- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
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Ljudinstallation för en nedlagd flygplats : Att förhålla sig till en specifik miljöLindström, Maria January 2018 (has links)
<p>Bilaga 1:</p><p><em></em>Ljudfil <em>der Landebahn</em>. Dokumentation i stereoformat av musiken som spelades på Kungliga Musikhögskolan i Stockholm. Total längd 11 min. Maria Lindström: <em>der Landebahn</em> (2018)</p>
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Möbler som låter : Mekaniskt framkallat ljud och dess tillämpningsmöjligheter i möblerHonkonen, Hemmo January 2017 (has links)
This work is a study about mechanically produced sound and different applications of it in furniture design. I have a background in building musical instruments and wanted to combine my competence in the fields of musical instruments, furniture and design in this project. Through this project I have added yet another medium to my design process with the aim to challenge my creative ability and to deepen my knowledge of sound as a phenomenon. The project has had more of an artistic and conceptual starting point and has been carried out mainly for exhibition purposes. The project has through research and various experiments resulted in a small collection of sounding furniture.
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Metamorphosis – en skog av kokonger : Att uppleva omvandlingBjörn, Anna January 2020 (has links)
<p>Bilaga 1: Videodokumentation av <em>Metamorphosis.</em><em> </em></p><p></p>
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Ambient musik : En undersökning om spatial musik som klingande arkitektur / Ambient Music : Investigating spatial music as sounding architectureMilveden, Jens January 2022 (has links)
”Ambient Music”, established and described by its ”creator” Brian Eno, has become a term with a wide range of uses - as generative music, in sound- and audiovisual art installation, a mediated ”sound” of a genre through albums and artists to plug in to during your daily walk - as well as any imaginable association with the term connected to public, spatial or virtual ambience. Through the liner notes of the genres original albums (Ambient 1: Music For Airports of 1978, and to some extent Discreet Music of 1975) it is clear though that the original idea is more related to listening to your own spatial awareness as a form of music rather than a following of certain sounds and conventions that the term has been associated with. At the time as a sonic alternative to conventional background music of public spaces. The author suggests that these ideas never would have surfaced if it wasn’t for the earlier ideas of Erik Satie and John Cage, whose sonic frameworks and instructions beyond the traditional music sheet were vital for Eno to create generative canvases of sounding art for the spaces. The paper then focuses on consolidating the term ”Ambient Music” with its frameworks in art and function by deconstructing it between spatial, architectonic usage and as a mediated genre of a ”sound”, via virtual generative music - and back again, via its original description of enhancing environments ”acoustic and atmospheric idiosyncracies”. With Eno’s original thesis in mind the paper continues to explore where ”Ambient Music” (through arguably its sub-genre, ”Spatial Music”) is today, as well as looking at the potential futures for the genres’ artistic functions as an established and accepted sonic element of physical architecture and public spaces. This exemplified by building a bridge between ”Ambient Music” and the modern ”non-ambient” sonic scenographer, ”Spatial Music”-artist Mareike Dobewall, for further discussions on sound art as sounding architecture - a potential future for the Ambient label.
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