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Huatulqueños y Samahua : el referente, el texto y su recepciónOsegueda, Ximena January 2005 (has links)
No description available.
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Council and context in Leonardo Boff's ecclesiology : the rebirth of the Church among the poor /Nordstokke, Kjell, January 1900 (has links)
Texte remanié de: Doct. th.--Oslo, 1991. / Bibliogr. p. 285-305.
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Praktijk of principe : basisgemeenschappen en de ecclesiologie van Leonardo Boff /Klein Goldewijk, Berma, January 1991 (has links)
Proefschrift--Katholieke universiteit te Nijmegen, 1991. / Résumé en anglais. Bibliogr. de Leonardo Boff : p. 318-333. Bibliogr. p. 334-365.
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Résistance et cubanité : trois écrivains nés avec la révolution cubaine : Eliseo Alberto, Leonardo Padura et Zoé Valdés /Lucien, Renée Clémentine, January 1900 (has links)
Texte remanié de: Thèse de doctorat--Études hispano-américaines--Paris 4, 2003. Titre de soutenance : Résistance et cubanía : trois écrivains de la génération de la révolution cubaine. / Bibliogr. p. 333-356.
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Latin as a Threatened Language in the Linguistic World of Early Fifteenth Century FlorenceO'Rourke, Cara Siobhan January 2006 (has links)
This thesis examines the situation of the Latin language in the unique linguistic environment of early fifteenth century Florence. Florence, at this time, offers an interesting study because of the vernacular language's growing status in the wake of the literary success of vernacular authors Dante, Petrarch and Boccaccio, and the humanist study of Greek language. Joshua Fishman's theories on threatened languages and Reversing Language Shift are used to examine Latin's position in this environment. Chapter I describes Fishman's theories and applies them to the special situation of Florence, giving a context for the following three chapters. Chapter II offers an original interpretation of Leonardo Bruni's Dialogus ad Petrum Histrum, emphasising the significance of the speaker, Coluccio Salutati, and his apparent message in favour of reviving spoken Latin. Chapter III describes a debate that began in 1435, after the papal Curia moved to Florence and Bruni was drawn into the discussions of the papal humanists. The debate examined whether the Ancient Romans actually spoke Latin in their daily lives, or whether Latin was primarily a written, literary language, and there was a separate, spoken language for domestic environments, as in Florence in the fifteenth century. A number of humanists commented in response to this question. I examine Flavio Biondo's treatise dedicated to Leonardo Bruni, Bruni's letter in response to Biondo, Poggio Bracciolini in the the Tertiae Convivialis Historiae Disceptatio, and finally, Leon Battista Alberti's comment in the preface to the third book of the Della Famiglia. In Chapter IV, Bruni's vernacular writing, the Vita di Dante,is used to establish Bruni's own attitude to language choice as flexible and dependant on the subject matter, genre and intended audience for the work.
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Leonardo's Literary Writings: History, Genre, PhilosophyCalabrese, Filomena 23 July 2013 (has links)
This dissertation examines Leonardo da Vinci’s literary writings, namely those known as the Bestiario, Favole, Facezie, and Profezia, as compelling expressions of how Leonardo envisioned the role and influence of morality in human life. Through an analysis of these four literary collections from the perspective of their genre history, literariness, and philosophical dimension, it aims to bring to light the depth with which Leonardo reflected upon the human condition.
The Bestiario, Favole, Facezie, and Profezia are writings that have considerable literary value in their own right but can also be examined in a wider historical, literary, and philosophical context so as to reveal the ethical ideas that they convey. By studying them from a historical perspective, it is possible to contextualize Leonardo’s four collections within the tradition of their respective genres (the bestiary, fable, facetia, and riddle) and thus recognize their adherence as well as contribution to these traditions. The literary context brings to light Leonardo’s intentionality and ingenuity as a writer who uses generic conventions in order to voice his ethical views. Assessed from a philosophical standpoint, these four literary collections prove to be meaningful reflections on the moral state of humanity, thereby justifying the characterization of Leonardo as a moral philosopher.
Current scholarship on the Bestiario, Favole, Facezie, and Profezia generally views these writings as minor Leonardo works and treats them as ancillary parts of his production. This dissertation, conceiving Leonardo as a moral philosopher, provides interpretations that lead to the conclusion that his thought pervades both his major and minor works and that these literary writings must be viewed as an extension (and result) of Leonardo’s greater notions of the world and of how all parts relate to one another. The Bestiario, Favole, Facezie, and Profezia are works that deserve greater attention reflecting as they do the thought of this Renaissance man.
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Leonardo's Literary Writings: History, Genre, PhilosophyCalabrese, Filomena 23 July 2013 (has links)
This dissertation examines Leonardo da Vinci’s literary writings, namely those known as the Bestiario, Favole, Facezie, and Profezia, as compelling expressions of how Leonardo envisioned the role and influence of morality in human life. Through an analysis of these four literary collections from the perspective of their genre history, literariness, and philosophical dimension, it aims to bring to light the depth with which Leonardo reflected upon the human condition.
The Bestiario, Favole, Facezie, and Profezia are writings that have considerable literary value in their own right but can also be examined in a wider historical, literary, and philosophical context so as to reveal the ethical ideas that they convey. By studying them from a historical perspective, it is possible to contextualize Leonardo’s four collections within the tradition of their respective genres (the bestiary, fable, facetia, and riddle) and thus recognize their adherence as well as contribution to these traditions. The literary context brings to light Leonardo’s intentionality and ingenuity as a writer who uses generic conventions in order to voice his ethical views. Assessed from a philosophical standpoint, these four literary collections prove to be meaningful reflections on the moral state of humanity, thereby justifying the characterization of Leonardo as a moral philosopher.
Current scholarship on the Bestiario, Favole, Facezie, and Profezia generally views these writings as minor Leonardo works and treats them as ancillary parts of his production. This dissertation, conceiving Leonardo as a moral philosopher, provides interpretations that lead to the conclusion that his thought pervades both his major and minor works and that these literary writings must be viewed as an extension (and result) of Leonardo’s greater notions of the world and of how all parts relate to one another. The Bestiario, Favole, Facezie, and Profezia are works that deserve greater attention reflecting as they do the thought of this Renaissance man.
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Denouncement, engagement and dialect the Sicilian mystery novels of Leonardo Sciascia and Andrea Camilleri /Holt, Jennifer, January 2010 (has links)
Thesis (Ph. D.)--Rutgers University, 2010. / "Graduate Program in Italian." Includes bibliographical references (p. 156-160).
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A descriptive study of Latin American Christology the Christologies of Leonardo Boff and Jon Sobrino /Trinidad, Mario. January 2005 (has links)
Thesis (M.A.--Theology)--Catholic University of America, 1985. / Typescript. This is an electronic reproduction of TREN, #029-0024. Includes bibliographical references (leaves 170-182).
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A descriptive study of Latin American Christology the Christologies of Leonardo Boff and Jon Sobrino /Trinidad, Mario. January 1985 (has links)
Thesis (M.A.--Theology)--Catholic University of America, 1985. / Typescript. Includes bibliographical references (leaves 170-182).
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