Thesis (doctoral)--Stockholms universitet, 1999. / Added t.p. with thesis statement inserted. Discusses Erikskrönikan, Dikten om kung Albrekt, and Bishop Thomas' Frihetsvisan. Includes bibliographical references (p. 264-276).

Thesis (M.A.)--University of Missouri-Columbia, 2003. / Typescript. Includes bibliographical references (leaves 132-136). Also available on the Internet.

Thesis (M.A.)--University of Missouri-Columbia, 2003. / Typescript. Includes bibliographical references (leaves 132-136). Also available on the Internet.

This dissertation features the stories of drag king performers. Through life story interviews coupled with participant observations, and informed by gender performance, poststructuralist, and psychoanalytic theories, this project examines the ways in which drag performers construct, take up and perform multiple subjectivities and how they benefit from multiple knowledges in their learnings and unlearnings. Through an examination of the creation and circulation of these drag king pedagogies, I suggest ways in which drag performers create and sustain gendered knowledge, while navigating difference and working with multiple discourses of identity, oppression, and power in a socially and economically diverse city. Participants’ perceptions of their gender identities point to the ways in which identity categories are insufficient. Each participant uses an existing identity label (e.g., transgender, tranny, boi) or a combination of existing labels, to understand their gender identities, even as their narratives point to the failures of fixed categories. It is my contention that the narratives of these particular performers highlight the multiplicity of all selves, and the ways in which all learnings and unlearnings are fragmented. Thus, drag king narratives have significant pedagogical value in examining the relationships between subjectivities and knowledge.

The social constructs of “being a man”, often informed by various domains such as culture, religion and even the mass media, have contributed to conflicting views of how men perceive their masculinity and their relationship with women, resulting in many life-denying experiences for women. However, although society and culture play dominating roles in regard to what it means to “be a man”, they do not construct a unified habitus. In other words, although society and culture influence perceptions of maleness, these are not without their contradictions: not all men view their masculinity in the same way and masculinity can and does change. The present research was conducted within an African-feminist framework and demonstrates how 2 Kings 5 offered potential resources for redemptive masculinities, applicable to male and female, both in the Biblical text and in the South African context.

The thesis sets out to examine the interaction between the British royal family and its 'public' in the period between the Hanoverian succession and the recovery of George in from 'insanity' in 1789. Throughout, emphasis is given to the reception of royal activity by the press, who circulated information around the kingdom. It argues that the emergence of the domestic, popular monarchy in the middle of the reign of George III was the result of longterm considerations which arose from the activities of earlier generations of eighteenthcentury royalty, and were further developed by George III and his siblings. The growth of the royal family, and the physical and social limitations of the eighteenth-century court, led to its members finding avenues for self-expression outside the court and consequently to the expansion of the public sphere of the royal family. The subject is approached through six chapters: the move from traditional - usually sacerdotal - manifestations of royal benevolence, to sponsorship of voluntary hospitals and similar charities; accession and coronation celebrations during the century; royal public appearances in general, including the theatre and the masquerade, as well as visits to the provinces; the royal residences; royal support for scientific endeavour; and the legacy of the seventeenth century on eighteenth-century royalty, including portraiture and the family's martial connections, and the appearance or absence of mythologized seventeenth-century images in relation to the Thanksgiving of 1789. The thesis is intended to complement recent work on the emergence of national consciousness in Britain in the eighteenth century, as well as on royalty itself. It attempts to identify some of the questions concerning the place the royal family had in the society of eighteenth-century Britain, how its public image reflected that context, and how this helped the monarchy to survive as a stronger institution.

Australian and international literature provides strong evidence that intravenous use of psychostimulants increases the harms experienced by users, including heightening the risk of blood-borne virus (BBV) infection. The few Australian studies that include women who inject psychostimulants identify street-based sex work as the main method of income generation and highlight the harms that result from combining these practices. However, there has been little exploration into the way these practices are shaped by the environments in which they occur or the ways in which women manage these harms. This thesis aims to provide an in-depth exploration of the daily lives of women who inject psychostimulants and engage in street-based sex work in Kings Cross, Sydney. Over 18 months between 2005 and 2007, the author conducted ethnographic fieldwork with women who injected psychostimulants and engaged in street-based sex work in Kings Cross, Sydney. Data sources included observations recorded as fieldnotes and transcripts of in-depth interviews with 12 women. Thematic analysis of the data was employed with particular attention to the women???s shared narratives. Key findings of the thesis were that 1) the Kings Cross environment plays a prominent role in shaping the lives of women, their psychostimulant injecting and street-based sex work practices; 2) psychostimulant injecting reinforces the opportunistic nature of street-based sex work as the primary method of income generating for women, restricting the development of occupational norms; 3) synergies exist between the drug and sex markets in Kings Cross, increasing the harms associated with both injecting and street-based sex work practices; 4) public health messages relating to sharing of injecting equipment and condom use fail to account for contextually driven decision-making and risk prioritising; 5) women develop lay epidemiological understandings as they attempt to reconcile the public health messages with the lived reality. The value of these findings is in the insights they provide into the everyday lives of these women in Kings Cross that have not been documented previously and their potential for informing ???bottom-up??? rather than ???top down??? approaches to future policy, practice and research.

Research Doctorate - Doctor of Philosophy (PhD) / This thesis explores the contribution of the Australian witch and trance artist Rosaleen Norton (1917-1979) to the 20th century Western esoteric tradition. Norton’s artistic career began in the 1940s, with publication of some of her earliest occult drawings, and reached a significant milestone in 1952 when the controversial volume The Art of Rosaleen Norton – co-authored with her lover, the poet Gavin Greenlees – was released in Sydney, immediately attracting a charge of obscenity. Norton rapidly acquired a reputation as the wicked ‘Witch of Kings Cross’, was vilified by journalists during the 1950s and 1960s, and was branded by many as evil and demonic. Norton’s witchcraft coven was dedicated to the practice of heathen worship and ceremonial sex magic and attracted a small number of dedicated inner-circle followers, most notably the renowned musical conductor Sir Eugene Goossens (1893-1962), whose personal and professional career would be irrevocably damaged as a result of his contact with Norton’s magical group. Within the social context of post-World War Two Australia Norton was unquestionably an unconventional figure at a time when the local population was approximately 80 per cent Christian. Norton claimed to be an initiated follower of the Great God Pan and also revered other ancient figures, most notably Hecate, Lilith and Lucifer. Norton claimed to encounter these mythic beings as experientially real on the ‘inner planes’ which she accessed while in a state of self-induced trance. Many of her most significant artworks were based on these magical encounters. Norton is presented in this thesis as a magical practitioner and artist whose creative work and thought has made a substantial contribution to the 20th century Western esoteric tradition – and, in particular, to the magic of the so-called ‘left-hand path’, which is a significant part of this modern occult tradition. Norton’s artworks are also compared to those of the notable British trance artist and occultist Austin Osman Spare (1886-1956), who is now widely regarded as a major figure in the 20th century magical revival.

Applied research project (D. Min.)--School of Theology and Missions, Oral Roberts University, 2006. / Includes abstract and vita. Includes bibliographical references (leaves 319-327).

Thesis (Ph.D.)--Baylor University, 2008. / Includes bibliographical references (p. 205-219).