. / Vita. Includes bibliographical references (leaves 118-122) and index.
95

Bi-tradução do livro primeiro dos amores de Ovídio : reflexões sobre dois modos de verter o dístico elegíaco

Souza, Luiza dos Santos January 2016 (has links)
Orientador : Prof. Dr. Rodrigo Tadeu Gonçalves / Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 30/03/2016 / Inclui referências : f. 188-192 / Resumo: O presente trabalho tem por finalidade apresentar pesquisa a respeito de duas vertentes modernas de tradução poética, centrada nos Amores de Ovídio. Para isso, discorre-se sobre o metro do texto de partida, o dístico elegíaco, características do texto ovidiano e pressupostos de teoria da tradução. Após isso, comentam-se traduções de alguns poemas latinos em metros tradicionais portugueses, dentre elas a dos Amores de Antonio Feliciano de Castilho, as de Odorico Mendes até trabalhos publicados mais recentemente. Percebeu-se uma tendência de utilização de dodecassílabo seguido de decassílabo - dois versos muito tradicionais em português - como alternativa para dístico elegíaco. Em seguida, esse modelo de tradução foi confrontado com a apresentação de trabalhos que procuram emular o ritmo do texto de partida, recorrendo à correspondência entre longas latinas e tônicas portuguesas. Esse modelo também tem longa tradição, desde experimentos do século XIX a Carlos Alberto Nunes, no século XX, e teses, dissertações e trabalhos recentes publicados no século XXI. Depois de se discutirem esses dois modos de traduzir, apresenta-se dupla tradução do livro primeiro dos Amores de Ovídio, procurando diferir apenas em opções de metro: tom, escolha vocabular e outros critérios, dentro das possibilidades de cada escolha tradutória, foram mantidos o mais próximos possível. Seguem comentários e notas de tradução, além de uma apreciação crítica deste trabalho dentro da história da tradução dos clássicos no Brasil. Palavras-chave: tradução poética, metros portugueses, versos com emulação do ritmo, dístico elegíaco, Ovídio. / Abstract: This Master's thesis presents two modern models of poetic translations, focused on Ovid's Amores. We discuss the original Latin meter, the elegiac couplet, some aspects of Ovid's production and key concepts for us about translation criticism. After that, we present and discuss other poetic translations, from Latin into Portuguese, using traditional Portuguese poetic forms, from Antonio Feliciano de Castilho, Odorico Mendes, until texts published recently. It is a fact that there is a clear tendency to translate the elegiac couplet with 12- and 10-syllable verses - very traditional poetic forms in Portuguese. This model is compared with the presentation of works in which translators emulate the original rhythm, using stressed syllables in Portuguese in the place of princepes long syllables in Latin. This method also has a long tradition in Portuguese, from some experiments in the 19th century, to Carlos Alberto Nunes, in 20th century, and theses and essays published in the 21st century. After discussing these two ways of translating Latin into Portuguese, we offer a dual-translation of Book I of Ovid's Amores, focusing on the rhythmical choices: similarity in tone, vocabulary choices and other criteria, respecting the possibilities offered by both translation choices, were maintained as far as possible. Finally, we provide a commentary on the texts and on translation choices, as well as a critical appreciation of the work in relation with the translation history of Classics in Brazil. Keywords: poetic translation, Portuguese metrics, emulative verses, elegiac couplet, Ovid.
96

Estabilização do solo da região de São Pedro de Alcântara - SC com cal visando o seu emprego na pavimentação

Pomatti, Kátia Elisa January 2000 (has links)
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico. / Made available in DSpace on 2012-10-17T16:21:59Z (GMT). No. of bitstreams: 0Bitstream added on 2014-09-25T17:38:34Z : No. of bitstreams: 1 174952.pdf: 11454837 bytes, checksum: a5c1c48b4e2fa7e4e82dbeabc8950d52 (MD5) / Neste trabalho foi analisada a melhoria nas características de um solo quando estabilizado com cal, bem como a viabilidade técnica de se utilizar camadas deste novo material em pavimentos urbanos. O solo utilizado no trabalho, para fins de tratamento, localiza-se às margens da Rodovia SC - 407, próximo a Santa Teresa, região metropolitana de Florianópolis/SC. O trabalho teve as seguintes finalidades: realizar um estudo da influência do teor de cal obtido sobre as propriedades físicas e químicas do solo tratado, verificar qual o ganho de resistência com o tempo de cura. O teor ótimo de cal foi identificado pelo método de Hilt e Davidson (Hilt e Davidson, 1960 - LIME FIXATION POINT) como sendo de 7%. Sobre o solo natural e a mistura solo-cal, foram realizados os ensaios de: limites de Atterberg, compactação, CBR, granulometria, permeabilidade, microscopia eletrônica, durabilidade, método das pastilhas MCT, resistência à compressão simples e diametral. Os corpos de prova foram curados em câmara úmida nas idades de 7, 14, 28, 60, 90, 120 e 150 dias. Dos resultados obtidos, concluiu-se: houve, de uma maneira geral, melhora nas características físicas com o acréscimo de cal; houve ganho de resistência com o tempo de cura.
97

El sujeto en tres novelas de José Donoso

Schoennenbeck G., Sebastián January 2006 (has links)
El objeto de estudio delimitado en este proyecto de tesis es la problemática del sujeto en las obras ya aludidas de José Donoso. La perspectiva para dar cuenta de ello está dada por una noción de sujeto en cuanto construcción cultural y social que podemos ver desarrollada en la ficción. En El obsceno pájaro de la noche, Casa de campo y La misteriosa desaparición de la marquesita de Loria, la problemática del sujeto puede ser analizada a partir de la consideración del otro. En otras palabras, la problemática del sujeto incluye al otro, en tanto figura expulsada de un orden y lenguaje legitimados asentados, la mayoría de las veces, en la figura del patrón o del narrador.
98

Isochronal: A Suite for Jazz Orchestra

Guzman Borrero, Jose E. 01 May 2016 (has links)
AN ABSTRACT OF THE THESIS OF José E. Guzmán Borrero, for the Master of Music degree in Music Theory and Composition, presented on April 8, 2016, at Southern Illinois University Carbondale. TITLE: ISOCHRONAL: A SUITE FOR JAZZ ORCHESTRA MAJOR PROFESSOR: Dr. Christopher Walczak The suite is a three movement composition for jazz orchestra in which I integrate contemporary compositional methods with the harmonic idioms of the jazz genre. The first movement, “Flight,” takes a minimalist (ca. 1970-1990) approach through the beginning of the piece, then incorporates a development section reminiscent of music from the Classical period with the use of two and three voice counterpoint. Followed by a traditional jazz solo section. The second movement, “'Round Ten” is a ballad featuring the post-tonal compositional method of dodecaphony (ca. 1925-1950) in tandem with melodic and harmonic jazz expressions reminiscent of Thelonious Monk. My compositional use of tone rows is similar to the methods of Benjamin Britten and Alban Berg, who used the row as a compositional guideline or tool. This is unlike the initial use of the row by its founder, Arnold Schoenberg, which restricted the composer by the necessity of using all twelve pitches (with no emphasis on a tonal center) and using it in a predetermined order. The ballad section of the second movement is similar to Thelonious Monk's music in its use of non-harmonic tones and sharp dissonances mixed with a repetitive melodic contour. The third and final movement, “Lights Out!” is an up-tempo piece that uses the dense harmonies reminiscent of Don Menza and Thad Jones’ arrangements. The harmonic structure of the piece is from the modal jazz period of the 1960s in which composers pushed the boundaries of the typical 32-bar song format. The melodic material in this movement includes material from the two previous movements.
99

From Text to Textile: An Autoethnographic Exploration of the Guatemalan Huipil

Perez-Langley, Olivia Gessella 01 December 2017 (has links)
In this dissertation, I autoethnographically explore the Guatemalan traditional blouse, a huipil, as a cultural object of identity, where the objectification of clothing is blurred as intertextual, and can be seen as both object and art. I argue, the huipil is situated within the purview of Latina/o communication studies, contributing to the conversation of a created, a woven, and a worn mestizaje. In chapter two, I discussed the historical significance of Rigoberta Menchú as a key international historical figure. Who preserves the cultural, historical, and political significance a representation of Guatemalan Indigenous women by continuing to wear her full traditional traje. In chapter three, I moved to discussing the performance art works of Regina José Galindo. I worked to construct a historical view of Guatemala for myself as shown through Galindo’s performance art work. I attempted to find answers to Galindo’s understanding of the huipil. In chapter four, I discuss who further contributed to the overall understanding of the huipil as significant to their cultural, historical, and political orientations as women from Guatemala during my research interviews. I developed a sense of the fabricscape woven to construct an identity based on clothing that communicatively segregates the Indigena and Ladina women into those categories. Finally, I turned to the Guatemalan experiences I had as family member, friend, and American scholar focusing on the huipil. The textile that carried me through my journey to and from Guatemala. I dressed the part of the dissertation as I wear this meaning in Mi Huipil and weave this document from and back into that embodied experience.
100

Religiosidade e mito na obra de José Carlos Mariátegui e a teologia da libertação

Silva, Adriana Cardoso da [UNESP] 09 November 2015 (has links) (PDF)
Made available in DSpace on 2016-01-13T13:27:40Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-11-09. Added 1 bitstream(s) on 2016-01-13T13:33:09Z : No. of bitstreams: 1 000855990.pdf: 1154729 bytes, checksum: 297087ea9cd14934cb11ab44d418d737 (MD5) / Dentre diversos temas de destaque elaborados pelo intelectual e militante peruano José Carlos Mariátegui (1894-1930) evidencia-se sua admirável capacidade de articular diferentes âmbitos da vida em sociedade como a dimensão subjetiva e espiritual das lutas sociais. Tais aspectos evidentes em Mariátegui são também características latentes nos princípios fundantes da Teologia da Libertação, movimento sócio religioso nascido na América Latina entre as décadas de 1960 a 1970. É possível identificar em ambos características de um pensamento religioso que articulado ao referencial teórico metodológico marxista, serve de inspiração a orientação de práticas sociais capazes de unir diversos setores populares rumo a luta pela conquista de direitos sociais, e, consequentemente, por uma sociedade mais justa e igualitária. Diante dessa constatação, esta pesquisa estuda a religiosidade e mito em Mariátegui, articulada a sua proposta revolucionária, e a compara à possíveis afinidades desses conceitos com os pressupostos centrais da Teologia da Libertação. Nossa hipótese assenta-se na premissa de que as ideias de Mariategui sobre religiosidade oferecem diversos pontos de contatos instigantes na comparação com o movimento cristão da Teologia da Libertação. A pesquisa leva em conta os contornos do cenário histórico do tempo em que o escritor tratou do tema da religião nos anos 1920, período marcado pelo desenvolvimento do marxismo no continente latino americano. Espera-se assim uma demonstração da forma especial em que ambos realizam a fusão entre religião e política e que é manifesto em seus escritos revelando, simultaneamente, a suas inserções na problemática histórica de seus tempos / Among several featured themes developed by the intellectual and militant Peruvian José Carlos Mariátegui (1894-1930) his admirable ability to articulate the different aspects of life in society as the subjective and spiritual dimension of social struggles is evident. These aspects are also evident in Mariátegui latent features in the founding principles of the Theology of Liberation, religious social movement born in Latin America between the decades of 1960 and 1970. You can identify both characteristics of a religious thought, that articulated with the Marxist methodological theoretical framework, inspires the guidance of social practices that unite several popular sectors towards the struggle for social rights, and therefore, for a more just equal society. Given this finding, this research studies the religiousness and myth in Mariátegui, articulated with his revolutionary proposal and compares it to the possible affinities of these concepts with the central assumptions of the Theology of Liberation. Our hypothesis is based on the premise that Mariategui's ideas about religiousness offer different points of instigating contacts in comparison with the Christian movement of the Theology of Liberation. The research takes into account the contours of the historical setting of the time in which the writer dealt with the theme of religion in the 1920s, a period marked by the development of Marxism in Latin America.It is expected a demonstration of the special way in which both do the fusion of religion and politics and that is evident in his writings, revealing, at the same time, his inserts in historical problematic of his times

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