Este estudo tem como temas centrais as noções de acontecimento público e de comunicação pública. O problema de pesquisa destina-se à análise da configuração das redes de comunicação que constituem o acontecimento público, formadas a partir do acionamento de temas limítrofes entre interesses públicos e privados. A hipótese que norteia esta investigação é de que a visibilidade e a permanência do acontecimento público Tragédia Kiss são sustentadas por Redes de Comunicação Pública, pois estas potencializam o debate sobre a responsabilidade, o julgamento, a legislação e a assistência do Estado aos sobreviventes e familiares das vítimas da tragédia. Entre visibilidades desejadas e indesejadas, são estabelecidos pactos e disputas nos pontos nodais em que as subjetividades dos interlocutores encontram-se. Neste sentido, o objetivo geral de pesquisa é: analisar a configuração das Redes de Comunicação Pública sobre a Tragédia Kiss. Os objetivos específicos são: a) identificar as principais instituições e atores do acontecimento a partir da sua vinculação/ modo como foram atingidos/responsabilizados; b) identificar os processos de visibilidade constitutivos do acontecimento público Tragédia Kiss; c) identificar a dinâmica dos processos comunicacionais sediados em torno de temas de interesse público relacionados à Tragédia Kiss; d) identificar episódios estruturantes do acontecimento, dos quais derivam os temas acionados pelos atores nos processos comunicacionais em rede; e) definir eixos\categorias estruturais que permitam a análise da configuração do acontecimento público a partir das Redes de Comunicação Pública. A tese está estruturada em três partes: primeiramente, é realizada a descrição do objeto de pesquisa, com a descriminação da Tragédia Kiss, a cronologia do acontecimento, a relação com tragédias similares e os processos judiciais em curso. A segunda parte, com o referencial teórico, é dividida em três capítulos. No primeiro, estão diferentes acepções do público - na oposição dicotômica com o privado -, que visam delinear normativamente o horizonte tensional entre os termos, nos processos comunicacionais estabelecidos entre os atores. No segundo capítulo, estão as noções de esfera pública, esfera de visibilidade e de discussão pública, de opinião pública, de públicos – sociabilidade; de comunicação pública e de Redes de Comunicação Pública. O último capítulo teórico é dedicado à compreensão de acontecimento público; e sobre o impacto da morte coletiva. Na terceira parte, estão as referências metodológicas, formadas por pesquisa histórico-descritiva, com base na genealogia, e a técnica de pesquisa documental, de onde resultou o acervo de dados que serviram à análise; em seguida, a análise do funcionamento das redes do acontecimento público Tragédia Kiss, a partir das categorias visibilidade e permanência. Os resultados obtidos apontam para a confirmação da hipótese, pois mostram a manutenção do debate por intermédio da atividade das redes, em mídias tradicionais e alternativas. / This study has as central themes the public event notions and the public communication. The research problem is intended to analyze the communication networks configuration that make up the public event, formed from the actuation borderline issues between public and private interests. The hypothesis that guides this research is that the visibility and permanence of Kiss Nightclub Tragedy public event are supported by Networks of Public Communication, as they potentiate the debate on responsibility, judgment, legislation and State assistance to survivors and families of the victims from the tragedy. Between desired and unwanted visibilities, pacts and disputes are laid down in the nodal points where the subjectivities of the interlocutors are inserted. In this sense, the overall research objective is: to analyze the Public Communication Networks configuration on the Kiss Nightclub Tragedy. The specific objectives are: a) identify the main institutions and actors of the event from their own connection/ how they have been affected / accountable; b) identify the constituent visibility process of the public event Kiss Nightclub Tragedy; c) identify the dynamics of communication processes based around issues of public interest related to Kiss Nightclub Tragedy; d) identify structuring episodes of the event, of which derive from the issues triggered by the actors in network communication processes; e) define axes\ structural categories that allow the analysis of the public event configuration from the Public Communication Networks. The thesis is structured in three parts: first, the description of the research object is carried out with discrimination of the Kiss Nightclub Tragedy, the event chronology, the relationship with similar tragedies and legal proceedings in course. The second part, with the theoretical framework, is divided into three chapters. In the first, there are different meanings of public - in dichotomous opposition with the private -, aimed at delineating normatively the horizon tension between the terms, in the communication processes established between the actors. In the second chapter, there are the public sphere notions, visibility sphere and public discussion, public opinion, public - sociability; public communication and public communication networks. The last theoretical chapter is devoted to understanding the public event; and the impact of collective death. In the third part, there are the methodological references, formed by historical and descriptive research, based on genealogy, and documentary research technique, which resulted in the data collection that served the analysis; then the analysis of the functioning of the Kiss Nightclub Tragedy public event networks, from the visibility and permanence categories. The results point to the confirmation of the hypothesis, because they show the maintenance of the debate through the networks' activity, in traditional and alternative media.

Growing main memory capacities and an increasing number of hardware threads in modern server systems led to fundamental changes in database architectures. Most importantly, query processing is nowadays performed on data that is often completely stored in main memory. Despite of a high main memory scan performance, index structures are still important components, but they have to be designed from scratch to cope with the specific characteristics of main memory and to exploit the high degree of parallelism. Current research mainly focused on adapting block-optimized B+-Trees, but these data structures were designed for secondary memory and involve comprehensive structural maintenance for updates. In this paper, we present the KISS-Tree, a latch-free inmemory index that is optimized for a minimum number of memory accesses and a high number of concurrent updates. More specifically, we aim for the same performance as modern hash-based algorithms but keeping the order-preserving nature of trees. We achieve this by using a prefix tree that incorporates virtual memory management functionality and compression schemes. In our experiments, we evaluate the KISS-Tree on different workloads and hardware platforms and compare the results to existing in-memory indexes. The KISS-Tree offers the highest reported read performance on current architectures, a balanced read/write performance, and has a low memory footprint.

Este estudo tem como temas centrais as noções de acontecimento público e de comunicação pública. O problema de pesquisa destina-se à análise da configuração das redes de comunicação que constituem o acontecimento público, formadas a partir do acionamento de temas limítrofes entre interesses públicos e privados. A hipótese que norteia esta investigação é de que a visibilidade e a permanência do acontecimento público Tragédia Kiss são sustentadas por Redes de Comunicação Pública, pois estas potencializam o debate sobre a responsabilidade, o julgamento, a legislação e a assistência do Estado aos sobreviventes e familiares das vítimas da tragédia. Entre visibilidades desejadas e indesejadas, são estabelecidos pactos e disputas nos pontos nodais em que as subjetividades dos interlocutores encontram-se. Neste sentido, o objetivo geral de pesquisa é: analisar a configuração das Redes de Comunicação Pública sobre a Tragédia Kiss. Os objetivos específicos são: a) identificar as principais instituições e atores do acontecimento a partir da sua vinculação/ modo como foram atingidos/responsabilizados; b) identificar os processos de visibilidade constitutivos do acontecimento público Tragédia Kiss; c) identificar a dinâmica dos processos comunicacionais sediados em torno de temas de interesse público relacionados à Tragédia Kiss; d) identificar episódios estruturantes do acontecimento, dos quais derivam os temas acionados pelos atores nos processos comunicacionais em rede; e) definir eixos\categorias estruturais que permitam a análise da configuração do acontecimento público a partir das Redes de Comunicação Pública. A tese está estruturada em três partes: primeiramente, é realizada a descrição do objeto de pesquisa, com a descriminação da Tragédia Kiss, a cronologia do acontecimento, a relação com tragédias similares e os processos judiciais em curso. A segunda parte, com o referencial teórico, é dividida em três capítulos. No primeiro, estão diferentes acepções do público - na oposição dicotômica com o privado -, que visam delinear normativamente o horizonte tensional entre os termos, nos processos comunicacionais estabelecidos entre os atores. No segundo capítulo, estão as noções de esfera pública, esfera de visibilidade e de discussão pública, de opinião pública, de públicos – sociabilidade; de comunicação pública e de Redes de Comunicação Pública. O último capítulo teórico é dedicado à compreensão de acontecimento público; e sobre o impacto da morte coletiva. Na terceira parte, estão as referências metodológicas, formadas por pesquisa histórico-descritiva, com base na genealogia, e a técnica de pesquisa documental, de onde resultou o acervo de dados que serviram à análise; em seguida, a análise do funcionamento das redes do acontecimento público Tragédia Kiss, a partir das categorias visibilidade e permanência. Os resultados obtidos apontam para a confirmação da hipótese, pois mostram a manutenção do debate por intermédio da atividade das redes, em mídias tradicionais e alternativas. / This study has as central themes the public event notions and the public communication. The research problem is intended to analyze the communication networks configuration that make up the public event, formed from the actuation borderline issues between public and private interests. The hypothesis that guides this research is that the visibility and permanence of Kiss Nightclub Tragedy public event are supported by Networks of Public Communication, as they potentiate the debate on responsibility, judgment, legislation and State assistance to survivors and families of the victims from the tragedy. Between desired and unwanted visibilities, pacts and disputes are laid down in the nodal points where the subjectivities of the interlocutors are inserted. In this sense, the overall research objective is: to analyze the Public Communication Networks configuration on the Kiss Nightclub Tragedy. The specific objectives are: a) identify the main institutions and actors of the event from their own connection/ how they have been affected / accountable; b) identify the constituent visibility process of the public event Kiss Nightclub Tragedy; c) identify the dynamics of communication processes based around issues of public interest related to Kiss Nightclub Tragedy; d) identify structuring episodes of the event, of which derive from the issues triggered by the actors in network communication processes; e) define axes\ structural categories that allow the analysis of the public event configuration from the Public Communication Networks. The thesis is structured in three parts: first, the description of the research object is carried out with discrimination of the Kiss Nightclub Tragedy, the event chronology, the relationship with similar tragedies and legal proceedings in course. The second part, with the theoretical framework, is divided into three chapters. In the first, there are different meanings of public - in dichotomous opposition with the private -, aimed at delineating normatively the horizon tension between the terms, in the communication processes established between the actors. In the second chapter, there are the public sphere notions, visibility sphere and public discussion, public opinion, public - sociability; public communication and public communication networks. The last theoretical chapter is devoted to understanding the public event; and the impact of collective death. In the third part, there are the methodological references, formed by historical and descriptive research, based on genealogy, and documentary research technique, which resulted in the data collection that served the analysis; then the analysis of the functioning of the Kiss Nightclub Tragedy public event networks, from the visibility and permanence categories. The results point to the confirmation of the hypothesis, because they show the maintenance of the debate through the networks' activity, in traditional and alternative media.

Este estudo tem como temas centrais as noções de acontecimento público e de comunicação pública. O problema de pesquisa destina-se à análise da configuração das redes de comunicação que constituem o acontecimento público, formadas a partir do acionamento de temas limítrofes entre interesses públicos e privados. A hipótese que norteia esta investigação é de que a visibilidade e a permanência do acontecimento público Tragédia Kiss são sustentadas por Redes de Comunicação Pública, pois estas potencializam o debate sobre a responsabilidade, o julgamento, a legislação e a assistência do Estado aos sobreviventes e familiares das vítimas da tragédia. Entre visibilidades desejadas e indesejadas, são estabelecidos pactos e disputas nos pontos nodais em que as subjetividades dos interlocutores encontram-se. Neste sentido, o objetivo geral de pesquisa é: analisar a configuração das Redes de Comunicação Pública sobre a Tragédia Kiss. Os objetivos específicos são: a) identificar as principais instituições e atores do acontecimento a partir da sua vinculação/ modo como foram atingidos/responsabilizados; b) identificar os processos de visibilidade constitutivos do acontecimento público Tragédia Kiss; c) identificar a dinâmica dos processos comunicacionais sediados em torno de temas de interesse público relacionados à Tragédia Kiss; d) identificar episódios estruturantes do acontecimento, dos quais derivam os temas acionados pelos atores nos processos comunicacionais em rede; e) definir eixos\categorias estruturais que permitam a análise da configuração do acontecimento público a partir das Redes de Comunicação Pública. A tese está estruturada em três partes: primeiramente, é realizada a descrição do objeto de pesquisa, com a descriminação da Tragédia Kiss, a cronologia do acontecimento, a relação com tragédias similares e os processos judiciais em curso. A segunda parte, com o referencial teórico, é dividida em três capítulos. No primeiro, estão diferentes acepções do público - na oposição dicotômica com o privado -, que visam delinear normativamente o horizonte tensional entre os termos, nos processos comunicacionais estabelecidos entre os atores. No segundo capítulo, estão as noções de esfera pública, esfera de visibilidade e de discussão pública, de opinião pública, de públicos – sociabilidade; de comunicação pública e de Redes de Comunicação Pública. O último capítulo teórico é dedicado à compreensão de acontecimento público; e sobre o impacto da morte coletiva. Na terceira parte, estão as referências metodológicas, formadas por pesquisa histórico-descritiva, com base na genealogia, e a técnica de pesquisa documental, de onde resultou o acervo de dados que serviram à análise; em seguida, a análise do funcionamento das redes do acontecimento público Tragédia Kiss, a partir das categorias visibilidade e permanência. Os resultados obtidos apontam para a confirmação da hipótese, pois mostram a manutenção do debate por intermédio da atividade das redes, em mídias tradicionais e alternativas. / This study has as central themes the public event notions and the public communication. The research problem is intended to analyze the communication networks configuration that make up the public event, formed from the actuation borderline issues between public and private interests. The hypothesis that guides this research is that the visibility and permanence of Kiss Nightclub Tragedy public event are supported by Networks of Public Communication, as they potentiate the debate on responsibility, judgment, legislation and State assistance to survivors and families of the victims from the tragedy. Between desired and unwanted visibilities, pacts and disputes are laid down in the nodal points where the subjectivities of the interlocutors are inserted. In this sense, the overall research objective is: to analyze the Public Communication Networks configuration on the Kiss Nightclub Tragedy. The specific objectives are: a) identify the main institutions and actors of the event from their own connection/ how they have been affected / accountable; b) identify the constituent visibility process of the public event Kiss Nightclub Tragedy; c) identify the dynamics of communication processes based around issues of public interest related to Kiss Nightclub Tragedy; d) identify structuring episodes of the event, of which derive from the issues triggered by the actors in network communication processes; e) define axes\ structural categories that allow the analysis of the public event configuration from the Public Communication Networks. The thesis is structured in three parts: first, the description of the research object is carried out with discrimination of the Kiss Nightclub Tragedy, the event chronology, the relationship with similar tragedies and legal proceedings in course. The second part, with the theoretical framework, is divided into three chapters. In the first, there are different meanings of public - in dichotomous opposition with the private -, aimed at delineating normatively the horizon tension between the terms, in the communication processes established between the actors. In the second chapter, there are the public sphere notions, visibility sphere and public discussion, public opinion, public - sociability; public communication and public communication networks. The last theoretical chapter is devoted to understanding the public event; and the impact of collective death. In the third part, there are the methodological references, formed by historical and descriptive research, based on genealogy, and documentary research technique, which resulted in the data collection that served the analysis; then the analysis of the functioning of the Kiss Nightclub Tragedy public event networks, from the visibility and permanence categories. The results point to the confirmation of the hypothesis, because they show the maintenance of the debate through the networks' activity, in traditional and alternative media.

William Shakespeare's play, The Taming of the Shrew has a varied and interesting stage history. Beginning with Fletcher's The Tamer Tarn'd (1633), a sequel to Shakespeare, there have been many adaptations of the plot in farce, opera and poetic drama, including an American musical comedy. This thesis will follow the stage history of The Taming of the Shrew, focussing on the dramatic development and treatment of the heroine, Katherine. Shakespeare's shrew, Katherine, is much more than a traditional shrew stereotype. Her dramatic presentation in language and action has enough depth and subtlety to provoke much conflicting criticism and interpretation. What motivates her anger? Why is she physically abusive? Is she subdued, tamed or reeducated? Enough clues are present in the play to provide for interesting debate. The first part of the thesis is concerned with examining Shakespeare's dramatic concept of the shrew to establish the scope and range of Katherine's personality and her response to Petruchio's taming tricks. In later versions of the play, the character of Katherine receives a variety of dramatic treatments. Some playwrights reduce Katherine's dramatic function to a mere outline. Others accentuate her physically abusive and sharp-tongued qualities. Yet another variation is a softening of the shrewish disposition to allow for a sentimental treatment of shrew conditioning. The dramatic vigour of the shrew character is constant, but variations in plot, language and thematic idea result in very different and entertaining shrew types. This stage history of The Taming of the Shrew as it relates to the heroine, Katherine, includes an analysis of the following plays. The Tamer Tarn'd (1633), a sequel by John Fletcher serves to comment on Shakespeare's Kate by direct allusion and by dramatic contrast. Sauny the Scot (1667) is a bastardised Restoration version in which the shrew is a farcical stereotype who must suffer extensive physical humiliation for her excessive displays of nastiness. Catherine and Petruohio (1756) is David Garrick's miniature version of Shakespeare which stresses the farce, simplifying the play and the dramatic impact of Catherine. John Tobin's The Honeymoon (1805) is a poetic attempt to re-create The Shrew. The heroine in this play suffers the sin of pride, but is won over to domesticity and humility by love and rural surroundings provided by a gentle tamer. The thesis also considers the nineteenth century attempts to revive the Shakespeare original which struggled unsuccessfully with the popularity of the Garrick version. Some of the musical adaptations of The Shrew provide a rich variety of shrew heroines in very different settings. Included are a ballad opera, A Cure for a Scold (1735), a German opera by Hermann Goetz, The Taming of the Shrew (1878), and a modern musical comedy version, Kiss Me Kate (1948). These adaptations and variant versions provide a veritable school of Katherines. The streak of genius in Shakespeare's dramatic idea of a shrew, who, even in the realm of farce is seen as a human being with the capacity to feel, change and grow, becomes very strongly apparent as Shakespeare's Kate is measured against the shrew heroines in these derivative plays. The contrasting shrew types, though interesting and pleasing in their own way, never quite acquire the stature, poise, wit, intelligence and humour which characterise Shakespeare's attractive Kate. For Kate's civilising and learning encounter with Petruchio is not the brutalising, punitive or subjugating ritual of tradition; amidst the slapstick of farce, Kate, with her Petruchio, provides a unique variation of the shrew heroine. She is not conquered. She changes herself. This is her distinction and her strength and the mark of Shakespeare's human touch. / Arts, Faculty of / English, Department of / Graduate

Publikationsdissertation zum Thema 'Verwendung digitaler Daten zur Auswertung von wissenschaftlichen Fragestellungen im Bereich der Krankenhaushygiene und Infektionserfassung: Erarbeitung einer algorithmischen Definition von relevanten Endpunkten für die EFFECT-Studie'

Krankheiten, Rückschläge und schwierige Lebenslagen können jeden treffen, jederzeit. Insbesondere seelische Belastungen, unklare Diagnosen, chronische Leiden, schwere Operationen oder plötzliche Unfälle verändern die Prioritäten im Leben. Dann braucht es ärztliche Hilfe, familiären Beistand und reichlich Geduld. Die KISS unterstützt die Gruppen bei der Organisation ihrer Treffen, stellt insbesondere Räume zur Verfügung, hilft bei Neugründungen und vermittelt Kontakte. Die Mitarbeiterinnen kennen sich nicht nur bestens in der Dresdner Selbsthilfegruppen-Landschaft aus, sie halten auch Verbindungen über Stadtgrenzen hinaus und sind für alle da, die Selbsthilfe gerade für sich entdecken, die passende Gruppe suchen oder Beratung zum Thema möchten. Außerdem stellen sie diese hilfreiche Broschüre zusammen und Online-Informationen auf dresden.de/selbsthilfe bereit. In der Online-Datenbank können sich interessierte Dresdnerinnen und Dresdner mit Hilfe einer Schlagwortsuche über die lokalen Selbsthilfegruppen informieren. Redaktionsschluss: September 2020

Le trafic membranaire est essentiel dans les neurones pour la morphogénèse, le recyclage des vésicules synaptiques et des récepteurs. L’exocytose des récepteurs AMPA contenus dans les endosomes de recyclage (ER) est nécessaire pour l’expression de la plasticité synaptique à long terme (PLT). Pour étudier ce mécanisme, nous avons visualisé l’exocytose par microscopie de fluorescence sur des neurones en culture transfectés avec le récepteur de la transferrine (TfR), un marqueur des ER, fusionné à la phluorine. Un examen systématique des événements d'exocytose a révélé des différences de comportement. Dans la plupart des cas, les récepteurs diffusent rapidement dans la membrane plasmique après exocytose (discharge), mais dans environ 25% des cas, les récepteurs restent concentrés (display). L’utilisation de changements rapides de pH extracellulaire autour de la cellule montre que l’exocytose est transitoire : après quelques secondes (médiane 2.6s) les récepteurs sont réinternalisés. Ce mécanisme a pu être étendu aux récepteurs AMPA et β2-adrenergique, pour lesquels l’exocytose de type display avait déjà été décrite. L’imagerie deux couleurs montre que Rab11, un marqueur des ER, est enrichie au site d’exocytose. L’expression d’un dominant négatif de Rab11 connu pour inhiber la PLT provoque une diminution spécifique de la fréquence des évènements discharge. Dans nos recherches sur le mécanisme de l’exocytose, nous avons testé l’implication des protéines SNARE dans la fusion membranaire. Ainsi VAMP4 est enrichie avec le TfR dans les ER qui sont exocytés à une fréquence équivalente. De plus, elle est requise pour le recyclage du TfR. / Membrane trafficking is essential for neuronal function: from growth of neurons and synapse formation to recycling of synaptic vesicles and receptors, questions concerning exocytosis and endocytosis are stimulating neurobiology research. In particular, trafficking of glutamate receptors present in recycling endosomes (REs) is necessary for the expression of long term potentiation (LTP). To investigate the mechanism of exocytosis in dendrites, we have imaged cultured rat hippocampal neurons transfected with transferrin receptor, a classical marker of REs, tagged with phluorin. As for AMPA receptors or β2-adrenegric receptors, single exocytic events has revealed two main behaviors: in most cases, receptors diffuse quickly in the plasma membrane after exocytosis (discharge events), but receptors can also remain clustered (display events). Using fast extracellular pH changes around the recorded cell, we show that for display events exocytosis is transient: after a few seconds (median 2.6 s) receptors are internalized. Moreover, using two color imaging of single exocytosis events with markers of neuronal compartments, we found that Rab11 is enriched at the exocytosis site, confirming the endosomal origin of the vesicles. Overexpression of a dominant negative form of Rab11 known to impair LTP decreases selectively the frequency of discharge events. As SNARE proteins are involved in virtually all membrane fusion processes, we investigated the role of Vamp proteins in somatodendritic exocytosis events. We found that Vamp4, unlike Vamp2 or Vamp7, is enriched in TfR containing compartments and can undergo exocytosis at high frequency and is required for TfR exocytosis.

La novela El beso de la mujer araña del escritor argentino Manuel Puig es una novela que trata dedos presos en una cárcel bonaerense durante la dictadura militar argentina. Esta tesina se centrará enla identidad femenina de Molina. El objetivo de esta tesina es examinar la celebración de lafemineidad de Molina, y su construcción de una identidad femenina. Esta identidad se conectarácon la idea de la identidad femenina como socialmente construida, opuesto a la noción de génerocomo algo innato. Es decir, la identidad femenina de Molina y sus ideas de lo femeninocorresponden a la idea de la identidad femenina como socialmente construida. Apoyándonos enteoría feminista y teoría queer, estableceremos la conexión que existe entre la identidad femeninacomo la ve Molina, y la identidad femenina como construcción social. / The kiss of the spider woman, novel written by Argentinian novelist Manuel Puig, is the story oftwo prisoners in a prison in Buenos Aires during the military dictatorship. This thesis will focus onthe feminine identity of protagonist Molina, a homosexual man who choses to regard himself as awoman. The aim of this thesis is to examine his construction of the feminine identity, and connectthat construction with feminist and queer theories of gender as socially constructed, opposed toinnate or given by biological gender.

The intent of this thesis and thesis project was to execute a successful run of the play, Stop Kiss by Diana Son while achieving the playwright’s intended message. Opal Clark directed this production of Stop Kiss at East Tennessee State University under special arrangement with Dramatists Play Service, Inc. It was performed to sold out audiences in ETSU Theatre and Dance Studio 205 October 2-7, 2017. The play explores experiences and hostility toward same sex couples, their relationships with one another and how one individual discovers sexuality. The discovery and actualization of the characters’ struggles were communicated in the play using student performers and crew members. The project was documented through a series of journal entries written by the director, who was guided by mentor Professor Robert Funk. The director details the exploration and process in daily journal entries. Additionally, a feminist criticism of the script further explores the portrayal of the plotline. The consequences and implications of dramatic choices within the context of the play are analyzed within this section.